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Series: New Age: The Guardian Scripts

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The Guardian
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« on: November 13, 2010, 03:04:00 pm »

Series 1 Episode Guide

1.1. The Beginning By Screwdriversonic-Posted
1.2. Something Ood By Screwdriversonic-Posted
1.3. The Ice of Death By Screwdriversonic-Posted
1.4. The Age of Ice By Screwdriversonic-Posted
1.5. The Darkness Unfolds By Screwdriversonic-Posted

Series 2 Episode Guide

2.1 - New Beginnings by Screwdriversonic-Posted
2.2 - Eye Spy By Cybertrash(DoctorWhoOnline)-Posted
2.3- The Life and Love of Robert Burns by Dashragard(DWO)-Posted
2.4 - Greeks and Guardians(P1) by Screwdriversonic and Dashragard.-Posted
2.5 - The Battle of the Olympians(P2) by Screwdriversonic and Dashragard-Posted
2.6 - Home Life by Screwdriversonic-Posted
2.7 - The Poisoned Planet by Oh My Giddy Aunt(DWO)-Posted
2.8 - The Lost Ones(P1) by Screwdriversonic and TDHJ(DWO) -Posted
2.9 - The Legion of Demons(P2) by Screwdriversonic and TDHJ-Posted
2.10 - The Dark Side of the Moon by TDHJ-Posted
2.11 - The Gallifreyan Days by Screwdriversonic and Dashragard-Posted
2.12 - The Beginning of the End by Screwdriversonic-Posted
2.13 - Destiny's End by Screwdriversonic(Split into two parts) -Posted
2.X - Musical :Act 1 by Screwdriversonic -Posted
                    Act 2 by Screwdriversonic-Posted
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The Guardian
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« Reply #1 on: November 13, 2010, 03:05:30 pm »

1.1



        [ Scene 1 - Theatre ]

                      (We see a male who looks about age 14/15 sitting at a theatre watching a show when)


Mysterious Male: ( To the woman sitting next to him) Do you hear that?

Mysterious Female: Excuse me? what?

Mysterious guy: That noise as if something is about to fall

Mysterious Female: (Turns to the boy sitting next to her) Luke can you hear anything

Luke: Yeah i can mum it's a creaking sound.

Female: ( To the mysterious guy) My names Sarah Jane Smith and this is my son Luke.

Mysterious Guy: Nice to meet you i'm ... going to stop that thing from falling. (The mysterious guy runs on stage)

Mysterious Guy: (To the girl who looks about 18) Look out! ( grabs the girl and pulls her back)

Girl: what?

          ( The Mysterious Guy brings out some device and aims it high at the ceiling to stop secure the
            thing that made the creaking noise )

Sarah - Jane: It can't be.

Luke: Mum is that him?

           ( The Mysterious Guy then clicks his fingers and a red telephone box comes out of nowhere )

Sarah - Jane: Doctor!

Mysterious Guy: Not the Doctor. My name is The Guardian. ( The Guardian smiles )

         

                       
         [ Scene 2 ] - ( backstage at the theatre )


The Guardian: Miss Smith you were a companion to The Doctor right?

Sarah - Jane: Yes I was

The Guardian: He has regenerated into his next incarnation

Luke: That must have been why he waved goodbye and was silent

Sarah - Jane: Yes cause it’s not like him being quiet

The Guardian: That was The Doctor I knew always chatting and coming up with brilliantly nonsense                       
                            Plans.

Girl: So who exactly are you? What kind of name is The Guardian?

The Guardian: I’m a Timelord I’m one of the remaining few of them, I’m 900 years old my planet
                            Gallifrey was destroyed in a war called the Timewar

Girl: 900 years old?!!! You only look 14/15

The Guardian: Yeah I could be 1000 and look like a 27 year old. It’s wobbly - wobbly time stuff.

Sarah - Jane: The Doctor used to say that stuff.

The Guardian:  ( To Sarah - Jane ) Yeah I got it from him  ( To the girl) Who are you?

Girl: I’m Georgina Hagen

The Guardian: No! No way! Georgina Hagen your brilliant you are I saw you in Britannia high.

Georgina: You watched Britannia High?

The Guardian: Yeah I had free time so I sat down and watched my tardis-tele and I saw that was on so
                            I watched it and you were really good.

Georgina: Well Thanks.

Sarah - Jane: How did you survive the timewar?

The Guardian: When it came to the final days of the war I got in my Tardis and travelled away back to the
                            18th Century.

Sarah - Jane: Why?

The Guardian: I knew Gallifrey was going to fall and Rassilon was trying to destroy time itself.

Sarah - Jane: Rassilon?!! I’ve been at his tomb how did he come back ?

The Guardian: The Timelord high council all voted they needed someone strong to help with the Timewar
                        and they knew that Rassilon even though he has his evil side could help them
                        So they resurrected him and gave him the hand of Omega to make him even more
                         Powerful so they could take down the Daleks except they didn’t count on him trying to         destroy time just so that Timelords could live but he got stopped they all did everyone          lost  except The Doctor as it was he who destroyed Timelords and Daleks.

Georgina: So you’re an alien? An alien that looks like a human?

The Guardian: Yes I am.
Sarah - Jane: You know so much about The Doctor who are you to him?

The Guardian: I was one of The Doctors best friends. The Doctor, The Master and I. We three were best          friends as yous would call it in childhood on Gallifrey.

Georgina: Who is this Doctor and Master?

Sarah - Jane: The Doctor is a brilliant man he’s a Timelord just like The Guardian I Travelled with him          in his Tardis which looked like a blue police box. We went to so many planets and          time streams.

Georgina: Like a companion? An assistant?

Sarah - Jane: Exactly.

Georgina: ( To The Guardian) Do you have companions?

The Guardian: I have never travelled with anyone else before but I think I may take a leaf out of The          Doctors book and try it.

Georgina: With who?

The Guardian: Whoever wants too.

Sarah - Jane: Well I’ve had my time travelling.

Luke: And I have to stay here with mum we have Earth to save.

The Guardian: From your ceiling in Ealing.

Luke: Exactly.

Georgina: I’m doing this show right now.

The Guardian: Starlight Express? You could be doing so much better than this! Come with me

Georgina: I don’t know I can’t it’s just

The Guardian: I understand.

Georgina: Really?

The Guardian: Yeah your famous your in this you’ve got a lot of dreams and your still young I don’t want         to take that off of you but if you ever need to get away call on me and I’ll be there.

Georgina: Thank you.

The Guardian: Now Sarah and Luke come on I’ll take yous home.

Luke: Goodbye Georgina.

Sarah - Jane: Goodbye.

Georgina: Bye Luke, Bye Sarah - Jane.

The Guardian: ( The Guardian waves) Well I guess we’ll see you

                            ( The Guardian, Sarah - Jane and Luke go in the Tardis)
                                  ( It starts materilizing and it’s gone)

Georgina: I’m sorry Guardian.

Voice: Georgina! Hurry Up!

Georgina: Coming!

[ Scene 3 ] - Sarah - Jane’s house


          ( Sarah - Jane steps out the Tardis then Luke then The Guardian )

The Guardian: Well here we are.

Sarah - Jane: Thanks for this.

Luke: We could of got the train.

The Guardian: Best checking the news when you go in. Crash with the trains.

Sarah - Jane: So you saved our lives and Georgina’s all in the same day?

The Guardian: Yup.

Sarah - Jane: You truly are amazing just like The Doctor.

The Guardian: Yous two can come with me if yous want I’m not exactly short of space.

Sarah - Jane: As I said I’ve had my time and we have Earth to save when no one else can.

Luke: You’ll be okay though won’t you?

The Guardian: Yeah I will besides I have a feeling that wasn’t the last I’ve saw of Georgina.

Sarah - Jane: That girl is truly amazing and so are you what a perfect match.

The Guardian: Yeah I guess we are.  ( The Guardian smiles)
                            If only she was a time lady or I was human.

Sarah - Jane: I think someone likes Georgina, Luke you have competition!

Luke: Mum shhh.

The Guardian: Ah young Luke Smith likes Georgina Hagen. When I see her again I’ll tell her
                            ( The Guardian winks at Luke jokingly)

The Guardian: Well I suppose I best be off now it was nice meeting yous.

Sarah - Jane: Likewise.
Luke: You will come back though one day to see us?

The Guardian: Of course just look into the sky and pay close attention to the stars and you’ll see me.

Sarah - Jane: Until we meet again Guardian.

The Guardian: Until then Miss Smith, cya later Lukey boy.

                 ( The Guardian goes into his Tardis which disappears )

Sarah - Jane: He was nice.

Luke: Yeah, do you think Georgina will go with him?

Sarah - Jane: When I travelled with The Doctor I learnt anythings possible if you put your mind to it.
                         Now come on let’s get inside it’s quite chilly.

                            ( Sarah - Jane and Luke start to walk back in the house )

  [ Scene 4 ] - In the Tardis

The Guardian: ( Looking on the Tardis-tele ) Let’s see what’s on , Eastenders nah too much drama,
                            Heroes too much of lets bring the same actor back because she has three different people                     to play Nikki/Jessica, Tracy and Barbara boring. Tracy Beaker hm there’s Georgina
       (Becomes depressed)  oh Georgina why didn’t you come with me?

            ( Just then a scream can be heard echoing)

The Guardian: What? No it can’t!

              ( The scream gets louder, The Guardian changes his tardis-tele to the frequency of the scream)

The Guardian: No … I have to help her!

[ Scene 5 ]

( The Guardian arrives in a familiar setting )

Voice: HELP!! HELP ME!! GUARDIAN!!

          ( The Guardian runs to the voice )

Voice: No! Stay away from me!!

              ( A dark figure is seen reaching out for the screaming voice)

The Guardian: STOP!!

Voice: Guardian!

Dark Figure: Guardian?!

The Guardian: Leave her alone LEAVE GEORGINA ALONE!

Georgina: Please help me Guardian.

The Guardian: I’m not called The Guardian for nothing am I?

Georgina: HA True ( She smiles)

Dark Figure: Who are you?

The Guardian: I’m The Guardian and I guard people/

Dark Figure: Cut with the cheesiness

The Guardian: Who are you?!

Dark Figure: I … am ( Comes into focus)  Evil Mimic

                          ( Evil Mimic has a black mask over her face with glasses without shades )

The Guardian: Leave her alone Evil Mimic please.

Evil Mimic: ( Mimicking unsympathetically) Leave her alone Evil Mimic please.    

Georgina: I can see why she’s called Evil Mimic.

The Guardian: Yeah thanks for that.

Georgina: Your welcome

The Guardian: I was being sarcastic.

Georgina: So was I ( Georgina winks)

Evil Mimic: Shut up!

The Guardian: Now you listen to me Evil Mimic you shut up!

Georgina: You tell her Guardian.

The Guardian: HA!

Evil Mimic: You think you can stop me?

The Guardian: Honestly no cause I don’t have a clue what I’m suppose to stop you doing.

Evil Mimic: Killing Georgina Hagen.

The Guardian: Is that it? Your big plan? Kill Georgina Hagen then go home?

Evil Mimic: Yeah her voice has destroyed my planet they all have been corrupted and started listening to          singing and I hate her voice so she must die.

The Guardian: How can you hate her voice? Her voice is cracking!!

Evil Mimic: It is the voice of angels!
The Guardian: Exactly!!

Evil Mimic: I hate Angels!

Georgina: Please don’t kill me

Evil Mimic: Please don’t kill me OH SHUT UP!

The Guardian: THAT’S IT I’VE HAD ENOUGH OF YOU

Evil Mimic: THAT’S IT I’VE HAD ENOUGH OF YOU!!

The Guardian: I AM GOING TO KILL YOU!

Evil Mimic: I AM GOING TO KILL YOU!

The Guardian: BRING IT ON

Evil Mimic: BRING IT ON

Georgina: Come on let’s do this ( Georgina starts dancing )

The Guardian: What are you doing?

Georgina: Dancing yous two said Bring it on

The Guardian: We meant fighting

Georgina: Yeah well my ideas better.

The Guardian: But wouldn’t work in a fight.

Georgina: Yeah true.

Evil Mimic: Now where were we?

The Guardian: Oh yeah COME ON WHAT YOU WAITING FOR COWARD!

Evil Mimic: COME ON WHAT YOU WAITING FOR COWARD!

The Guardian: NOW THAT’S GETTING REALLY ANNOYING

Evil Mimic: NOW THAT’S GETTING REALLY ANNOYING!

The Guardian: THAT’S IT I’M DONE I’M GOING BACK HOME AND LEAVING GEORGINA           ALONE!

Evil Mimic: THAT’S IT I’M DONE I’M GOING BACK HOME AND LEAVING GEORGINA ALONE!

             ( The Guardian goes into his Tardis )
               ( Evil Mimic teleports away )
                 ( The Guardian steps out his Tardis)

The Guardian: Now that was easy haha
Georgina: What did you do?

The Guardian: Well she was copying everything we done so I made her think I was going             home and leaving you alone so she done that.

Georgina: Your amazing!

The Guardian: Well thank you so are you

      ( Georgina smiles at The Guardian_

Georgina: That offer to travel with you, is it still there?

The Guardian: Of Course!

Georgina: But I don’t know how we’ll manage to fit in there.

The Guardian: We’ll manage.

 ( The Guardian and Georgina step in the Tardis)

               [ Scene 6 ] - In The Tardis

Georgina: OMG! It’s bigger on the inside!!

The Guardian: Yeah what’d you think ?

Georgina: It’s amazing!

The Guardian: Where would you like to go?

Georgina: Can we go to Southport?  Just before I go travelling with you I want to see one of my fans.

The Guardian: Your wish is my command ( Smiles )

          ( The Guardian sets the Tardis in flight )

   [ Scene 7 ] - Southport

The Guardian: Well Southport that’s us.

Georgina: Yeah, Guardian come on this way

The Guardian: What’s special about this person?

Georgina: She’s my number one fan!

 The Guardian: And by the looks of it today is her birthday!


               ( The Guardian and Georgina look up at a house with banners saying Happy 17th Birthday )

Georgina: That’s her Gillian Wainwright my number one fan!

The Guardian: Well go on, go and see her wish her happy birthday, many returns or whatever yous          humans do.

Georgina: Your coming with me

The Guardian: Okay doke.

                 (  Georgina knocks on the door the girl lives in after a couple of seconds someone answers it)

Georgina: Gillian!

Gillian: Georgie? What are you ding here?

Georgina: Wishing you Happy Birthday  and to let you know I’m going travelling in space and time.

The Guardian: She’s not lying about that. I’m taking her. I’m The Guardian btw Happy Birthday.

Gillian: Thanks.

Georgina: Thanks for your support here have this.

Gillian: What’s this?

Georgina: A birthday present.

The Guardian: Well we best be going now.

Georgina: Cya Gill.

Georgina: Bye Georgie.

The Guardian: Goodbye.

                  ( The Guardian and Georgina walk away back into The Tardis)

                        ( Gillian opens her present from Georgina )

Gillian: OMG! ( We see a picture of Georgina and Gillian together saying ‘ Gillian Wainwright Number          One Fan) I Love you Georgina Hagen.




                       [ Scene 8 ] - In the Tardis

The Guardian: That was really nice what you did back there.

Georgina: Thanks and she deserved it.

The Guardian: You know I’ve got a feeling we’re going to get along just fine.

Georgina: Yeah so do I.

The Guardian: Now Mrs.Hagen where would you care to join me in a little dance?

Georgina: You can dance?

The Guardian: Yeah! You didn’t think I’ve lived for 900 years and haven’t picked up any pointers on my          way.

Georgina: Come on then. ( Georgina laughs)

         ( The Guardian puts some music on )

The Guardian: Ready for this.

          ( The Guardian takes Georgina in a waltzing position and they star dancing)

Georgina: Wow you are really good.

The Guardian: Just like you.

         ( Georgina looks into The Guardians eyes)

Georgina: Since I met you  I’ve wondered how good a 900 year old would be good at …

The Guardian: good at what?

Georgina: Good at this  ( Georgina places one hand on The Guardians face and titls her head forward             their lips touch, they finish kissing ten seconds later)

Georgina: Wow.

The Guardian: I’ve never kissed a human before but for a human your good.

Georgina: For a Timelord your good.

The Guardian: Anyway we must press on, next stop the world, the universe.

Both: ( Happy tone ) ANYWHERE

                 ( Georgina Smiles )

The Guardian: Welcome aboard ( The Guardian Smiles )

             Credits:

The Guardian: John Mclellan
Sarah - Jane Smith: Elizabeth Sladen
Luke Smith: Tommy Knight
Gillian Wainwright as herself
Evil Mimic: Sarah- French Ellis

And introducing The Guardians companion Georgina Hagen

New Age: The Guardian       

Next Time:

The Guardian: I’m picking up a signal a distress signal!

The Guardian: No it can’t be ( The Guardian looks worried )

The Guardian: I’m taking you to the planet of the Ood 

Georgina: ( Talking about the Planet Of The Ood) It’s beautiful!

Ood: The Elder of the Ood sent for you. He is having trouble.

Elder: I see the humans coming back to this planet and enslaving us again. There’s more I see a death of     someone close to you Guardian

The Guardian: Darkness is filling his brain with nightmares and draining him

Elder: I’m afraid my days are numbered.

Georgina: ( Whispering) Guardian, Red - eye

Guard#2: I’ve found traces of live Ood they all seem to be in a cave just down there

Voice: Shoot to kill!

Commander: Affirmative!









                   
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« Reply #2 on: November 13, 2010, 03:09:23 pm »

1.2

 [Scene 1 ] - In the Tardis

The Guardian: So Georgina, a quick recap this is the Tardis, I’m a Timelord

         ( Georgina interrupts )

Georgina: Your 900 years old, only a few of your kind live on, your planet Gallifrey was lost in a war called the Timewar with the Daleks and … you love kissing me!

The Guardian: That was once! It didn’t mean anything!

Georgina: Yeah yeah keep telling yourself that!

The Guardian: Georgina, please listen I don’t have feelings for you I’m an alien your human it’s morally wrong.

Georgina: Guardian, I was just joking with you, that kiss was just a dance kiss.

The Guardian: A dance kiss?

Georgina: Yeah it was the mood we were dancing to romantic music so we kissed and it didn't mean anything it was just a kiss.

The Guardian: Good we got that sorted. ( The Guardian smiles )

Georgina: Yeah ( Georgina smiles weakly )

                    ( The mood is then changed when )

The Guardian: Georgina!! I’m picking up a signal a distress signal!

Georgina: Where from?

The Guardian: No it can’t be ( The Guardian looks worried )

                         



                   [ Scene 2 ] - In The Tardis still

Georgina: Guardian? What is it?!

The Guardian: I’m taking you to the planet of the Ood  ( The Guardian sets the Tardis in flight)

Georgina:  Planet of The Ood? What kind of names that?

The Guardian:  Yeah I suppose your right well lets call it POTO.

Georgina: POTO! ( Georgina laughs )

 Georgina: So what are The Ood?

The Guardian: A slave race.

Georgina: Good or bad?

The Guardian: It depends if we see a red eyed one then watch they’re bad!

Georgina: Ah right thanks for the heads up.

The Guardian: No problem!

                 ( The Tardis lands )

The Guardian: Here we are, come on!

Georgina: Wait Guardian!

The Guardian: What?

Georgina: I want to do this.

The Guardian: Do what?

Georgina: Being the first to step outside the Tardis and seeing what the surroundings are like.

The Guardian: On you go, it’s all yours mistress.

Georgina: Watch it!

The Guardian: Ha-ha

               ( Georgina walks out The Tardis )

 [ Scene 3 ] - Planet Of The Ood

Georgina: It’s beautiful!

 ( The Guardian then comes out The Tardis )

The Guardian: Yeah it is.

Georgina: It’s a bit chilly.

The Guardian: Be back in a minute.

             ( The Guardian walks into the Tardis )

Georgina: (Singing to herself) One by one only the good

                     ( The Guardian comes back out )

The Guardian: There you go ( The Guardian throws a jacket at Georgina )

Georgina: Thanks Guardian.

The Guardian: So let’s see what we have here then.

            ( An Ood approaches )

Ood: Guardian welcome we have been waiting on you.

The Guardian: How do you know my name?

Ood: The Elder of the Ood sent for you.

The Guardian: So it was him who sent out the distress signal?

Ood: Yes he did. He is having trouble.

The Guardian: What with?

Ood: Follow me and he can tell you, himself.

   [ The Guardian and Georgina follow The Ood ]


[ Scene 4 ] - The Ood Cave

 [ The Guardian and Georgina walk in behind the Ood they were following ]

Elder Ood: Guardian?

The Guardian: Yes.

Elder: And Miss Hagen?

Georgina: Yes but you can call me Georgina.

Elder: Guardian and Georgina, I’ve been having bad thoughts and dreams I can’t stop them.

The Guardian: What’s happening?

Elder: I see things, I see the humans coming back to this planet and enslaving us again.

Georgina: They won’t we’ll stop them, won’t we Guardian?

The Guardian: Yes of course we will.

Elder: But there’s more I see a death of someone close to you Guardian.

The Guardian: What?

Georgina: Do you mean me?

Elder: It is not you Georgina. It is something much bigger than that, Someone much more closer.

The Guardian: Who?

Elder: I can’t say but what I can say it doesn’t happen soon .

Georgina: Well that’s good knowing it’s not me going to die.

The Guardian: Yeah we couldn’t have that now could we?

Georgina: No we couldn’t ( Georgina laughs )

Elder: ( In pain ) It’s coming, coming, darkness coming, don’t look back we see it coming, it comes.

Ood: Guardian, save the Elder please!

The Guardian: Just watch me!

     ( The Guardian runs up to the Elder and mental links up with him )

The Guardian: Let’s see oh there it is, darkness is filling his brain with nightmares and draining him.

Georgina: What is this darkness?

The Guardian: I don’t know but I can see you in it.

Georgina: Me why? What’s important about me?

The Guardian: Lots of things.

Elder: ( More refreshed ) Guardian you can stop now.

The Guardian: What happened?

Elder: You have taken away the darkness by looking in my brain but I’m afraid my days are numbered.

The Guardian: Your going to live longer don’t go now!

Elder: Soon I shall go and join the rest of the elders.

Georgina: The rest?

Elder: Every time an elder dies his soul passes on to the one with the brains and courage.

           ( Ood Sigma walks in )

Ood Sigma: The Doctors tenth incarnations song has ended.

Elder: We sang to him the whole universe sang him to his sleep.

The Guardian: His Tardis look pretty bad from what I saw.
                                 
                        ( The Elder becomes red - eye )

Georgina: ( Whispering) Guardian, Red - eye


Elder: The humans are coming they are landing on our planet getting ready to make us into slaves again.

The Guardian: They won’t, We won’t let them.

           [ Scene 5 ] - Planet Of The Ood


Guard#1: Nothing here no signs of Ood life.

Commander: Keep checking, we need those slaves back.

Guard#1: Yes sir.

                           ( A beeping noise can be heard )

Guard#2: I’ve found traces of Ood live they all seem to be in a cave just down there

                ( Guard#2 points down to an entrance, an entrance to a cave )

Commander: ( Into Wrist - com ) We have found Ood activity.

Voice from com: Good bring all you can find though if any go into red eye shoot to kill.

Commander: ( Into Wrist - com) Affirmative!

Commander: ( To the guards ) Come on check it out now!

Guard#1: Right away sir.

              [ Scene 6 ] - In the Cave

Elder: They are approaching the cave.

The Guardian: Georgina come on! Let’s go and stall them!

                    ( The Guardian looks and sees Georgina already running she calls back )

Georgina: Already ahead of you, keep up slowcoach!

Elder: You choose your companions well.

The Guardian: Don’t I just !

            ( The Guardian runs after Georgina )

[ Scene 7 ] - Planet Of The Ood

Commander: ( Hears footsteps coming towards him, to Guards) Get guns ready to fire just encase

Guard#1: Sir I don’t think an Ood can run.

Commander: You’d be surprised what they can and can’t do. ( The footsteps get louder) Ready, Aim

           ( Georgina runs round the corner followed by The Guardian )

Georgina: Wait! Don’t shoot!

Commander: Oh no it yous lot isn’t it The FOTO

Georgina: The what?

Commander: The Friends Of The Ood

Georgina: Yes were are friends of the Ood

The Guardian: Not the way he means it. The FOTO are a group of people against the slavery of The Ood.

Georgina: Ah right but so are we!

The Guardian: Yeah but we ain’t signed up.

Commander: Who are you?

The Guardian: I’m the Guardian and this is Georgina.

Commander: What are yous doing here?

The Guardian: I could ask you the same thing! The Ood were set free years ago.

Commander: And now we need them as slaves once more.

Georgina: That’s wrong, I’m human infact I’m famous and I don’t want a slave especially an Ood one.

Commander: These are desperate times so it calls for desperate measures.

The Guardian: I swear you try to take the Ood and I’ll stop you!

Commander: What does that make you a threat?

Georgina: I guess it does!

Commander: I wasn’t talking to you!

Georgina: Well I was talking to you, Your going to listen whoever you are, you think you can just come to       planet and take the inhabitants of it for your own personal needs!

Commander: No, 6 billion peoples needs.

The Guardian: Not 6 billion because infact a billion people refuse an Ood am I right?

Commander: Yes you are most are in the U.K and America.

Georgina: So then leave them alone.

Commander: No! Guards take them away.


The Guardian: Now listen hear if you think ( Guard#1 comes up to The Guardian and knocks him out                   with smelling salt )

Georgina: Guardian! ( Guard#2 comes up to Georgina and does the same )

Commander: Lock them in the ship! I’ll take care of the Ood!

             ( The Commander walks towards the cave )

Commander: If they don’t do what they’re told ( The Commander reloads his pistol ) they die.

             [ Scene 8 ] - In The Cave


Elder: He is here.

Ood: The Elder is getting more troubled by the minute Sigma.

Ood Sigma: We must protect the Elder.

              ( The Commander walks in the cave )

Commander: I knew I’d find all yous slaves in here!

Ood Sigma: We are not slaves.

Commander: Yes yous are, yous pathetic stupid weird looking dumbos.

Ood Sigma: We’d prefer it if you didn’t say those things.

Commander: I don’t care!

Elder: Sigma, Let me see our guest.

              ( Ood Sigma steps out the way and The Elder looks at the commander )

Elder: So you want to enslave us.

Commander: Yes and if yous don’t come now I’ll kill yous all.

Elder: I’m dieing.

Commander ( Mockingly) Pity.

Elder: And as I die you shall die with me!

                               ( The Elder of the Ood takes forms a energy bolt around his hands and shoots it at the             commander)

Commander: NOOO! It hurts!!

Elder: Now you know how we felt!

                           [ Scene 9 ] - In the Ship

Guard#1: What do you think of this, taking the Ood as slaves and selling them?

Guard#2: I say it’s stupid.

Guard#1: Do you think we should let them go ?

Guard#2: Who those two?( Points at The Guardian and Georgina) Yeah.

Guard#1: Best wake them up first.

             ( Guard#1 goes up to The Guardian and starts saying his name )

Guard#1: Guardian? Guardian??  GUARDIAN!!!

                      ( The Guardian springs up )

The Guardian: What, what’s happened?

Guard#1: Commander is away to get the Ood.

The Guardian: Why have you woken me up?

The Guard#2: We’re letting yous go.

The Guardian: Georgina, wake up, Georgina, Georgina Hagen!

                     ( Georgina shoots up and slaps The Guardian )

The Guardian: Ow! What was that for?

Georgina: I thought one of them there were feeling me up.

The Guardian: They’re letting us go.

Georgina: Where’s their commander?

The Guardian: In the cave we got to go.

Guard#1: He’s not our commander.

The Guardian: What you mean?

Guard#1: I’m agent Simmons and this is agent Brit we work for U.N.I.T.

The Guardian: Ah right.

Agent Simmons: We were working undercover trying to stop the ‘ commander’ from enslaving The Ood.

Agent Brit: We need to go and stop him now!

The Guardian: Yeah we do!

Georgina: Can anyone else hear a beeping noise?

( A beeping noise starts to get louder and louder )

The Guardian: Yeah it sounds like a bomb, Every one out now!

         ( The Guardian, Georgina, Agent Simmons and Brit run out the ship )

Agent Simmons: The Commander must of known about us being in U.N.I.T and planned to kill us.

The Guardian: What is this commanders real name?

Agent Simmons: We don’t know it was never said.

The Guardian: Who does he work for?

Agent Simmons: No one, U.N.I.T pretended to be a slave organisation that helps people make aliens into          slaves cause they knew about that commander and the way he was being.

The Guardian: Good ol’ U.N.I.T

Agent Brit: Are you a Timelord? Like The Doctor?

The Guardian: Yes I am!

 Georgina: The Cave!

                                  ( All four run to the Cave to be confronted with )

[ Scene 9 ] - In the Cave

Agent Simmons: What happened here?

Elder: I used up the last of my energy to kill him.

The Guardian: Don’t worry Elder and Sigma these men are with U.N.I.T

Elder: Ah The Unified Intelligence Taskforce.

                 ( The Elder starts to flash )

Ood Sigma: The Elder is dieing.

Elder: My song is ending but Ood Sigma I tell you  I’ll live on the elder lives on

Ood Sigma: How?

Elder: In you, You are the new Elder   ( The Light that was coming from the Elder is now being                            transformed onto Ood Sigma )

The Ood: ( Chanting ) All hail the Elder Ood Sigma, All hail the Elder Ood Sigma.

Elder Sigma: I am reborn the elder of the Ood is reborn in Ood Sigma!

The Guardian: Congratulations Ood Sigma! Well we best be going now come on yous three.
      ( The Guardian and co walk back to The Tardis )


[ Scene 10 ] - In The Tardis

The Guardian: So U.N.I.T headquarters here we go

 ( The Guardian sets the Tardis for U.N.I.T )

The Guardian: Well did we have fun on an alien planet agents?

Agent Simmons: Yeah it was interesting.

Agent Brit: It was fantastic!

Georgina: Isn’t it just!

The Guardian: ( To agents ) That was Georgina’s first alien planet ( To Georgina ) What’d you think ?

Georgina: I can’t believe it please never leave me I want to travel with you forever

The Guardian: Oh YES!! ( The Guardian smiles then Georgina smiles )



NEXT TIME

The Guardian: The Cloister Bell! Something’s up.

Georgina: Let’s go and see then!

The Guardian: We got to go to Omega71. There’s an energy source coming from there

Voice: Kill them before they find out our plan!

Ice General: Well Guardian we shall stand together as the Earth freezes.

Georgina: I won’t let you do that to my home.

Voice: (eerie) Timelord.

Ice General: Now Timelord meet my lord and Master!

            [ A whole shape is now formed it is eight feet in height ]

Georgina: Wow that’s big!

Voice: I am The Ice Emperor you will bow down to me!

CUT TO:

             The Guardian: John Mclellan
             Georgina Hagen as herself
             Voice of the Ood: Silas Carlon
             Voice Of Elder Ood: Brian Cox
        Ood: Paul Kasey
             Agent Simmons: Robert Downey Jr.
        Agent Brit: Wayne A Robinson
        Commander: David Morrisey
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« Reply #3 on: November 13, 2010, 03:10:45 pm »

1.3


[ Scene 1] - Planet Omega71

Icy Voice: Is the machine ready?

Cool Voice: Nearly ready it just needs to be in line with the perimeter of the Earth then oscillate it with the numbers 3-4-6-6-6-5-3

Icy Voice: Good! We shall rise once more we shall take control of the Earth.

Cool Voice: The Ice Warriors shall rise!

                   

 [ Scene 2 ] - In The Tardis

                      (The Guardian is listening and singing along to She’s So Lovely By             Scouting For Girls )

The Guardian: (singing) I love the way she bites her lips, I love the way she shakes her                          hips, I love the way she makes me drool, I think she is beautiful, She’s so          lovely.

                          ( The Guardian stops singing and puts the music off )

The Guardian: (Talking)  Georgina! Where are you?

         [ The Guardian leaves the control room and goes into his clothes room ]

The Guardian: Georgina? You in here?

Georgina: ( Evil Voice) Guardian?

The Guardian: Who are you? What do you want?

             ( Georgina jumps out in front of The Guardian with a mask on )

The Guardian: Sake, Georgina you nearly gave my hearts an attack.

Georgina: Your HEARTS an attack?

The Guardian: Yeah I have two hearts.

Georgina: You didn’t tell me that

The Guardian: Guess I didn’t by the way (Jokingly) That mask is an improvement.

Georgina: Ha-ha very funny Guardian!

                  [ Georgina takes the mask off ]


The Guardian: ( To Georgina implying about her beauty )Now that’s what you call an          improvement.

Georgina: Thanks Guardian ( Georgina Winks )
 
The Guardian: Anytime.

               ( Changing the mood the Cloister bell goes off )

The Guardian: The Cloister Bell! Something’s up.

Georgina: Let’s go and see then!

The Guardian: You’d think this is your Tardis.

Georgina: Ha-ha I’m just too good for you Guardian.

The Guardian: Aren’t you just.

               ( The Guardian and Georgina run back to the console room )

The Guardian: I was hoping I got a break from this.

                ( The Guardian looks at the Tardis - screen )

Georgina: Guardian what is it?

The Guardian: We got to go to Omega71. There’s an energy source coming from there.

Georgina: Well let’s go!

The Guardian: Mind a jacket this time!

Georgina: Another cold planet?

The Guardian: I’ll take you to Mars after this then.

Georgina: Yeah!

 ( The Guardian sets the Tardis in flight for Omega71)

[ Scene 3 ] - On Planet Omega71 - Ice Warrior Base

Ice Warrior: A teleportation device is entering our atmosphere.

Ice General: Find out who it is!

Ice Warrior: Of course.

Voice: General who is it? Is it the Doctor?

Ice General: I wouldn’t count on him but I think it may be another Timelord.

Voice: Who ever it is, kill them before they find out our plan!

Ice General: As you wish.

                      [ Scene 4 ] - On the surface of Omega71

The Guardian: You see Georgina  Omega71 has been uninhabited for years.
      So someone has just recently came here and are intending to build                            something.

Georgina: Ah right so what do you think it is that’s being built?

The Guardian: I’m not sure but we could probably ask him ( Nods to the ice warrior                            in front of them)

Georgina: What is that?

The Guardian: It’s an Ice Warrior.

Georgina: Ice Warrior? But it’s green.

The Guardian: Yeah that’s something I’ve never understood.

Ice Warrior: Halt there!

The Guardian: Hello!

Ice Warrior: You will be quiet.

Georgina: ( Laughing ) That’ll be hard for him to do!

The Guardian: Ha-ha Georgina your very funny.

Georgina: I know I really am.

The Guardian: Yeah I can’t argue with that.

Ice Warrior: Both of yous shall come with me!

The Guardian: Let’s go ( The Guardian and Georgina follow The Ice Warrior )

             [ Scene 5 ] - Omega71 - Ice Warrior Base


Ice Warrior: I have the two intruders.

The Guardian: Yeah how did we get in? In-tru-da-window?

         ( Georgina laughs )

Ice General: Quiet! So who are you?

The Guardian: The Guardian!

Georgina: And I’m Georgina.

Ice General: Well Guardian we shall stand together as the Earth freezes.

Georgina: What!?

Ice General: Soon the Earth will be frozen and it’ll come our new planet.

Georgina: I won’t let you do that to my home.

Ice Warrior: The female appears to be human.

Ice General: ( To The Guardian ) So what does that make you?

The Guardian: Timelord.

Ice General: I thought so.

Voice: (eerie) Timelord.

Ice General: Now Timelord meet my lord and Master!

The Guardian: Oh don’t tell me it’s The Master.

Ice General: No! We would never work with a Timelord.

The Guardian: Not even in a Timewar!

Ice General: That was once, The Daleks threaten to destroy everything they had to be                     stopped!

The Guardian: And they were by The Doctor.

Ice General: Time to meet him the one who gave us home here until Earth Is frozen.

                     [ A icy face starts to emerge from the wall ]

Voice: Guardian!

                  [ A whole shape is now formed it is five feet in height ]

Georgina: Wow that’s big!

Voice: I am The Ice Emperor you will bow down to me!

The Guardian: No we are not!

Ice Emperor: General take them to the cells and make sure they don’t get out!

Ice General: Yes sir.

Georgina: Guardian! What do we do ?

The Guardian: We let them take us.

           [ The Guardian and Georgina get taken to cells by Ice General and Warrior ]

[ Scene 6 ] - In the cells

The Guardian: I guess we’re done.

Georgina: We can’t be, No! There must be something we can do.

The Guardian: I’m sorry there’s nothing they’ve won!

Georgina: I’m not just going to sit in a cell made of ice and die of being frozen! And I’M            NOT LETTING THEM FREEZE EARTH!!

The Guardian: Georgina listen to me please.

Georgina: No! I’m getting out of here!

The Guardian: Suit yourself but I’m going to sit here and wait for death to come.

Georgina: Fine then.

       [ Georgina looks round for a way of escaping when ]

Ice General: The Emperor has sent a message, he says he wants to see yous and show          yous something.

The Guardian: Okay?

Georgina: What is it?

Ice General: You’ll find out once you get there.
 
              [ The three are walking back to the central base ]

Georgina: We weren’t in there for long.

The Guardian: They’ll throw us back in once we’ve been shown what ever it is.

Georgina: Oh great!

[ Scene 7 ] - Omega71 - Base

[ The three arrive ]

Ice Emperor: Ah Guardian and Georgina.

The Guardian: What did you want us for?

Ice Emperor: Observe.

            [ The Ice Emperor flicks a switch which turns a monitor on, on which The Earth          can be seen ]

Ice Emperor: General activate the machine!
Ice General: Right away.


        [ The General interacts with a few buttons on a machine ]

The Guardian: ( About the machine ) What is that?

Ice Emperor: An ice-obringer

Georgina: An Ice-obringer? Who made that name up because it is rubbish.

Ice Emperor: I did! How dare you!

Georgina: I mean Ice-obringer, isn’t exactly catchy now is it and if you’re an evil               mastermind then shouldn’t you have a better mind for naming things?

Ice Emperor: You have better names?

Georgina: The Ice - Dawner, The Ice - Age.

Ice Emperor: The machine is now called The Ice - Dawner.

Georgina: Or the Ice - Converter.

Ice Emperor: Oh that ones better. Okay it’s now The Ice - Converter.

The Guardian: [ To Ice Emperor ] Cool names from Georgina eh?

        [ Georgina laughs ]

Ice General: What’s funny? Oh I get it Ice Warriors and cool.

Ice Emperor: What a comedian Guardian.

The Guardian: I know.

Ice Emperor: Now it’s time The Earth shall end observe !

       [ The Guardian and Georgina look at the monitor ]

Georgina: No!

The Guardian: You are literally freezing the Earth.

Ice Emperor: I did say I was freezing the Earth.

The Guardian: I didn’t think you meant it that way!

Georgina: We’ve got to stop them.

Ice Emperor: Warrior activate holding cells.

         [ Two metal cells come down on The Guardian and Georgina ]

The Guardian: Let us out! Let us out now!

Georgina: Stop! You don’t need to do this!

Ice Emperor: Yes I do ( Ice Emperor laughs manically ]

                 [ While The Ice Emperor is laughing, a shot of the Earth with ice going round               can be seen, the zoom comes away from it, Not just the Earth has been frozen            but the entire universe is beginning to freeze - Cut back to the base ]

The Guardian: Stop! Your freezing the entire universe.

Georgina: What does that mean?

The Guardian: It means everyone is going to die and the Ice Warriors will be the only          things left in existence ! It’s the End of the Universe as we know it!

CUT TO:

    The Guardian: John Mclellan
     Georgina Hagen as herself
      Ice Emperor: James Cordon
      Ice General: Matthew Horne
      Ice Warrior: Matt Smith

CUT TO:

   Next Time

Ice Emperor: Once the whole universe is frozen nothing can stop the Ice Warriors from                 rising!

Ice General: The Ice Age has reached 50 % critical.

The Guardian: I can send out a signal for The Doctors help.

Georgina: I’ll finally get to meet The Doctor?

The Guardian: That you will.

The Doctor: Guardian?

The Guardian: Doctor! In here!

Ice Emperor: Soon this universe will be gone, and time frozen.

Ice General: The Ice Warriors will rule supreme

         [ Georgina pulls out the heat gun The Doctor had earlier ]

Georgina: I’ll use it don’t think I won’t!

Ice Emperor: Then do it!

Georgina: No one deserves to die!

The Guardian: I’m a Timelord I have higher authority in this.

Georgina: No! I won’t be anywhere near you, You’re a monster!

The Guardian: [ Crying ] I can’t lose you please don’t do this Georgina

The Guardian: Georgina?!


New Age: The Guardian

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« Reply #4 on: November 13, 2010, 03:11:37 pm »

1.4

   Last Time

The Guardian: The Cloister Bell!

The Guardian: We got to go to Omega71

Ice Warrior: A teleportation device is entering our atmosphere.

Ice General: Find out who it is!

Voice: Who ever it is, kill them before they find out our plan!

Ice General: Well Guardian we shall stand together as the Earth freezes.

Georgina: What!?

Ice General: Soon the Earth will be frozen and it’ll come our new planet.

Voice: I am The Ice Emperor you will bow down to me!

Georgina: I’m not just going to sit in a cell made of ice and die of being frozen! And I’M NOT LETTING        THEM FREEZE EARTH!!

Ice Emperor: General activate the machine!

Ice Emperor: Now it’s time The Earth shall end observe !

[ While The Ice Emperor is laughing, a shot of the Earth with ice going round can be seen, the zoom comes away from it, Not just the Earth has been frozen but the entire universe is beginning to freeze ]

The Guardian: Stop! Your freezing the entire universe.

Georgina: What does that mean?

The Guardian: It means everyone is going to die and the Ice Warriors will be the only things left in existence ! It’s the End of the Universe as we know it!




[ Scene 1 ] - In the Ice Warriors base

Ice Emperor: Once the universe is frozen nothing can stop the Ice Warriors from                          rising!

The Guardian: Except me

Ice Emperor: Oh you’ll be disposed of.

Georgina: Don’t you dare!

Ice Emperor: So fierce this one. This girl.

Georgina: I’ve told you it’s GEORGINA not girl!!

Ice Emperor: And yet I don’t care!

Ice General: The Ice Age has reached 50 % critical.

Ice Emperor: Now Guardian, observe the humans

       [ The monitor changes to clips of London, Earth ]

Georgina: No!

  [ We see two people, a boy and a woman ]

The Guardian: Sarah - Jane! Luke!, (To the Emperor ) Please stop this look at them, your          killing them! All because you want to rule the universe but what is there for       you to rule once everyone is frozen and dead? Yourselves that’s all.

Georgina: For a cool race yous are completely thick.

The Guardian: Good one Georgie.

Georgina: I know ( Georgina winks )

The Guardian: She’s just brilliant isn’t she eh, Ice Emperor?

Ice Emperor: I’ll give her that. Now she shall observe on someone else who is near death.

     
  [ The monitor changes to a familiar face a face Georgina visited before she went away ]

The Guardian and Georgina: GILLIAN!

Georgina: Why are you doing this you monster!

Ice Emperor: I’m not a monster, I’m an alien!

Georgina: Same difference, now you listen to me you are going to let them all go! NOW!

Ice Emperor: General take them back to their cells.

Ice General: Right away.

         [ The metal bars surrounding Georgina and The Guardian disappear then The General takes The Guardian and Georgina back to their cells ]

Ice Emperor: Soon this universe will be all mine!

[ Scene 2 ] - In the cells

The Guardian: Ah well it’s the final countdown.

Georgina: They’re not dieing.

The Guardian: Georgina I’m sorry there is nothing we can do.

Georgina: What do you mean? There’s nothing we can do? We can reverse it or melt it.

The Guardian: ( Inquisitively) What do you mean?

Georgina: Well we can reverse the machine so it brings out heat instead of ice which            would

The Guardian: ( Interrupting, Enthusiastically) Melt the ice that’s freezing the universe          and the Ice Warriors. OH GEORGINA YOUR BRILLIANT!!

Georgina: I know ( Georgina smiles )

The Guardian: But how do we do it, is the problem.

Georgina: Well mind the Ice Warriors were green? If you look at them they are now              turning blue.

The Guardian: Which means the ice must be affecting them too, making them stronger.

Georgina: But we can reverse it can we not?

The Guardian: Yes we can but we’d have to use something technical.

Georgina: Where’s that device you’ve got?

The Guardian: It’s here [ The Guardian takes out his device ]

The Guardian: But it won’t do much unless we can get to the machine.

Georgina: Times like these I wish we had a third person.

The Guardian: Yeah,(Sudden Realisation)  wait that’s it!

Georgina: What?

The Guardian: I can send out a signal for The Doctors help.

Georgina: I’ll finally get to meet The Doctor?

The Guardian: That you will.

Georgina: Cool.

The Guardian: ( fiddling with his device ) Just sending out a distress signal right now.

Ice General: What are you doing?!

The Guardian: Nothing just admiring the architectural structure of the cells.

Ice General: Okay.
 
                 [ Georgina smirks]

The Guardian: ( Whispering to Georgina ) The Doctor should be here soon.

      [ Scene 3 ] - On the surface of Omega71

    [ A Blue police box appears and out steps a man with a brown suit and cream converse]

The Doctor: Let’s see Omega71, very icy, looks like Ice Warriors are here so someone needs help to escape from them and the whole universe is freezing up.

              [ The Doctor looks around to see if there’s an entrance he sees one but realizes ]

The Doctor: That’s the way to the main room I need to find the door to where the distress signal is coming from.

              [ The Doctor can now hear a voice telepathically ]

The Guardian: Doctor! Help we’re in the cells!

The Doctor: Guardian! I’ve got to find the door to the cells.

     [ Scene 4 ] - In the Cells

The Guardian: I hear footsteps coming.

Georgina: Same, Do you think it’s him?

The Guardian: Could be.

               [ A voice can be heard whispering ]

The Doctor: Guardian?

The Guardian: Doctor! In here!

       [ The Doctor runs up to the cell ]

The Doctor: Hello!

The Guardian: You look different you regenerated.

The Doctor: Yes I have twice since we last met.

The Guardian: No  I mean you have already regenerated away from this incarnation so                   how are you here?

The Doctor: I guess I picked up the signal in my time stream.

The Guardian: Looks like it.

The Doctor: Yeah Wibbly Wobbly 

Georgina: (Interrupting ) Timey - Wimey

The Doctor: ( To The Guardian ) Who’s this?

Georgina: Hi I’m Georgina.

The Doctor: Hello, I’m The Doctor.

Georgina: I’ve heard so much about you.

The Doctor: (Shocked) Really?!

Georgina: Yeah.

The Doctor: Well nice to know I’m appreciated.

The Guardian: What happened to the Ice General?

The Doctor: Don’t know he wasn’t there when I came in.

The Guardian: Must have been called back to the central base.

The Doctor: Yeah. Now to get yous out of here.

        [ The Doctor brings out a metal device ]

The Doctor: Stand back!

          [ The  metal device shoots fire, The Door melts ]

Georgina: Wow!

The Doctor: Heat gun.

Georgina: Cool!

The Doctor: ( To Georgina ) You want to see It?

             [ The Doctor gives the heat gun to Georgina ]

The Guardian: Show off!

The Doctor: Yeah I do it brilliantly though.

The Guardian: That he does.

        [ The Doctor and The Guardian shake hands ]

The Doctor: Good to see you again friend.

       [ They release each other ]

The Guardian: Here Doctor don’t leave Georgina out.

The Doctor: ( To Georgina ) Come here.

         [ Georgina runs up to The Doctor and hugs him ]

Georgina: Now I’ve hugged you and kissed The Guardian.

                   [ The Doctor looks at The Guardian ]

The Guardian: We were dancing.

          [ The Doctor and Georgina release each other ]

The Doctor: Oooo dancing!

Georgina: Yeah he was surprisingly good.

The Guardian: Well I learned from the best.

The Doctor: That you did.

Georgina: Wait, Guardian you learned how to dance from The Doctor?

The Guardian: I was trying to pick up this time lady, she liked dancing so The Doctor         showed me how to dance so I could impress her.

Georgina: Did it work ?

The Guardian: Yeah we got married had kids then

The Doctor: Came the Timewar and everyone was wiped out.

The Guardian: Because of you and ‘ The Moment ‘

The Doctor: I had to, Sacrifices had to be made.

The Guardian: I know, I just wish I took them with me when I ran away.

The Doctor: We’ve all made mistakes.

The Guardian: Yeah

Georgina: Anyhow universe freezing let’s go and save it!

The Guardian: OH YES!

The Doctor: Oi! That’s my saying.

The Guardian: Okay, Allon-sy. ( The Guardian laughs )

The Doctor: Your pushing it.

Georgina: Yous two come on.

[ Scene 5 ] - In the base

Ice Emperor: Soon this universe will be gone, and time frozen.

Ice General: The Ice Warriors will rule this stupid universe.

Ice Warrior: And nothing will get in our way.

The Guardian: Except us!

Ice Emperor: Guardian!

The Guardian: I brought a friend along with me.

The Doctor: Hello Ice Warriors, what stupid plan are yous trying this time?

Ice Emperor:  Who are you?

The Doctor: I’m The Doctor!

Ice Emperor: Haven’t you looked at the universe Doctor? It’s frozen.

The Doctor: That was yous? I thought it was someone smart!

Ice Emperor: We Ice Warriors are smart Doctor, smarter than you have ever known!

The Guardian: Yeah, yeah.

The Doctor: What exactly do you think your going to get out of this?

The Guardian: I’ve already asked them that.

The Doctor: No luck?

The Guardian: Exactly.

Ice Emperor: We shall be the only things left in existence.

The Guardian: But what good is that? You’ll have no one to rule!

Ice Emperor: We just want to have the universe to our selves.

Georgina: Greedy …


The Guardian: ( Interrupting before Georgina can finish ) anyway, we can stop you and          we will!

The Doctor: You can bet on it that we will.

Ice Warrior: All talk that’s what Timelords are!

Georgina: But us humans aren’t!

         [ Georgina pulls out the heat gun The Doctor had earlier ]

Georgina: I’ll use it don’t think I won’t!

The Doctor: I didn’t get it back off of you.

Georgina: No you and The Guardian were too busy talking.

         [ Georgina points the heat gun at the Ice - Converter ]

Ice Emperor: Do it! Go on do it!

Ice Warrior: She can’t she’s too weak.

          [ The Ice General goes up behind Georgina and freezes her mind ]

The Guardian: NOOO!

        [ Georgina drops to the ground ]

The Guardian: NOW YOU’VE DONE IT!

       [ The Guardian goes over to Georgina and picks up the gun ]

The Guardian: Doctor, try and get her wakened!

The Doctor: Of course.

         [ The Guardian points the heat gun at the Ice - Converter ]

The Guardian: I’ll shoot don’t think I won’t!

Ice Emperor: Then do it!

        [ The Guardian pulls the trigger on the heat gun, flames come out of it and destroy       the machine ]

The Doctor: Guardian! She’s wakening up!

The Guardian: That was fast!

The Doctor: It must have been the machine that done it.

Georgina: ( Weakly ) Guardian? Doctor?

The Doctor: Don’t worry Georgina you’ll be okay.

Georgina: ( Healthier ) Guardian?

          [ Georgina gets up and looks at The Guardian who has the heat gun pointing at the    Ice Emperor ]

Georgina: Guardian! What you doing?! The machines been destroyed we can go !

The Guardian: NO! We can’t go not until the Ice Warriors are gone!

Georgina: Just leave them!

        [ The Guardian turns round to look at Georgina ]

The Guardian: No. They have to die, They nearly killed billions of people! They deserve                   this !

Georgina: No one deserves to die!

The Guardian: I’m a Timelord I have higher authority in this.

Georgina: Doctor stop him please.

The Doctor: He’s making the right choice they do deserve to go.

 The Guardian: Goodbye Ice Emperor!

          [ The Guardian points the heat gun back to the Ice Emperor and pulls the trigger    flames come bursting out and The Ice Emperor starts to melt, as the fire gets    stronger the whole cave as it’s made of snow starts to collapse.]

The Guardian: Georgina?!

        [ The Guardian looks round and realizes Georgina’s gone ]

The Guardian: ( To The Doctor ) Where’s Georgina?!

The Doctor: I don’t know, wait there she is [ The Doctor points to the path leading down                      to the cells ]

The Guardian: GEORGINA!

Georgina: Leave me alone!

     [ The Guardian looks at The Doctor then quickly looks back when he hears ]

Georgina: HELP!

  [ Scene 6] - At the cells

   [ The Guardian and The Doctor run down the path and are confronted by an avalanche about to fall on Georgina ]

The Guardian: Georgina! I’m coming!

       [ As The Guardian runs for Georgina he is stopped by the ground opening up ]

The Guardian: NO! Georgina there’s no way for me to get to you now!

Georgina: Leave me to die! Just like you did with The Ice Warriors!

The Guardian: Georgina I’m sorry.

           [ The Guardian takes out the heat gun and points it at the avalanche and pulls the trigger which melts the avalanche ]

The Guardian: Georgina you have to jump!

Georgina: No! I won’t be anywhere near you, You’re a monster!

The Guardian: Please Georgina!

           [ Georgina jumps but slips and is now hanging on to the edge of The Guardian’s    side of the opening ]

The Guardian: Georgina take my hand please!

Georgina: No.

The Guardian: Please Georgina, [ About to cry ] I don’t want you to die

The Doctor: [ To himself ] Come on Guardian you can do this.
                     [ To The Guardian ] I’ll meet yous outside!

                  [ The Doctor runs out to the surface of Omega71 ]

The Guardian: [ Crying ] I can’t lose you please don’t do this Georgina take my hand.

Georgina: What?

The Guardian: Don’t you realise Georgina you mean everything to me your all I have, Your like family to me.

Georgina: (Changing mood) Guardian don’t let me fall.

The Guardian: [ Enthusiastically ] Your not falling, Your not dieing!

          [ The Guardian grabs a hold of Georgina and pulls her up ]

Georgina: [tearfully] Guardian I’m sorry I shouldn’t of said what I said I do trust you it                    was just a shock seeing you doing that.

The Guardian: I know but you understand in life we must make sacrifices no matter how bad or big they can be?

Georgina: Yeah.

The Guardian: Now let’s see that smile

       [ Georgina smiles ]

The Guardian: That’s better!

                [ The Guardian and Georgina run out to the surface ]

          [ Scene 7 ] - On the surface
                     
                             [ The Doctor see’s The Guardian and Georgina running out ]

 The Doctor: [ Clapping ] Bravo Guardian well done you saved the universe and                   Georgina! I may even go as far as to say you were better than me!

The Guardian: Yeah I guess I was ha-ha.

The Doctor: Only this once though.

The Guardian: Ha - ha

The Doctor: Well I best be off I’ll see you later.

The Guardian: Yeah.

The Doctor: Goodbye Georgina.

Georgina: Bye Doctor [ Georgina waves ]

       [ The Doctor waves bye back and starts to walk off ]

The Guardian: Now back to the Tardis!

Georgina: Yup and travel the universe once more!

The Guardian: So you want to stay?

Georgina: Yeah of course I do !

The Guardian: Good, cause I want you to

     [ The Guardian and Georgina smile ]

Next Time

Man: Close your curtains, Turn off your lights as The Darkness Comes

The Guardian: (laughing) Come on Georgina where you want to go ?

Georgina: Home.

The Guardian: Oh right ( smile fades and music stops )

The Guardian: What? What’s happening?

The Guardian: ( Sadder ) No … I should of stayed

The Guardian: ( A lot brighter) Next stop London! Hold on Georgina Guardians coming!

Georgina: Exterminate this!!

The Guardian: Brilliant Georgina!

Voice: Yous humans shall be taken for experiment for the final stage.

Georgina: ( Weakly) Why … are .. You .. Doing this?

Dalek: The Dalek race must evolve!

Red Dalek: The Dalek Emperor shall rise!

( Credits )

The Guardian: John Mclellan
Georgina Hagen as herself
The Doctor: David Tennant
Ice Warrior: Matt Smith
Ice Emperor: James Cordon
Ice General: Matthew Horne
 
New Age: The Guardian


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« Reply #5 on: November 13, 2010, 03:13:01 pm »

1.5


[Scene 1] - A House in London

[A dark globe is seen on a television screen with the words Darkness comes. A man dressed in black steps forward and says .]

Man: Close your curtains, Turn off your lights as The Darkness Comes

                       ( We see a teenage boy sitting watching the advert )

Boy: Dad what's this about The Darkness?

Dad: I don't know something stupid no doubt

Mum: Yeah The Darkness Comes

                         ( Just then the television cuts off as does all light in the house )

Boy: Mum, Dad what's happening?

Dad: I don't know son.

Mum: Probably just a power cut.

                                   ( Then a metallic voice can be heard in the dark with lights flashing)


Voice: Yous humans shall be taken for experiment.

Dad: Experiment for what?

Voice: Experiment for the final stage, The Dalek Emperor will rise!

                        ( The Family then scream )



[ Scene 2 ] - In The Tardis

         ( upbeat music being played in The Tardis )

The Guardian: (laughing) Come on Georgina where you want to go ?

Georgina: Home.

The Guardian: Oh right ( smile fades and music stops )

Georgina: I’m sorry I just need to see my family.

The Guardian: I understand.

Georgina: Thanks

The Guardian: Next stop London, Planet Earth ( Presses Tardis lever )

Georgina: Guardian I am sorry you know that don’t you?

The Guardian: Yeah as I said when I first met you, your just young you have a lot of dreams and you miss          your family a lot and they mean everything to you.

Georgina: Yeah thanks for understanding.

The Guardian: [To himself] I guess I’ll just go back  to travelling alone.

                      ( The Tardis stops and Georgina runs out the doors )

The Guardian: I’m going to miss you.

                              ( The Guardian sets The Tardis in flight )

                [ Scene 3 ] - London

Georgina: (Happily) LONDON!! ( Turns round and discovers The Tardis is gone )

Georgina: ( Sad) Guardian? Oh he must of thought I meant stop travelling with him when I just meant I    was just going to see my parents then off again. Looks like that’s me stuck here.

                   ( While Georgina was too busy thinking of The Guardian she didn’t notice what was around          around her not until )

Metallic Voice: All Humans will be exterminated!!

                 ( Georgina looks up at the sky and sees everywhere is pitch black and the sun and moon are          gone)

Georgina: What?!

                      ( A peppered pot shaped machine comes up to Georgina)

Metallic Voice: Halt! You will be taken for the final stage!

Georgina: I’m not scared of you, I’ve met things like you before!

Metallic Voice: Timelord?

Georgina: No but I knew one.

Metallic Voice: The Doctor!

Georgina: No, The Guardian Who are you?

Metallic Voice: Daleks do not take orders from humans.

Georgina: You just told me what you are.

Dalek: The female will be quiet.

Georgina: No I won’t. You’ll do as I say!

Dalek: Daleks do not listen to humans.

Georgina: Yeah well you’ll listen to me!

Dalek: I won’t you’ll come with me ( To Command) Dalek command teleport the female aboard the ship       for use in the final stage!

Dalek#1: Yes Master!

                       ( A light beam begins to circle round Georgina in a second she is gone )

                                              [ Scene 4 ] - On the Dalek cruciform

Georgina: Where am I?

Dalek: You are aboard the Dalek ship you will be taken now for the final stage.

Dalek#2: Reading bio-nangenes

Dalek#1: The female appears to have radiation from a time machine.

Dalek: She has travelled with a timelord known as The Guardian.

Dalek#1: Then she should be exterminated.

Dalek Voice: (gruff voice) No leave her

                  ( Georgina looks round and sees a red Dalek coming towards her )

Red Dalek: Since the female has time travelled we can use her more than others.

Dalek: What do you mean?

Red Dalek: She shall be used as a the catalyst.

                [ Scene 5 ] - In  The Tardis

 ( The Guardian is sitting depressed  )

The Guardian: Georgina why did you leave? I wonder if this is how the Doctor feels

               ( Just then the Cloister bell goes off )

The Guardian: What? What’s happening?

               ( The Guardian checks The Tardis-tele )

The Guardian: ( Sadder ) No … I should of stayed

The Guardian: ( A lot brighter) Next stop London! Hold on Georgina Guardians coming!

      [ Scene 6 ] - On the Cruciform

    ( Georgina is hooked up to a machine )

Georgina: ( Weakly) Why … are .. You .. Doing this?

Dalek: The Dalek race must evolve!

Red Dalek: And the Dalek Emperor shall rise!

             ( Just then a noise can be heard getting louder gradually then a red phone box appears)

                 ( The doors open and The Guardian walks out )

The Guardian: DALEKS! LEAVE GEORGINA ALONE!

Red Dalek: Guardian!

The Guardian: How are yous alive?

Red Dalek: We ran, ran into the dark but are now emerging!

The Guardian: Yeah well not today your not

                ( The Guardian points his device at the machine Georgina is wired up to the wires            come off of Georgina and she runs to The Guardian )

Georgina: Am I glad to see you! ( Georgina hugs The Guardian who in return hugs her back )

The Guardian: Same here.

Georgina: Come on we have to get out of here.

The Guardian: Yeah, In the Tardis quickly!

                ( The Guardian and Georgina run into The Tardis and it disappears )

Red Dalek: Locate the TARDIS immediately, The Guardian can not stop us.


             [ Scene 7 ] - In The Tardis

Georgina: What exactly are the Daleks?

The Guardian: When I first met you I said to you about a Timewar I mentioned to you about              The Daleks and how we had a war with them but the truth about them               is they were called Kaleds they were good then a Kaledian scientist                called Davros constructed metal bases and put them in it and removed all                        emotions except hatred they then went to war with the Thals.

Georgina: Is Davros the one they are trying to resurrect?

The Guardian: No, the Emperor Dalek, Davros designed him in case he died.

Georgina: Oh right and how we going to stop them?

The Guardian: Not sure about that one but I’ll think of something.

Georgina: Well you better hurry because the earths about to be destroyed!

The Guardian: It won’t they need a catalyst someone like you who has traveled in time.

Georgina: But they used me.

The Guardian: Only a quarter which means the machines powered up a quarter it has to be full.

Georgina: So there’s hope?

The Guardian: Yes of course there is!

Georgina: Good, what is that device you keep using?

The Guardian: It’s a sonic regulator

Georgina: A what?

The Guardian: A sonic regulator, it fixes things mends things shoots things, like a screwdriver and blaster         all in one!

Georgina: Nice!

The Guardian: (aside) Yeah you are.

Georgina: What?

The Guardian: Yes it is I said.

 Georgina: Yeah Yeah. ( Georgina winks )

The Guardian: Anyway here we go.

                 ( The Guardian flies the Tardis back to the BBC )

[ Scene 8] - BBC

     [ The TARDIS materialises and The Guardian and Georgina step out ]

The Guardian: Here we are the BBC. The Daleks are using them as a transmitter.

Georgina: Transmitter for what?

The Guardian: There’s this advert they’ve made I saw it on the Tardis - Tele. This man dressed in black          comes into focus and says “Close you curtains, Turn off your lights as the Darkness          comes”, It was definitely The Daleks only them would make a stupid saying like that.

Georgina: And what are we doing here?

The Guardian: We need to find the source the transmitter they’re using because it isn’t just a advert the           in it has some connection I don’t know what but I can feel it. The advert also broadcasts       darkness.

Georgina: How?

The Guardian: The more times it’s on the more darkness gets powered up, The Daleks are clever like that.

Georgina: But the BBC don’t have much adverts.

The Guardian: But it’s the most popular channel.

Georgina: Yeah, true.

           [ A middle - aged man with glasses stops The Guardian and Georgina ]

Middle - Aged Man: Who are yous?

The Guardian: I’m The Guardian and this is Georgina.

Georgina: And you are?

Middle - Aged Man: Russell T.Davies

The Guardian: Nice to meet you [ The Guardian shakes Russells hand ]

RTD: What is it you’re here for anyway?

The Guardian: We need to find a transmitter, you won’t believe this there’s these creatures called Daleks                  and they are trying to take over  the world and fill the world with darkness.

RTD: The transmitter is down that corridor there.

The Guardian: Thank you.

RTD: By the way why do you have a red telephone box?

The Guardian: It’s my mode of transport it’s called a TARDIS.

RTD: Wow nice name.

The Guardian: It stands for Time And Relative Dimensions In Space.

RTD: Cool.

The Guardian: Would you like to see inside?

RTD: Yeah could I ?

[ Scene 9 ] - Inside the Tardis

RTD: WOW! It’s bigger on the inside

Georgina: Really I’ve never noticed in my travels with The Guardian.

RTD: What was your name again?

Georgina: Georgina, Georgina Hagen

RTD: Georgina Hagen? You played Lauren in Britannia High right?

Georgina: Yes I did.

RTD: You were fantastic

The Guardian: Right we’ve got a world to save.

RTD: Of course.

         [ Scene 10 ]

      [ The three come out the TARDIS]

RTD: Well Thank you for showing me that.

The Guardian: Your Welcome.

RTD: You know I might write a tv series about a time traveller

The Guardian: Really?

RTD: Yeah I’ll call it ‘Guardian Why’

The Guardian: Good luck with that!

RTD: Thanks

The Guardian: Now we best be going

Georgina: [Waves] Bye.

RTD: Goodbye Georgina, [ Turns to the Guardian] Guardian [ Salutes]

          [ The Guardian and Georgina turn round and run down the corridor ]

[ Scene 11] - BBC Transmission office

The Guardian: In here Georgina.

           [ Georgina walks in ]

Georgina: So where is this transmitter?

The Guardian: It’s round about here.

Georgina: Can’t you use the sonic regulator?

The Guardian: Yeah I was just about to say that.

Georgina: Just getting in there before you do.

The Guardian: You’ve changed every since you came with me.

Georgina: Really?

The Guardian: Yeah, When we first met you were scared to come with me look at you now
      Georgina Hagen defender of the universe!

Georgina: Thanks.

The Guardian: I’ve found the transmitter, it’s through the door on the left.

          [ The Guardian and Georgina walk up and go through the door ]

      [ Scene 12 ] - Transmitting Room

The Guardian: Well there it is.

          [ The Guardian and Georgina look up at a 10 foot tall transmitter ]

Georgina: How do we disable it?

The Guardian: With my sonic regulator.

Georgina: Oh yeah.

The Guardian: Weird though, No Daleks anywhere.

Georgina: I wonder where they are.

The Guardian: Probably on a full scale hunt for us in time.

Georgina: They think we’ve ran away from them?

The Guardian: Yeah Daleks think they are supreme and everyone is scared of them.

Georgina: Well I’m not.

The Guardian: Good. [ The Guardian smiles ]

Georgina: Now to disable this transmitter.

               [ The Guardian takes out his sonic regulator and disables the transmitter ]

The Guardian: Done!

         [ The transmitter starts beeping ]

Georgina: [ Worried ] What’s that?

The Guardian: The Daleks are coming! Back to the Tardis, now!

               [ The Guardian and Georgina start running back to the TARDIS ]

[ Scene 13 ] - In the TARDIS

The Guardian: Right we have to go down and stop these Daleks once and for all.

Georgina: Yeah let’s do it.

The Guardian: We need a plan.

Georgina: I’m not sure.

The Guardian: Wait I’ve got it.

Georgina: What do we do ?

The Guardian: Well …

[ Scene 14 ] - The Cruciform

Red Dalek: The Guardian has returned with the catalyst.

Dalek: Good we shall use her!

Dalek#1: Prepare the machine once more.

              [ The Guardian steps out The Tardis leaving Georgina inside ]

Red Dalek: Where is the catalyst?

The Guardian: She’s gone home.

Red Dalek: We need her!

The Guardian: You don’t you just need someone who has travelled in time so use me!

Red Dalek: The Timelord is correct we can use him.

The Guardian: Yes you can and your going too!

Red Dalek: The Guardian shall step inside the machine!

                        ( The Guardian steps inside the machine, wires come round him and start connecting to         him )

Red Dalek: Start the device now!

Dalek: Yes Master!

                    ( The Daleks start the device up which starts to drain life out of The Guardian )

The Guardian: OWOWOW!

                           [ cut to inside the Tardis )

Georgina: I’ve got to get out there to help him! Where’s the watch?!

              ( Georgina runs round the Tardis console room looking for a watch)

Georgina: Found it! Now to go and use it with sonic-regulator

                   [ Cut back to the cruciform ]

Dalek#2: Alert! Alert! Female coming out of the Tardis!

Red Dalek: Exterminate her!

Georgina: Before you do I’ll give you one piece of advice don’t try and exterminate someone with a       sonic-regulator!

                     ( Georgina points the sonic - Regulator at Dalek#1 and sets it to blaster )

Georgina: Exterminate this!! ( Georgina presses down on the button and a blast comes out from the sonic-               regulator and destroys Dalek#1)

Red Dalek: You have exterminated one of my councillors! You will be Exterminated by me.

                  ( Georgina then brings out the watch and opens it, the energy hits off The Guardian )

The Guardian: HAHAHA!

Red Dalek: What?!

                 ( Georgina sets the sonic - regulator back to screwdriver function and disables the machine.

The Guardian: Ah, That’s better well done Georgina!

Red Dalek: What happened here.

The Guardian: Simple chameleon technology

Red Dalek: But the machine had no chameleon energy in it.

The Guardian: I used the chameleon arch power from my Tardis.

Red Dalek: How did you do it?

The Guardian: I transferred it using this ( The Guardian holds up a device)

Red Dalek: What is it?

The Guardian: A memory stick USB

Red Dalek: Inferior human technology.

The Guardian: Nah it’s good really it is.

Red Dalek: The machine may be stopped but we can still take over!

Georgina: You can’t!

Red Dalek: Why is this?

Georgina: Because while yous two were talking I touched something I shouldn’t.

Red Dalek: You couldn’t have

Georgina: I touched the Self - Destruct mechanism now the ship is eating itself the powers too much it’s going to blow!

Red Dalek: That was only to be used in the greatest of emergencies.

Georgina: It is a great emergency!

  The Guardian: Ha-ha! Brilliant Georgina! Come on into the Tardis now!

Georgina: Coming! Don’t try and stop me!

Red Dalek: Guardian! Save us!

The Guardian: No it’s time to get rid of the stinking Daleks once and for all!!

                            ( The Guardian and Georgina run into the Tardis, close the doors and take off)

Red Dalek: Emergency Temporal Shift!!

                        ( The red Dalek can’t teleport )

Red Dalek: Emergency Temporal ( The Cruciform blows up )

         [ Scene 15 ] - In The Tardis

The Guardian: So Georgina home then?

Georgina: Of course not! Why’d you think I’d want to go home?

The Guardian: Because you said earlier you wanted to.

Georgina: I just meant a visit to my parents then back.

The Guardian: Oh right.

Georgina: Yeah dumbo!

The Guardian: So you want to stay?

Georgina: Of course, that’s if you want me?

The Guardian: Yeah I do, I’d love that.

Georgina: Well then it’s just you and me together until the end of time.

The Guardian: Yeah

Georgina: The Guardian and Georgina - Universe Defenders! [ Both Smile]
 
Georgina Voice - Over: [Pan Tardis Interior] My Past year with The Guardian was fantastic but I knew this  was only the beginning [Pan: Tardis Exterior] of the battles and I knew I'd love them [Pan: Earth then Universe] and stay with him forever and nothing could stop us not Evil Mimic [Image:Evil Mimic], Not even those stupid Daleks, [ Image: Daleks] It's the way it was going to be and it was going to be ... fantastic [Final shot: The Guardian and Georgina kissing from Episode 1 - Fade out to]

                                        Credits Roll

                                     The Guardian: John Mclellan
                                     Georgina Hagen as herself
                                      Red Dalek voice: Nicholas Briggs
                                      Dalek voices: Nicholas Briggs
                            Boy: Thomas Sangster 
                            Dad: Nick Frost   
                       Mum: Jessica Hynes
                       Russell. T Davies as himself
          
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« Reply #6 on: December 10, 2010, 08:20:27 pm »

2.1 - New Beginnings

1.INT.THE TARDIS.CONSOLE ROOM.


THE GUARDIAN is alone, walking around the console, pressing random buttons, When GEORGINA walks in.

GEORGINA:
So, Guardian, where are we going?

THE GUARDIAN:
I'm not sure.Anywhere you would like to go?

GEORGINA:
I'd love to go to Ancient Greece. Especially Olympus.

THE GUARDIAN:
Nice place, Ancient Greece, Okay here we come.

The cloister bell tolls.
[/i]

THE GUARDIAN:
Now, now, really, that can't be good.

THE GUARDIAN looks at the scanner, where a blip can be seen...A small red blip.
[/i]

GEORGINA:
What is it, Guardian?

THE GUARDIAN:
I'm sorry, but we are going to have to delay that trip, Georgina.

GEORGINA:
Why?

THE GUARDIAN:
Something is wrong, let's say, we have company.

[CUT TO]


CUT TO:

2.EXT.SCRAPYARD.LONDON.EVENING.

A WORKMAN is walking through the scrap yard when, a faint rustling noise can be heard.

FX: A bright light shines from the ground

The ground opens and up comes a CREATURE, a cross between a Jester and the Devil, With a red and emerald pattern.


CREATURE:
From the ashes, arise the demon.

WORKMAN:
What the hell. What are you?

CREATURE:
Your worst nightmare.

The CREATURE laughs then it's hands turn into knives. The WORKMAN runs as fast as he can, with the CREATURE hot on his tail, looking for fresh meat.
[/i]

WORKMAN:
HELP!

The WORKMAN jumps over a heap of junk. The CREATURE is bouncing off all of the junk, like a bouncy castle.

CREATURE:
I'm coming to get you, Little man.

The CREATURE increases it's speed, Just as the WORKMAN trips up.
WORKMAN:
No! Get away!

The CREATURE stands on the nearest junk heap with it's knives grinding.

CREATURE:
Time for food.

The CREATURE licks it's lips and pounces on the WORKMAN.

WORKMAN:
AHHHH!!

[CUT TO]

3.INT.THE TARDIS.CONSOLE ROOM.[/b]

THE GUARDIAN is tracing the blip on the scanner, hoping to find a signal.
[/i]

THE GUARDIAN:
Come on!

The blip get's clearer and THE GUARDIAN now manages to trace the signal.

THE GUARDIAN:
Georgina, I've found it, Get ready for landing.

There is no reply from GEORGINA, Who is not in the console room.

THE GUARDIAN:
Georgina?

GEORGINA walks in.

GEORGINA:
Yes?

THE GUARDIAN:
Where have you been?

GEORGINA:
I've been trying to change clothes. I had these ones on yesterday.

THE GUARDIAN:
Well, Hurry up. We don't have all day.

GEORGINA:
Okay.

THE GUARDIAN is staring at GEORGINA, who is walking out, in a huff, with a single tear running down her face.

THE GUARDIAN:
I have got to give her, her life back, after what ever is out there is done, she is returning home. For good.

Five minutes later...GEORGINA walks in, With 1.1's costume, purple t-shirt with black trousers.

GEORGINA:
So, What do you think ?

THE GUARDIAN:
You had that on, The day i met you.

GEORGINA:
Yeah, So?

THE GUARDIAN:
No reason, Just thought I would point it out.

GEORGINA:
Have you tracked that signal yet?

THE GUARDIAN:
Yes. The Tardis is just registering the source, then we will be off.


The TARDIS beeps.

THE GUARDIAN:
There we go. Now Georgina hang on.


THE GUARDIAN pulls down a lever and sets the TARDIS into flight.

GEORGINA:
I'm used to ...

GEORGINA falls over.

THE GUARDIAN:
Does not look like it from here.

THE GUARDIAN laughs. While GEORGINA just stares solidly at THE GUARDIAN.

THE GUARDIAN:
Here we are.

[CUT TO]

4.EXT.SCRAPYARD.LONDON.EVENING.
[/b]

FX: TARDIS Materializes.

THE GUARDIAN and GEORGINA step out. As THE GUARDIANS locking the TARDIS, GEORGINA walks off.

THE GUARDIAN
Now Georgina it is important  we stay close It could be anything out here and we must not

THE GUARDIAN turns around and notices GEORGINA has walked off.


THE GUARDIAN

Split ... up.

THE GUARDIAN looks around, to see if, he can see GEORGINA.

THE GUARDIAN [shouting]
Georgina? Georgina?

THE GUARDIAN starts to walk up the path, When he hears a scream. GEORIGNA'S scream, He follows it and is confronted by ...

THE GUARDIAN
What happened here?

GEORGINA
I don't know, I just walked up and noticed it.

A skeleton body is shown, The skeleton of the WORKMAN.

GEORGINA:
Do you think, that thing we have been chasing, has something to do with this?

THE GUARDIAN:
Yes, It very well could be. Georgina go back to Tardis.

GEORGINA:
No, I want to stay with you.

THE GUARDIAN:
I will be back in a minute, I'm just going to check around and it is not safe for you.

GEORGINA:
Fine, I'll see you back at the Tardis.

GEORGINA walks away to Tardis, depressed.

THE GUARDIAN:
Now to find what done that.

THE GUARDIAN climbs up a mountain of junk, to have a view of the whole scrapyard. A shadowed figure can be seen in the distance.

THE GUARDIAN:
A-hah, Found you!

THE GUARDIAN jumps down the mountain and runs towards the shadowed figure.

THE GUARDIAN:
Hello?

CREATURE:
More human flesh for me.


THE GUARDIAN

Show yourself, Now.

The CREATURE comes into focus.

CREATURE
Your flesh will taste good.

THE GUARDIAN
Really? Timelord flesh will taste good?

CREATURE
Timelord!

THE GUARDIAN
So you have heard of my race?

CREATURE
Yes. They led the last, great Time War.

THE GUARDIAN
That was us. Hello!

CREATURE
Now The Timelords are reaching extinction.

THE GUARDIAN
There will always be a Timelord around.

CREATURE
So very few. If the humans taste so nice, I wonder how you Timelords would taste.

THE GUARDIAN
Wonder you shall always do.

THE GUARDIAN brings out The Sonic Regulator and fires it.

FX: A blue laser comes out and injures the CREATURE.


CREATURE

Don't think this is the end. It is only the beginning.

FX: A black charge takes shape around the CREATURE, and it  disappears.

THE GUARDIAN
No!

THE GUARDIAN runs back to The Tardis, to find GEORGINA

GEORGINA
You took your time.

THE GUARDIAN
Why aren't you in the Tardis?

GEORGINA
You locked it, I didn't have a key.

THE GUARDIAN
Oh, Right.

THE GUARDIAN brings the key out of his pocket and opens the TARDIS doors.

THE GUARDIAN
After you.

GEORIGNA walks in the TARDIS, THE GUARDIAN follows, The doors then shut.

FX: TARDIS De-materializes

[CUT TO]

5.INT.THE TARDIS.LIBRARY.[/b]

THE GUARDIAN is wandering around, GEORGINA following.


GEORGINA
So, Guardian... what are you looking for?

THE GUARDIAN
I am looking for the book on the universe, and it's different species... I'm trying to find where that creature was from.

GEORGINA
Did you see it?


THE GUARDIAN

I talked to it. So if i find this book... I shall be able to locate it.

THE GUARDIAN comes across a book that reads The Creatures of the Universe.

THE GUARDIAN
There we are. Now to find this creature. Let's see.

THE GUARDIAN flicks through pages which show Ice Warriors, Mondasian Cybermen, Daleks, Sontarans. Sea Devils, Silurians and Sycorax. He comes to a halt when he sees a picture of a cross between a jester and a devil creature.

GEORGINA
What is it, Guardian?

THE GUARDIAN
Here we are, got the exact page. Blah, blah, blah, they fought, in a war and here we are, the planet. Planet of origin, is Orox that makes them, Orovores. That explains the knife changing hands. Wait, no, yes I remember, a story in the stars, talking about the leader of, the Orovores. Orox lost all pride on his planet and his people disowned him. There were stories that he came to sol 3.


GEORGINA
Sol 3?

THE GUARDIAN
Earth. It's a term among the stars... That's what we call earth.

GEORGINA
Oh right, That creature, you saw, that was ...

THE GUARDIAN
Oron, Yeah.

[CUT TO]

6.INT.JOHNSON HOUSEHOLD.SARAHS BEDROOM.LATER THAT EVENING.[/b]
ZOOM IN: From the Garden up, to the upstairs window
.[/b]

We see a girl about 18/19, Looking out, Then going to straighten her hair. A female voice shouts up.

FEMALE VOICE
Sarah, Your going to be late.

SARAH
I'm nearly ready, Mum.

MOTHERS VOICE
Okay, Hurry up.

SARAH continues straighten her hair, but puts her ipod on her docking station and punk rock music comes on.

SARAH [singing]
I walk this lonely road, the only one that I have ever known. Don't know where it goes. But it's home to me and I walk alone...

MOTHERS VOICE
SARAH!, Hurry up. Your friends are now here!

SARAH
Okay, coming.

SARAH switches her docking station and straighteners off, switches off her light and walks out and shuts her door.

[CUT TO]

7.EXT.LONDON.A STREET.EVENING.[/b]

SARAH is walking along with her friends, Talking, When a rustling in the bushes can be heard.

SARAH
What was that?

FEMALE FRIEND
Probably just the wind.

SARAH
Maybe.

SARAH looks at the bushes, noticing a shadowed figure.

SARAH
I just saw a dark figure.

FEMALE FRIEND
Your just seeing things.

SARAH
I'm not.

MALE FRIEND
Tell you what, I'll go and see If there's anything there and if there isn't anything there, you owe me a kiss.

SARAH
All I can say is thanks, then.

SARAH smiles at the male friend, Who walks to the bushes and disappears.

Caption: FIVE minutes later.

SARAH
He has been in there for a while.

FEMALE FRIEND
Yeah, he has. I'll go and see if I can find him.

SARAH
Okay. Hurry back.

The female friend goes to find the male friend.

SARAH
You found him?

A girl screams, making SARAH run towards the scream. When she arrives there she is confronted by two skeleton bodies, the bodies of her friends.  ORON is standing there licking his lips, Grinding his knives.

SARAH
Oh ... my ... god

ORON starts to pounce on SARAH but is stopped by a metallic thrumming.

FX: The TARDIS Materializes

SARAH
A telephone box?

The doors of the TARDIS open and out step THE GUARDIAN and GEORGINA.

THE GUARDIAN
We meet again, Oron.

ORON
Guardian, I see you have been researching me.

THE GUARDIAN
Yes, I know your species also, The Orovores. Your the leader of them or you were to be precise.

ORON
They wanted a new life, A life of eating organic life.

GEORGINA
Like vegetarians?


THE GUARDIAN

Yeah, like that.

ORON
I wanted no part of their silly behavior. Now i shall feast on this one.

THE GUARDIAN
No you won't. Not today.

THE GUARDIAN grabs SARAH and pulls her into The TARDIS, GEORGINA following.


ORON

GUARDIAN!

FX: A Black charge takes shape around ORON and he disappears.

[CUT TO]

8.INT.THE TARDIS.CONTROL ROOM.[/b]

SARAH stumbles into the TARDIS, After being shoved in by THE GUARDIAN. THE GUARDIAN and GEORGINA casually walk in. SARAH is taken a-back when she comes to her senses, because of the size.

SARAH
What ... the ...

THE GUARDIAN
This is the TARDIS. It stands for Time And Relative Dimensions In Space

SARAH
It's bigger on the inside.

THE GUARDIAN
Yes, It is.

GEORGINA
It takes a while, To get use to.

SARAH
Who are you?

THE GUARDIAN
I'm The Guardian, and this is Georgina.

SARAH
I thought i recognized you. Georgina Hagen, right?

GEORGINA
Yes.

SARAH
I loved you, In Tracy Beaker

GEORGINA
Thanks. What's your name?

SARAH
I'm Sarah, Sarah Johnson.

THE GUARDIAN
Nice to meet you, Sarah Johnson. Now to work... gotta find the weakness of the Orovores.

SARAH
How do you plan to do that?

THE GUARDIAN
The Creatures of the Universe. A book about the different creatures, of the universe, different planets, stars. This is what I am, A time traveler, I come from an ancient race, The Timelords.

SARAH
I would love, to see, different planets and stars. Since, I was a little girl, the sun and the moon, the stars in the sky, I have wanted to see them all.


THE GUARDIAN
Maybe, when this is all done, you can come and see the stars, with me?

SARAH
Really?

THE GUARDIAN
Of course. Although, i have to warn you... Your life could be ruined, I've ruined someone else's.

THE GUARDIAN looks at GEORGINA.

GEORGINA
Mine?

THE GUARDIAN
Yes.

GEORGINA
How?

THE GUARDIAN
You were a star... you were in a show... Starlight Express... In Germany. I then picked you up and after that all you saw was death... I'm sorry Georgina. But this is your last adventure, I can't ruin your life anymore.

GEORGINA
But Guardian.

THE GUARDIAN
That's the final word, I'll take you back, just seconds after we left, it will look like you would had never had gone.


GEORGINA

Okay if that's what you want.

GEORGINA sheds a tear. THE GUARDIAN smiles trying to reassure GEORGINA.

SARAH
I'm sorry, If this is my fault.


THE GUARDIAN

Of course it's not. But you must know this is what happens... before you make your decision.

SARAH
I understand.


GEORGINA

Guardian. Come on. Let's find the weakness.

THE GUARDIAN
That's more like it, Georgina.

THE GUARDIAN runs off to the library to retrieve the book.

SARAH
Are you okay, Georgina?

GEORGINA
Yeah. It's just, I saw a lot of amazing things with The Guardian, For it all to come to an end this fast, I can't believe it.

SARAH walks over to GEORGINA and hugs her.

SARAH
I'm sure there's more out there for you. You'll be able to have a family now and become even more famous.

GEORGINA
Yeah, I suppose.

GEORGINA smiles. THE GUARDIAN comes back in, With the book.

THE GUARDIAN
Your looking happier, Georgina.

GEORGINA
Yeah, Sarah made me see what i'm getting now.

THE GUARDIAN
Good. Thank you Sarah.

THE GUARDIAN opens the book up at the Orovores page.


THE GUARDIAN [cont'd]

Let's see, The weakness of The Orovores is the head.

GEORGINA
The head?


THE GUARDIAN

Forehead. Get them there and they will be weak, thus weakening it for a fatal blow to where the heart should be.

SARAH
Then it shall die, What is that thing?

THE GUARDIAN
It's an Orovore. The leader of them. Well ex leader. From the planet, Orox.

SARAH
Wow. This is amazing

GEORGINA
Isn't it just.

THE GUARDIAN
So i will need my sonic regulator and a sword.

SARAH
A sonic what?

THE GUARDIAN
I'll explain later. Now off to the armoury room.

SARAH
How many rooms, Does this place have?

THE GUARDIAN
A lot!

THE GUARDIAN runs, through the door that, takes him out to the stair room, leading to the armoury room
.

[CUT TO]

9.EXT.LONDON.OUTSIDE THE EYE.NEXT DAY.

FX: Thunder and Lightning, throughout the scene.
The clouds are dark. ORON is stealthy, making his way to the inside of the london eye.

ORON
Fresh meat.

FX: Thunder rumbles louder.

Metallic thrumming can be heard.

FX: The TARDIS Materializes.

The doors open and out steps THE GUARDIAN, himself. Looking like an ancient fighter. Sword in it's case on his left side with the sonic regulator inside his jacket.

THE GUARDIAN
Now Oron. It's time.

SARAH and GEORGINA walk out.

GEORGINA
Guardian are you sure you know, what you are doing?


THE GUARDIAN

Of course.

SARAH
What if it is dangerous?

THE GUARDIAN
Then it'll be no change.

THE GUARDIAN walks towards, the entrance of the London Eye. The crowd scream.

THE GUARDIAN
Don't worry. The Guardian is here. I'll get Oron.

THE GUARDIAN walks in the entrance. GEORGINA and SARAH at the back, following, stop, to reassure to the crowd.

GEORGINA
Everybody calm down.

SARAH
It's okay. Everything is being taken care of.

CROWDMEMBER
By who? The Police?

GEORGINA
No.

SARAH/GEORGINA
The Guardian.

The thunder rumbles even louder and the lightning picks up.

[CUT TO]

10.INT.LONDON EYE.CAPSULE - DAY

ORON is finding his way up to the highest capsule, with the eye stopped, it makes it easier for him to get up. But also for THE GUARDIAN, Who is hot on ORONS tail.

THE GUARDIAN
Oron, Give yourself up, Now!

ORON
Stupid, Timelord. Pathetic Timelord.

THE GUARDIAN
You shouldn't of just said that, Oron. That just makes me mad.

ORON
You ruin everyone's life. Georgina's life is ruined. You are a pathetic loner.

THE GUARDIAN
Now you have gone too far!

THE GUARDIAN, brings out his sonic regulator, Setting it to blaster and starts firing at ORON, Missing twice but on the third shot, gets him on the head. Now ready for the fatal blow, THE GUARDIAN climbs up to the top where ORON is.

THE GUARDIAN
Now Oron, It's time, Your final battle.


ORON

You are going to strike me down, When i am at my weakest, You coward.

THE GUARDIAN
I am not a coward, No timelords are.

ORON
Then fight me, in my true form.

FX: ORONS hands turn into blades, his eyes turns red.

THE GUARDIAN
Bring ... it ... on.

THE GUARDIAN draws his sword and  charges at ORON, Both now locked in a sword combat.

CLOSE UP: On GEORGINA and SARAH

GEORGINA
Come on Guardian.

SARAH
Wow. he can fight.

WIDE: THE GUARDIAN AND ORON in combat.

The blades clash.

FX: Lightning strikes right next to The blades.

ORON
Not bad for a Timelord.


THE GUARDIAN

I'm not just a Timelord. I'm one of the best battlers of the Timelords.

The blades unclash, THE GUARDIAN strikes and chops off ORONS left blade off.

ORON
No!

THE GUARDIAN
Not so smart now, Oron.

ORON
I can still beat you, Guardian.

ORON uses his right blade to strike, at THE GUARDIAN, Which gets blocked.

FX: Thunder rumbles even more with the lightning now focused on the battle.

THE GUARDIAN
This is your final stand.

ORON
If i die.... Let there be fire.

THE GUARDIAN swings, his sword at ORON, Who deflects the attack.

ORON
Better luck next time, Timelord.

THE GUARDIAN brings out the sonic regulator, aiming, getting ready to fire it, when, ORON sweeps with his blade, knocking the regulator out of THE GUARDIANS hand and sent falling down, We see a hand catching it down in the crowd but who's?

THE GUARDIAN
My sonic!

THE GUARDIAN, Now more angry than ever, swings his sword, cutting ORON on the left shoulder.

ORON
Is that, the best, you can do?

THE GUARDIAN
I can do alot better.

THE GUARDIAN swings his sword, ORON swings his blade, they both clash again, this time both keep swinging, until ORON jumps from capsule to capsule to get down the bottom, THE GUARDIAN follows. Once down there the fighting resumes.

THE GUARDIAN
Time to end this, Once and for all.

ORON
I agree.

ORON swings his blade at THE GUARDIANS left knee and cuts it, THE GUARDIAN falls to the floor, injured.

ORON
Now, I have won, Timelord.

ORON lifts his blade ready to stab THE GUARDIAN when

FX: A red beam shoots out at ORON and get's him, on the head.

Both now injured struggle to get up. ORON faces the crowd while down. He sees a hand being raised with the sonic regulator in his hand, We see, it is SARAH, who has it.

SARAH
This is for my friends.

FX: The last lightning bolt hits down and the thunder increases to as loud as it has ever been heard.

FX: Another red bolt comes out of the Sonic Regulator, Zapping ORON, Where the heart should be.

ORON wheezes.

ORON
Cherish, this moment...There won't be much victories left.

ORON falls cold, dead.

FX: Black mist comes around ORON and he explodes into dust.

SARAH
Well... that was fun.

A single clap is heard, coming from GEORGINA, then, the whole crowd, explode, into a cheer.

GEORGINA
Bravo!

SARAH stands, Embarrassed but relieved, she got revenge. THE GUARDIAN stumbles to his feet. Limping as he moves.

THE GUARDIAN
Fantastic, Sarah. You have rightfully earned a place In the Tardis. But don't always look for revenge. It can kill a person.

SARAH
Come on. Let's get you back to the Tardis.

GEORGINA rushes over to help SARAH assist HE GUARDIAN back to the TARDIS. As they are walking back, The thunder and lightning stops and the sun, comes out.

THE GUARDIAN
Ah! Sun!

THE GUARDIAN gives his key to GEORGINA, to open the door, The three go in, GEORGINA, closing the door behind her.

[CUT TO]

11.INT.THE TARDIS.CONSOLE ROOM.

THE GUARDIAN walks in, supported by SARAH and GEORGINA.

GEORGINA
Guardian, It's best if you get rest.

THE GUARDIAN
Yeah. Take me to the zero room.

SARAH
Where's that?

GEORGINA
Follow me.

THE GUARDIAN, assisted by SARAH and GEORGINA, makes, his way to the zero room.

[CUT TO]

12.INT.THE TARDIS.ZERO ROOM.

The three walk in.

THE GUARDIAN
I'm fine now, Give me five minutes i'll be back to normal.

SARAH
Okay.

GEORGINA
We'll just go and leave you now.

SARAH and GEORGINA leave the room.

THE GUARDIAN
Now... do your stuff.

THE GUARDIAN starts to levitate and turns on to his back.

THE GUARDIAN
Time and Space at my feet. Always rotating, never looking back. I am THE GUARDIAN.

THE GUARDIAN'S leg starts to heal.

THE GUARDIAN [CONT'D]
One of the remaining few Timelords. The Lords of Time live on.

THE GUARDIAN'S bruises heal.

THE GUARDIAN [CONT'D]
Getting stronger, That is happening. The Guardian healed.

THE GUARDIAN rotates back to the standing position, then comes back to the ground.


THE GUARDIAN [CONT'D]

Now, Parting time.

THE GUARDIAN walks out the zero room, Heading, for the console room.

13.INT.THE TARDIS.CONSOLE ROOM.

THE GUARDIAN walks in, on SARAH and GEORGINA standing waiting, not noticing THE GUARDIAN.

THE GUARDIAN
So it came to pass, The Guardian returns.

SARAH and GEORGINA turn around, now noticing THE GUARDIAN.

SARAH
That was quick.

THE GUARDIAN
Of course, it was. I am a Timelord. I didn't even have to regenerate.

SARAH
What?

THE GUARDIAN
It's something my people can do. If we are close to death, we regenerate body, cells, limbs, everything is changed.

SARAH
Right.

THE GUARDIAN
Now Georgina. Here comes the hard part.

GEORGINA
Yeah. Back to Germany.

THE GUARDIAN
You ready?

GEORGINA
Yeah.

THE GUARDIAN
Okay, Here we go.

THE GUARDIAN starts presses buttons, pulling levers.


THE GUARDIAN

Germany, 2010. For Starlight Express. Oh yeah, Sarah?

SARAH
Yes?

THE GUARDIAN
Hold on.

SARAH
What?

THE GUARDIAN presses the Materialization button. SARAH falls back.

THE GUARDIAN
I did say... Hold on.

THE GUARDIAN helps SARAH up.

GEORGINA
How long would i have been away for?

THE GUARDIAN
Five minutes.

GEORGINA
So I don't miss a show?

THE GUARDIAN
You don't miss a show.

The TARDIS lands.

THE GUARDIAN
Here we are, Well i guess this is goodbye.

GEORGINA
Yeah. It is.

THE GUARDIAN
I just want to tell you... You were fantastic.

THE GUARDIAN smiles.

GEORGINA
Just like you.

GEORGINA smiles back, trying to hold back tears.

THE GUARDIAN
Come here.

GEORGINA runs into THE GUARDIANS arms.

THE GUARDIAN
Everything will be okay, Don't worry.

THE GUARDIAN lets go of GEORGINA and she turns around, to SARAH.

SARAH
See ya, Georgina.

SARAH waves, GEORGINA waves back.

GEORGINA
Nice to have met you.

SARAH
Likewise.

GEORGINA takes on last look, at the TARDIS, Before walking out. The doors close.

THE GUARDIAN
I am, going to miss her.

SARAH
Yeah.

THE GUARDIAN, looks at the scanner and sees, GEORGINA looking at The TARDIS.

THE GUARDIAN
Goodbye, Georgina Hagen.

THE GUARDIAN sheds a tear.

THE GUARDIAN [CONT'D]
Your life won't be ruined anymore, It will get better.

THE GUARDIAN, turns off the scanner. For one last time GEORGINA sees The TARDIS De-materialize. THE GUARDIAN, composes himself.

THE GUARDIAN
So, Sarah All of time and space, Everything that has ever happened, and ever will. Would you like to come?

SARAH
Depends. Is it always this dangerous?

THE GUARDIAN
You could say that, I guess.

SARAH
And is it always this scary?

THE GUARDIAN
Usually.

SARAH
Can you guarantee I'll be okay?

THE GUARDIAN
Yes.

SARAH
Do you mean that?

THE GUARDIAN
Traveling with me can be dangerous. I will not lie to you. It is your choice.

SARAH
I really want to get away from here right now.

THE GUARDIAN
The invitation to travel space and time, being brilliant, saving planets and different species is open still. Would you like to come?

SARAH
Yes, Please.

THE GUARDIAN
Welcome Aboard, Sarah Johnson.

THE GUARDIAN extends his hand, and SARAH shakes it.

[FADE TO]

14.EXT.BLACK VOID

A MYSTERIOUS FIGURE is hiding in the darkness

MYSTERIOUS FIGURE
As one chapter ends, Another begins. This chapter is The Guardians stand. A time when a blast from the past returns.

[FADE TO]

CREDITS

THE GUARDIAN-John Mclellan

HERSELF-Georgina Hagen

ORON-Jim Carey

WORKMAN-Logan Lerman

MALE FRIEND-Mike Bailey

FEMALE FRIEND-Emma Watson

MOTHER'S VOICE-Keeley Hawes

And introducing Lauren Crace as Sarah Johnson




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The Guardian
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« Reply #7 on: December 10, 2010, 09:49:22 pm »

2.2 - EYE SPY

1. INT. TARDIS. CONSOLE ROOM

SARAH and THE GUARDIAN fall to the floor with a bang as the TARDIS arrives at its destination. Both laugh as they pull themselves up.

SARAH
Well that was... Interesting!

THE GUARDIAN
Don’t worry you’ll get used to it!

SARAH
Either that or I’ll be leaving here with brain damage!

THE GUARDIAN’S face drops.

THE GUARDIAN
No no, we will have no talk of leaving. Not going through that commotion again!

THE GUARDIAN grabs SARAH’S hand and pulls her out of the TARDIS in a fit of excitement.



CUT TO:
2. EXT. RELO QUEYS 2. BEACH. DAY

FX: As the TARDIS materialises someone on the beach sees it and runs towards the Palace.
SARAH gasps as they step out onto the sand. The sky is a fierce red and two suns shine brightly up above. A giant palace towers above the sand dunes. The clear blue ocean crashes against the sand and the TARDIS.


THE GUARDIAN (Looking at the TARDIS getting hit by the waves)
Ah! I think we have got a problem!

SARAH
This is...

THE GUARDIAN
Amazing? Astonishing? Astounding?

SARAH
Absolutely! And boiling hot too!

SARAH takes off her jacket and passes it to THE GUARDIAN who throws it into the TARDIS.

THE GUARDIAN
Relo Queys 2! By far my favourite of the Relo Queys. Summer – all year round. Daytime – twenty four hours a day, seven days a week.
SARAH with an expression of utter disbelief follows THE GUARDIAN as he starts walking across the beach.

He runs his fingers through the sand and then tastes some.

THE GUARDIAN
Mmm. Bitter.
SARAH pulls a face that screams "yuck!"


CUT TO:

3. INT. KING SCORN’S PALACE. THEATRE ROOM.DAY
KING SCORN – a typical looking Relonian – hairless all over, bulky, sinister looking with fang-like teeth and pale looking – sits on his thrown with a bored look on his face. In front of him several dancers are climbing on top of each other to make a huge tower of bodies. Each dancer is blindfolded and feeling their way around using their claw-like hands.

KING SCORN
Enough! Enough! I can’t stand anymore of this nonsense. Get rid of them!

GUARD #1
Yes Your Highness.

GUARD #1 ushers the dancers out. KING SCORN sighs.

KING SCORN
Now why would someone of my intelligence enjoy a show like that?

GUARD #2
We’re sorry Your Highness. It’s been so difficult finding talented Relonians recently. They all just seem to do nothing now.

KING SCORN
Well try harder! I didn’t exempt you both from the programme for nothing. You’ve got a job to do so get to it!

Both GUARDS exit the theatre.

Another guard rushes in with a big smile on his face.

GUARD #3
Your Highness! A box! A time travelling box!

KING SCORN stands up – his eyes wide at the endless possibilities.


CUT TO:

CUT TO:

4. EXT. BEACH.DAY
SARAH and THE GUARDIAN continue walking across the large beach.

SARAH
What did you say this place was called? Relo something...?

THE GUARDIAN
Relo Queys. It is pronounced keys. I have lost my keys. I have found my keys. I have many keys...

SARAH
OK! I get it. Relo Keys!

THE GUARDIAN
Spelt Q U E Y S - of course.

SARAH (Looking bemused)
Oh... Of course!

The beach has hundreds of Relonians sitting on chairs in the blazing sun. Their cow-like tails flicker from side to side involuntarily. Each Relonian is wearing big thick black sunglasses. Their pale skin is almost florescent.
SARAH
Looks like they could use a tan!

SARAH and THE GUARDIAN approach some sunbathing Relonians. All the Relonians have thick black sunglasses on. No-one seems to notice them as they approach.


THE GUARDIAN
The Relonians use photosynthesis for food, just like plants. Luckily for them they have three suns orbiting their planet all the time so they never go without.

SARAH
So they don’t actually eat?

THE GUARDIAN
That’s right!

SARAH
Well that explains their skin then! I think I'd look like that if I went without food.

SARAH spots one of the Relonians flickering tails and laughs to herself.


CUT TO:

5. INT. KING SCORCH’S PALACE. VIEWING TOWER.DAY

KING SCORCH gazes out the window at the beach. The guard points. The King sees the TARDIS and his eyes light up. Then he spots SARAH and THE GUARDIAN walking across the beach.

KING SCORCH
So the stories of Time Lords are true. Now bring me that box!

CUT TO:

6. EXT. BEACH.DAY

SARAH and THE GUARDIAN are standing in front of two Relonians. SARAH waves her arms around.

SARAH (Whispering)
Maybe they’re asleep?
Both Relonians sit up suddenly.

RELONIAN #1
What? Who’s there?

THE GUARDIAN
Ah! Hello. I am The Guardian and this is Sarah.

THE GUARDIAN stretches out his hand to shake. Neither Relonian shakes it. He pulls it back slightly confused.

RELONIAN #2
Just what are you doing here?

SARAH
The Guardian’s a Time Lord. He’s showing me the Universe.

RELONIAN #1
Time Lord you say? Well they’re rare these days. And what may I ask are you?

SARAH
I’m... Human!

RELONIAN #2
Take my advice and leave while you can.

THE GUARDIAN
What is that supposed to mean? Are you threatening us?


RELONIAN #1
It’s not a threat Time Lord – it’s a warning!


SARAH
But why? We’ve done nothing wrong.

Both Relonians take off their sun glasses to reveal deep black holes where their eyeballs should be.
SARAH reels back in horror. THE GUARDIAN looks shocked.

RELONIAN #1
This is what he does to his own people. Just think what he’ll do to you!

THE GUARDIAN
Who did this to you?

RELONIAN #2
King Scorn. He calls himself a great visionary! When he was just a Prince he used to create art for the King's palace. Relo Queys 2 has always been the art capital of the world! Then he became King and grew jealous of other people's creative talents. He wanted to be the best artist on Relo Queys 2. So he had everyone's eyes ripped out and displayed in his palace. He calls it art. I’ve got a different word for it!

RELONIAN #1
Leave now! There’s no bargaining with him! He’s evil! Evil to the core!

SARAH and THE GUARDIAN look at each other worried. THE GUARDIAN grabs SARAH’S hand and they rush toward the TARDIS.

Only the TARDIS is gone.


CUT TO:

7. EXT. KING SCORN’S PALACE. COURTYARD.DAY

KING SCORN is admiring the TARDIS. His guards are both smiling – the King is finally happy!

KING SCORN
Now isn’t that just the most wonderful piece you’ve ever seen?

Both guards nod.

KING SCORN CONT.
Apart from my Gallery of course!

GUARD #1
Your Highness – nothing will ever be more wonderful than the Gallery.

KING SCORN
You speak the obvious but I never tire of hearing it.


CUT TO:

8. EXT. BEACH.DAY
SARAH and THE GUARDIAN are standing where the TARDIS was. They spot trails leading through the sand to the palace.

SARAH
They’ve stolen your box!
THE GUARDIAN
Not good. Not good at all.

SARAH
OK so here’s the plan. You run along to the palace, get your box back and I’ll wait for you here. Maybe catch a few rays?

THE GUARDIAN
Hang on a minute! First of all, that box has a name. It’s called a TARDIS. It’s my TARDIS and I don’t like when people take my TARDIS. Second of all, you can get a sun tan in your own time. I may need you, now come on!

THE GUARDIAN follows the sand trail. SARAH follows.


CUT TO:
9. EXT. KING SCORCH’S PALACE. COURTYARD.DAY

The guards are using spears to try and prise open the TARDIS.

KING SCORCH
Come on you idiots! How hard can it be?

The guards give each other a frustrated look.

Suddenly SARAH and THE GUARDIAN enter the courtyard.

THE GUARDIAN
I spy with my little eye an evil, barbaric tyrant, hell bent on causing pain and suffering to his own people.

KING SCORN turns to THE GUARDIAN.

KING SCORN
Oh how very nice of you to drop in on us like this! I’d love to say it’s a surprise, but it really isn’t!
Behind SARAH and THE GUARDIAN guards appear holding long deadly spears.

SARAH
I think we’ve been set up!
THE GUARDIAN (Sarcastic)
You think?

KING SCORN gestures to the guards and they restrain SARAH and THE GUARDIAN. SARAH screams. Both try to struggle free but fail.

KING SCORN
A trail in the sand? Give me some credit Time Lord. Unlike other Relonians I have superior intelligence!

SARAH (To THE GUARDIAN)
Superior arrogance more like.

THE GUARDIAN looks anxious. SCORN must know what the TARDIS can do!

KING SCORN walks over to THE GUARDIAN.

KING SCORN
So here’s what’s going to happen next. You’re going to open your box.

THE GUARDIAN
It’s not a box, it’s a TARDIS! What’s wrong with you people?

KING SCORN
As I was saying... You’re going to open your box and I am going to spare your lives.

SARAH
And is that when you scoop out our eyes for your sick art show?

KING SCORN looks angry and runs his hand down SARAH’S face. She cringes as his claw-like digits scratch her slightly.

KING SCORN
Earthling there’s nothing sick about my art. My Gallery is the envy of Relo Queys one and three! Tourists come from the entire galaxy to see my work first hand. It’s truly unique.

SARAH (Sarcastic)
It’s certainly that!

THE GUARDIAN
She is right though is she not Scorn? You’re never going to just let go are you? From the looks of it the only Relonians who can still see on this planet are the ones you need. The ones that work for you.

The guards look at each other.

KING SCORN
A price worth paying I say.

THE GUARDIAN
You are never getting inside the TARDIS. I would sooner die than open it for you.

KING SCORN
So be it Time Lord! Guards –

THE GUARDIAN
Wait! You can kill me in a minute but first I want to see it.

KING SCORN
My Gallery?

THE GUARDIAN
Yes. Grant a Time Lord his dying wish… won‘t you?

SARAH (Unsure)
Me too! You sound so proud of it why not show it off?

KING SCORN scratches his head.
KING SCORN
Well – I suppose you can both see it before I put an end to your pathetic little lives.

CUT TO:

10. INT. KING SCORN’S PALACE. GALLERY

KING SCORN smiles as he enters the Gallery. The room is huge. The floor is made of beautiful crystals and diamonds. They sparkle in the sun. The four walls and ceiling are covered with eye balls - staring. Constantly starting. SARAH and THE GUARDIAN look disgusted as they enter. The guards are still holding onto them both tightly.

KING SCORN
Magnificent isn’t it?

SARAH
Creepy is the word I’d use!

THE GUARDIAN slowly reaches into his pocket for his Sonic Regulator. KING SCORN is admiring his work and stroking the eyes as he walks past them.

THE GUARDIAN
You have crippled your own people, kidnapped innocent tourists and stolen my TARDIS. This ends here Scorn!

THE GUARDIAN pulls out his Sonic Regulator and shines a blinding light at the floor. He closes his eyes as the light reflects into the guard who's holding his eyes. The guard releases THE GUARDIAN and desperately rubs his eyes to stop the burning pain.

KING SCORN
Stop him!
THE GUARDIAN runs over to KING SCORN and he then stands in front of KING SCORN, confronting him. 

The guards stop. They still have SARAH.

SARAH
Let me go!

THE GUARDIAN
Order your guards to release her…Now!

The guards look at each other unsure how to react.

KING SCORN
Do as he says! Let her go!

SARAH is released. She runs over to THE GUARDIAN.

SARAH
Thanks!

THE GUARDIAN
No problem. Now... We have a situation here. I can see you that you outnumber us, so I am going to make this very simple.

SARAH (Whispers)
Let’s get out of here!

THE GUARDIAN
And leave this maniac in charge of the planet? You don’t know me very well yet, do you Sarah?

SARAH looks worried. She wants off this creepy planet now!


THE GUARDIAN [CONT'D]
This man. This King is nothing but a common thief. Not only did he steal from me my most precious possession, he stole from your fellow Relonians their vision. Do you know what life is like for those people? Let me tell you what it is like because I have seen it today. They sit on that beach all day. Just listening to the ocean crashing against the sand. That is all they do! Not just today but tomorrow and the next day and the next day and the day after that. They will be sitting out on that beach until they die!
SARAH looks saddened. A single tear trickles down her face.

THE GUARDIAN [CONT'D]
They are not their by choice. They have nowhere else to go. Their lives have been ruined by this King of yours. This tyrant!

KING SCORN
He’s wrong! He’s playing with your mind!

THE GUARDIAN
Oh yes he saved your sight. He needed you to do his dirty work for him. I bet he has never cut out anyones eyes with his own hands has he? I bet he made you lot do it. How did it feel? Are you proud of yourselves? Or are you ashamed? Did he save the sight of your Mothers? Your fathers? Your children? Or were they all a price worth paying as well?

The guards lower their spears – struck by remorse.

KING SCORN
Don’t listen to him! He’s wrong! I’m your King!

GUARD #1
He made me do it. He made me take my daughter’s eyes.

GUARD #1 starts to cry.

GUARD #2
He said he’d kill us unless we did as he said!

THE GUARDIAN
Do you not see? He is not King material. I suggest finding a replacement - pronto!

THE GUARDIAN pushes KING SCORN to the floor. He gets up quickly and runs behind his guards.

KING SCORN
Now! Kill them both!

The guards turn towards KING SCORN.

KING SCORN
What are you doing? I’m your King! Obey me!

GUARD #1
Or what?

KING SCORN
I’ll... I’ll...

GUARD #2
There’s nothing you can do. You’re nothing without us.
SARAH and THE GUARDIAN smile. SARAH grabs THE GUARDIAN’S hand.

SARAH
I think I know you a little better now.

THE GUARDIAN
Let’s leave them to sort this out by themselves.

SARAH and THE GUARDIAN walk out of the Gallery.


CUT TO:

11. EXT. KING SCORN’S PALACE. COURTYARD

SARAH and THE GUARDIAN approach the TARDIS.

SARAH
So what happens now?

THE GUARDIAN
Well a King without any guards or his own people's support is like a fish without water.

SARAH
Or a Relonian without Sunlight!
Both laugh.

THE GUARDIAN
You know, I brought you here to show you how beautiful the Universe is. Relo Queys 2 used to be the most enchanting place in the world. Artists used to come here from everywhere to showcase their work. Everyone has their own story to tell through a painting or a sculpture. Now it is just sand and water.

SARAH
It's still beautiful! The sky, the sand, the sea...

THE GUARDIAN
But no-one gets to see it anymore do they?

SARAH
Maybe next time we visit things will be a lot more like they were before?

KING SCORN is seen being dragged out of the palace by the guards. He’s shouting and fighting to get free.

KING SCORN
Let me go this instant! I demand you release me!
The guards push him into the sand and they go back into the palace - shutting the doors behind them. KING SCORN bangs on the door angrily.

KING SCORN [CONT'D]
Let me in you fools! Let me in!

THE GUARDIAN
Something tells me you're right.
Both smile as they enter the TARDIS.

KING SCORN notices the TARDIS.

KING SCORN
Don’t think this is over Guardian. One day you won’t come out victorious. One day you will be beaten. Mark my word Timelord. Your time is coming.
KING SCORN laughs manically.


CUT TO:

CLOSING CREDITS

THE GUARDIAN – John Mclellan
SARAH JOHNSON – Lauren Crace
KING SCORN – Ray Stevenson
GUARD #1 – Gerard Butler
GUARD #2 – Vincent Regan
GUARD #3 – Dominic West
RELONIAN #1 – Ray Winston
RELONIAN #2 – Helen Mirren


NEXT TIME
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The Guardian
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« Reply #8 on: December 10, 2010, 10:30:23 pm »

2.3-The Love and Life of Robert Burns

EXT.FORREST;PAST

Young ROBERT BURNS is running through the Forrest. A young girl named ANNA is right behind him in a long yellowish dress.
 
ROBERT BURNS
Come on Anna!
 
ANNA
Robert slow down...I can't catch you!
 
ROBERT BURNS
Well then you should run faster.
 
ROBERT laughs as he slows down. ANNA catches up to him, trying to catch her breath back.
 
ANNA
Please Robert....can we not go back home?
 
ROBERT BURNS
Come on Anna I have something to show you.
 
ANNA
But Robert...mum is expecting me home soon.
 
ROBERT BURNS
Anna we won't be here long..we can look and then go home.
 
ANNA
You better Robert.
 
ROBERT moves closer and kisses young ANNA on the lips, he pulls away a few seconds later. ANNA looks star struck.
 
ROBERT BURNS
Now come on!
 
ROBERT grabs ANNA'S hand and drags her off into the woods.
 
CUT TO:

EXT.OLD CHURCH

ROBERT and ANNA are standing outside an old church. It has been burned down, there is no windows, the roof has been burned down and there are no doors. ROBERT is standing looking out with ANNA behind him.
 
ANNA
Is that it, a burnt out church?
 
ROBERT BURNS
Not just a church...there is something inside.
 
ANNA
But you said we would only be outside!
 
ROBERT BURNS
I lied a bit....come on!
 
ROBERT runs into the church leaving ANNA outside.
 
ANNA
Please Robert...just come outside...just come out!
 
There is a large pause.
 
ANNA (CON'T)
Robbie..I'm scared.
 
Pause.
 
ANNA (CON'T)
Robbie come back!
 
ANNA runs after ROBBIE into the old church.

FADE TO:

INT.CHURCH

ROBERT is standing next to a fountain that is the same size as him. ANNA comes running in and stands beside ROBERT, both looking down at the green and pink liquid going around in the fountain.
 
ANNA
What is that?
 
ROBERT BURNS
No idea but isn't it so cool?
 
ANNA
Robert I am so scared!
 
ANNA grabs hold of ROBERT.
 
ROBERT BURNS
It's ok Anna I am here.
 
ROBERT grabs hold of ANNA.
 
ANNA
When did you find it?
 
ROBERT
Last week...I have only shown you it.
 
ROBERT reaches forward and is just about to touch it when ANNA moves his hand away.
 
ANNA
What are you doing?
 
ROBERT
I want to touch it!
 
ANNA
You don't know what it is. It could be dangerous.
 
ROBERT BURNS
I'm sure it isn't dangerous Anna.
 
ROBERT goes to touch it again when ANNA moves his hand away. This time she falls and her hand hits the water. It splashes up in her face. ANNA moves back trying to get it off her.
 
ANNA
Robert see what you done now!
 
ROBERT BURNS
See nothing happened, it's safe.
 
ANNA starts to glow a green and pink colour. ROBERT stands back, unsure of what is happening.
 
ANNA
Robert....what is happening?
 
ROBERT BURNS
Anna, stay calm.
 
ANNA
Please Robert I am scared.
 
ANNA bursts into a cloud of pink and green smoke and falls into the large green and pink water.
 
ROBERT BURNS
Anna?
 
Pause.
 
ROBERT BURNS
Anna?
 
ROBERT faints and falls to the ground.

CUT TO:


CUT TO:

INT.TARDIS.CONSOLE ROOM.

THE GUARDIAN is walking about the TARDIS piloting it. SARAH walks up in a pair of mini shorts and a t shirt.
 
THE GUARDIAN
Ah there you are.
 
SARAH
I'm ready.
 
THE GUARDIAN turns round and looks at SARAH strangely.
 
THE GUARDIAN
What do you mean ready...are you going home already?
 
SARAH
No....don't say you have forgot already.
 
THE GUARDIAN know he has forgot something so walks away piloting the TARDIS. SARAH doesn't look amused.
 
THE GUARDIAN
What do you mean forgot? I never forget a thing.
 
SARAH
Well you have forgot this. You promised me California.
 
THE GUARDIAN looks up at SARAH with a smile on his face.
 
THE GUARDIAN
Ah that. I though you meant something else, like a birthday or a birth.
 
THE GUARDIAN pulls the screen over towards him.
 
THE GUARDIAN (CON'T)
Right then, here we come California.

FADE TO:

INT.PUB

ROBERT BURNS is sitting in a bar, older than we last saw him. There are 5 women around him, kissing him leaving marks on him.
 
SALLY
So Robbie...tell me more of your stories.
 
ROBERT BURNS
Well when I was younger I met a dragon, big green scaly thing.
 
EMMA
Oh My God Robbie...did you get hurt?
 
ROBERT BURNS
No. I slayed the dragon with just my hands.
 
SUZIE
My hero!
 
SUZIE leans in and kisses ROBERT on the lips. The BAR MAN walks over with a piece of paper in his hand. He slips it on the small wooden table, it's a bill.
 
BAR MAN
Robert..you better have the money you ow me!
 
ROBERT BURNS
Ok George, I sort of spent it for these lovely women but I'm sure we could come to some sort of agreement.
 
BAR MAN
Robert, I have gave you more than a year to pay it back.
 
ROBERT BURNS
Come on...
 
ROBERT stands up and walks over to GEORGE.
 
ROBERT BURNS (CON'T)
One of them must take your fancy. What about Emma? Or Jen, she has a nice bottom.
 
BAR MAN
Robert I'm sorry but I need to bar you.
 
ROBERT BURNS
Come on George...Georgy boy. Who was the one who saved your marriage with the poem?
 
GEORGE grabs ROBERT and starts to drag her to the door.
 
BAR MAN
Don't make it any harder for yourself Robert.
 
ROBERT BURNS
Ok then...girls come on we can continue this party back at my place.
 
EMMA get's up and gives ROBBIE a look.
 
EMMA
Sorry hun but our time is up, come and get us again sometime.
 
ROBERT BURNS
Aw come on, this isn't going good.
 
GEORGE opens the door and throws ROBERT out.

CUT TO:

EXT.Outside Pub

ROBERT BURNS hit's the floor, dirt flies into the air. When he turns background the door has shut and no one is there.
 
ROBERT BURNS
Well George I know why your wife wasn't interested in you, because she was interested in me!
 
ROBERT get's himself up and dusts himself off.
 
ROBERT BURNS (CON'T)
That is right, while you were out with the "lads" your wife was making amazing poems with me!
 
ROBERT walks away knowing this fight is finished.
 
The TARDIS appears and the door swings open. THE GUARDIAN and SARAH step out to see small brick buildings.
 
SARAH
This looks like California in my future.
 
THE GUARDIAN
Ah your past. Well then we are in line with California then.
 
SARAH
So then where about are we?
 
THE GUARDIAN
I say...Scotland. 1789 I say.
 
SARAH
So we went from California to Scotland.
 
THE GUARDIAN
It's the simplest mistake to make.
 
SARAH
Ye...from roller blading people to chickens, easiest mistake ever!
 
THE GUARDIAN
Right then I got it just a bit wrong...I am not always right.
 
SARAH
So then want to go back and give it another try?
 
THE GUARDIAN
No...I want to see what there is around here.
 
THE GUARDIAN walks off in the direction ROBERT BURNS walked.
 
SARAH
Come on, it's cold I need a jacket.
 
THE GUARDIAN
Catch me up, I want to have a look around.
 
THE GUARDIAN walks around the corner leaving SARAH on her own.
 
SARAH
Ye...that is nice. Leave the poor future girl on her own, well then better get myself a jacket and make a new friend who will wait on me.
 
SARAH steps back inside the TARDIS.

FADE TO:

INT.TARDIS.CONSOLE ROOM.

SARAH walks into the TARDIS control room with a tight jacket on. She walks past the console when the screen burst into life.
 
WOMAN (V/O)
Help me.
 
SARAH turns round and wonders who said that.
 
SARAH
Hello, is anyone there?
 
WOMAN (V/O)
I'm falling...I'm falling far down.
 
SARAH runs over to the screen to see a youngish woman with blonde hair and a white flowing dress, she is glowing white and it is ANNA.
 
SARAH
Hello, can you hear me?
 
ANNA
It's dragging me down...down into the pit's of hell.
 
SARAH
Where are you?
 
ANNA
Help me, please help me.
 
SARAH
I have a friend, he could help. Keep on the screen I will be right back.
 
Before SARAH can move the TARDIS start's to pilot itself. SARAH falls to the ground unsure of what is happening.
 
SARAH (CON'T)
What are you doing? Leave this thing alone.
 
SARAH reaches up and pulls a lever. The TARDIS comes to a halt. SARAH falls back and hits her head.

FADE TO:

EXT.STREET

ROBERT BURNS is walking down the street, bored of life.
 
MARY
Robbie, when are you next coming to see me?
 
ROBERT looks up to see a girl hanging out a window of a large house.
 
ROBERT BURNS
Mary...what the hell are you doing?
 
MARY
I want you Robbie, I don't care what daddy says I want us to be together.
 
ROBERT BURNS
Sorry Mary that was a one off.....you have Lord snooty now so leave me alone.
 
ROBERT turns and walks away leaving MARY sitting in the window.
 
MARY
Robbie? ROBBIE YOU BETTER COME BACK OR I WILL GET DADDY TO GET THE KING ON YOU!
 
ROBBIE keeps on walking away, ignoring MARY.
 
MARY
ROBBIE!
 
MARRY moves forward and falls out her window to the floor.

FADE TO:

INT.TARDIS.CONSOLE ROOM.

SARAH gets up, she looks around a dark TARDIS. She flicks a switch but nothing happens.
 
SARAH
Not good...so not good.
 
SARAH looks at the door to see the sun light getting in.
 
SARAH (CON'T)
On a planet, still somewhere.
 
SARAH walks over to the door and try's to get a good look out.
 
SARAH (CON'T)
Some sort of building, the sky is blue and the grass is.....black?
 
SARAH tries to get a better view.
 
SARAH (CON'T)
Not black, burnt!
 
SARAH steps back and opens the door. She steps out into the world beyond.

FADE TO:

EXT.STREET

THE GUARDIAN is walking through a street filled of different things. There are people, goats and chickens.
 
THE GUARDIAN
I can't believe she is missing this, she will hate to have missed this.
 
A large bleeping sound starts to fill the street.
 
THE GUARDIAN
Wait...what is that?
 
THE GUARDIAN puts his hands into his pocket and pulls out a small bleeping machine. It's small and has small satellite disks spinning around.
 
THE GUARDIAN (CON'T)
Not right...this isn't right and I know what is right.
 
The machine in THE GUARDIANS hand sparks and stops working. THE GUARDIAN looks up, scared at what just happened.
 
THE GUARDIAN (CON'T)
Not right, this really isn't right.
 
THE GUARDIAN runs off down the street.
 
Suddenly at the end of the street a large portal opens up and a small Sontaran steps out. It checks the area and lifts up it's arm to speak into its communicator.
 
GENERAL THRAP
This is General Thrap of the 105th Star squad. I have traveled through a rift in time and have landed on earth.
 
The Portal starts to glow and then so does GENERAL THRAP. They both just vanish, leaving no trace they were there.

FADE TO:

INT.TARDIS.CONTROL ROOM

SARAH gets up, pulling herself up from the TARDIS. She looks around to see if she could see ANNA.
 
SARAH
Dream or no dream, that is the question?
 
SARAH runs down the ramp to the door.
 
SARAH (CON'T)
Next thing I should learn. Alien planet or non alien planet, that is the biggest question of them all.
 
SARAH opens the door and slips out shutting the door behind her.

CUT TO:

EXT.STREET

ROBERT BURNS is walking through the streets. He falls to the ground, a bit of a sore head from the pub.
 
ROBERT BURNS
That place always does this to me. Why can't he wash up more?
 
ROBERT gets up to see THE GUARDIAN run towards him.
 
THE GUARDIAN
Excuse me have you seen anything strange?
 
ROBERT BURNS
Wait..what?
 
THE GUARDIAN runs up and stops beside ROBERT.
 
THE GUARDIAN
Strange things in the sky maybe? A sea monster coming out of the loch even? Have you seen anything weird?
 
ROBERT BURNS
Are you one of those crazy loonies? Have the women put that stuff in your drink, you don't need to lie I have had it happened to me too?
 
THE GUARDIAN
No I haven't...ok then another question. Do you have a house I can use for a while please? Just somewhere to do something?
 
ROBERT BURNS
Is this a sort of a chat up line?
 
THE GUARDIAN
No. I don't do chat up lines, I just need to use your house.
 
ROBERT BURNS
Ah a drink you must mean? Then come on, I have loads!
 
ROBERT BURNS walks away leaving THE GUARDIAN just standing there.
 
THE GUARDIAN
A drink?
 
THE GUARDIAN runs after ROBERT BURNS.

FADE TO:

EXT.FORREST

SARAH is standing looking up at a burnt down old church in front of her.
 
SARAH
It's old...so I know I am on Earth.
 
SARAH turns round to see the small village sitting on the hill.
 
SARAH (CON'T)
So a village, I know I am just outside where I was!!
 
SARAH looks closer to see THE GUARDIAN walking up a bit of a hill to a small house just outside the town.
 
SARAH (CON'T)
Ye I am, there he is!
 
SARAH turns round to face the church once more.
 
SARAH (CON'T)
Well while I am here I think I should have an adventure of my own.
 
SARAH wanders into the large doors.

CUT TO:

EXT.COUNTRY ROAD.

ROBERT BURNS and THE GUARDIAN are walking up a large country road to a small cottage. The road is bumpy and their are fields all around.
 
THE GUARDIAN
So how long have you lived up here for then?
 
ROBERT BURNS
Since I was young, just on my own now though.
 
THE GUARDIAN
It's nice. So then I need to introduce myself. I'm the Guardian.
 
ROBERT BURNS
Funny sort of name, ok then since we are introducing each other I am Robert Burns or Robbie to the laddies.
 
THE GUARDIAN stops in his tracks, looking at ROBBIE BURNS.
 
THE GUARDIAN
Wait your Robert Burns? The Robert Burns? The one or even the best poet ever.
 
ROBERT BURNS
I wouldn't call myself the best...well I am but thank you very much.
 
THE GUARDIAN runs up and shakes ROBERT'S hand.
 
THE GUARDIAN
Really great to meet you, I mean amazing!
 
ROBERT BURNS
Yes I get it now, I get it.
 
THE GUARDIAN
I'm sorry, I just love meeting some of the best people ever.
 
ROBERT BURNS
You are really into my work aren't you..one of a few people who are.
 
THE GUARDIAN
But you have your poems everywhere?
 
ROBERT BURNS
Yes but they all say they hate them and I don't get out of this place alot. Edinburgh maybe once a month but just there for a few days.
 
THE GUARDIAN
Well believe me, everyone loves you. You are amazing!
 
Both ROBERT BURNS and THE GUARDIAN stops to look at a small cottage sitting on it's own.
 
ROBERT BURNS
Home sweet home!
 
THE GUARDIAN
It looks....nice?
 
ROBERT BURNS
It does me, I have a flat in Edinburgh but this is home.
 
ROBERT BURNS walks up and opens the door to his house.
 
THE GUARDIAN
Home is where the heart is, I always say that. Well I have only just said that right now but I think I am going to start saying that...what do you think Robert? Home is where the heart is, does it work? See I think it does but I just say anything...so come on, works or not?
 
ROBERT BURNS
You are just mad. I like mad though and yes it does work.
 
THE GUARDIAN
Great, new catchphrase I think...now then, home!
 
THE GUARDIAN walks into ROBERT'S house.
 
ROBERT BURNS
Home is where the heart is.
 
ROBERT BURNS walks into his house and closes the door.

CUT TO:

INT.COTTAGE.

ROBERT BURN'S is sitting down drinking a small whiskey while THE GUARDIAN is up running around with different things in his hands.
 
ROBERT BURNS
Right tell me again, what is it you are doing?
 
THE GUARDIAN
I need to make something. There is one large power somewhere to close to here and I need to find it.
 
ROBERT BURNS
Like I have said before...you are just mad.
 
THE GUARDIAN
I like mad...mad is good!
 
THE GUARDIAN runs up to the fire place and looks up it.
 
ROBERT BURNS
What are you looking for?
 
THE GUARDIAN
Is there a chimney up there, I need to get something up?
 
ROBERT BURNS
Well yes...just a small one though.
 
THE GUARDIAN stands up and runs through to a small room.
 
THE GUARDIAN (V/O)
Good...I need to set this somewhere!
 
ROBERT BURNS
Set what?
 
THE GUARDIAN runs out the room with a large hand made ariel.
 
THE GUARDIAN
This!
 
ROBERT BURNS
And what is that?
 
THE GUARDIAN
It's an aerial, I will seek out what and where this amazing energy pulse is.
 
ROBERT BURNS
No idea what the hell you are saying but ok.
 
THE GUARDIAN
Well no one in this whole universe does, but they usually nod and say "ok".
 
ROBERT BURNS
Ok then...getting even stranger.
 
THE GUARDIAN turns back to face ROBERT BURNS.
 
THE GUARDIAN
Well that means I am getting even better at my job. Now then outside we go!

CUT TO:

INT.Old Church

SARAH walks into the old burnt down church. Sitting in the middle of it is the small fountain still looking the same.
 
SARAH
This place is old, looks very old...except the very new looking fountain.
 
SARAH walks upto the fountain and examines it.
 
SARAH (CON'T)
It looks too good to be here.
 
SARAH looks inside the fountain to see the coloured liquid.
 
SARAH (CON'T)
This isn't right...I shouldn't be here, this really shouldn't be here.
 
SARAH stood back just in time to see a blonde haired girl rising out of the fountain.
 
ANNA
You need to get out of here befo...97% downloaded.
 
SARAH
What do you mean 97% downloaded, what is your name?
 
ANNA
I am 97% downloaded and then we will be at full power.
 
SARAH
What are you talking about, please just tell me?
 
ANNA
Download nearing completion, then I will be ready!

FADE TO:

EXT.ROOF

THE GUARDIAN is sitting on ROBERT'S roof fixing the aerial onto the chimney.
 
ROBERT BURNS
So what are you planning to do after this?
 
THE GUARDIAN
Well once I fix this on I will activate it and then we will finally find out where this power is coming from.
 
ROBERT BURNS
Well do you need me to do anything?
 
THE GUARDIAN
Step back. Just stay well away and you should be safe.
 
ROBERT BURNS
What about you? Will you be safe?
 
THE GUARDIAN
I'm always safe, never am I not safe!
 
THE GUARDIAN hooks up the satalite to the cable from the house. Suddenly he starts to get's electrocuted. ROBERT BURNS stands back, unsure what is happening.
 
ROBERT BURNS
Is this meant to be happening?
 
THE GUARDIAN let's go and slides down the roof onto the ground below.
 
THE GUARDIAN
Not really...that is never meant to happen.
 
THE GUARDIAN jumps up, looking a bit dizzy.
 
ROBERT BURNS
Ok, what exactly happened?
 
THE GUARDIAN
Something is taken the power, something big, something nasty.
 
ROBERT BURNS
That is very nice, do you know where it is?
 
THE GUARDIAN
No idea but something that can steal that much power must be huge. I think we need to go back to the TARDIS to find out exactly where about this must be.
 
ROBERT BURNS
A what?
 
THE GUARDIAN
It's my ship. It's actually bigger on the inside than the outside and she is amazing.
 
ROBERT BURNS
A ship? And a she?
 
THE GUARDIAN
This planet is both amazing and so stupid at the same time. Follow me and I'll show you!
 
THE GUARDIAN runs off down the street with ROBERT BURNS following in his footsteps.

CUT TO:

EXT.STREET.

THE GUARDIAN is sitting looking shocked, the TARDIS is gone.
 
THE GUARDIAN
Right here I left her, I left her right here!
 
ROBERT BURNS
So then if you left her here where is she?
 
THE GUARDIAN
I have no idea but wherever she is I bet Sarah is in there too.
 
ROBERT BURNS
So can't you do some of your smart thinking and find your friend?
 
THE GUARDIAN
The energy pulse blows anything electrical to dust, so I can't use anything to find her.
 
ROBERT BURNS isn't listening, he is sniffing the air.
 
ROBERT BURNS
Wait, what is that smell? It has never been here before?
 
THE GUARDIAN smells the air.
 
THE GUARDIAN
It's not natural, it's a sort of tingy smell...it's a tremford cont system.
 
ROBERT BURNS
Is this one of the times I am meant to nod?
 
THE GUARDIAN
Sorry, it's alien..it transports an object from one space to another space. This is a strong smell so it wasn't too long ago and it hasn't been taken too far, success!
 
ROBERT BURNS
So can we find your ship and this alien pulse?
 
THE GUARDIAN
If I am lucky enough and my nose can trace the direction then I think we can get to find both.
 
THE GUARDIAN smells the air once more. His Head turns to the right towards a large forest at the end of the village.
 
ROBERT BURNS
Got it?
 
THE GUARDIAN
Oh I have it alright and believe me I am not letting it go! Now Come on follow me!
 
THE GUARDIAN runs away leaving ROBERT BURNS just standing there.
 
ROBERT BURNS
Shouldn't I go get help or something?
 
THE GUARDIAN
No, I can do this on my own. Believe me I have done it many times before.
 
ROBERT BURNS
Not going to go good, not going to go good.
 
ROBERT BURNS runs after THE GUARDIAN.

FADE TO:

EXT.FORREST

THE GUARDIAN and ROBERT BURNS are running through the Forrest, following the strong smell.
 
THE GUARDIAN
We are getting closer, much closer.
 
ROBERT BURNS
See it's strange but I remember something, it's not in my mind but I have been here before.
 
THE GUARDIAN
Well I would have thought so.
 
ROBERT BURNS
It's like I have lost someone, someone I loved but I don't know who.
 
THE GUARDIAN
Ah, there's the old girl.
 
THE GUARDIAN runs out the trees to face the church and the TARDIS. ROBERT BURNS stands beside him, unsure what the TARDIS is.
 
ROBERT BURNS
It's a big red box, is that all?
 
THE GUARDIAN
Come on we need to see if Sarah's inside.
 
THE GUARDIAN runs round to the front of the TARDIS to see the door just slightly open.
 
THE GUARDIAN (CON'T)
That's strange, that is very strange.
 
THE GUARDIAN enters the TARDIS.
 
THE GUARDIAN (CON'T)
 No one here, she isn't here...this is not good.
 
ROBERT BURNS runs round and enters the TARDIS.

CUT TO:

INT.TARDIS.CONSOLE ROOM.

ROBERT BURNS is standing at the door, shocked that just like THE GUARDIAN said it was bigger on the inside.
 
ROBERT BURNS
This is amazing, this machine is just brilliant.
 
THE GUARDIAN'S head pops round the console.
 
THE GUARDIAN
It is when there are lights on, wait a tic.
 
THE GUARDIAN leans over and flicks a switch and the whole console room bursts into life.
 
ROBERT BURNS
Who invented such a piece of brilliance?
 
THE GUARDIAN
Well my people created the TARDIS but I changed it to how I liked it. Now lets move on and see what shut it off and maybe we can find out where Sarah is.
 
THE GUARDIAN moves the screen closer to him.
 
THE GUARDIAN (CON'T)
Impossible.
 
ROBERT BURNS
What's impossible?
 
THE GUARDIAN
The TARDIS is saying nothing took it, it just landed here.
 
ROBERT BURNS
But you said something did bring it here.
 
THE GUARDIAN
Unless it dragged it here, a power source this big being dragged by another power source would mean it wouldn't be picked up as being picked up!
 
ROBERT BURNS
But there is no power source just an old church.
 
THE GUARDIAN
Then maybe we should look inside this church.
 
THE GUARDIAN runs down the slope and past ROBERT BURNS out the door.
 
ROBERT BURNS
But it's just a church, a big old creepy church!
 
THE GUARDIAN
If you don't want to come in wait in here but if you do shut the door behind you.
 
ROBERT BURNS runs out the door shutting the door behind him.

CUT TO:

INT.CHURCH

THE GUARDIAN runs into the room to see SARAH lying on the floor unconscious. ROBERT BURNS runs in seconds later to see her too.
 
ROBERT BURNS
Wait who is that?
 
THE GUARDIAN
It's Sarah.
 
THE GUARDIAN runs but suddenly gets thrown back as a liquid wall appears.
 
ROBERT BURNS
What the?
 
THE GUARDIAN
I knew it, this church is giving off the power.
 
ROBERT BURNS
But it's a chu....
 
Suddenly from the fountain in the middle of the church ANNA appears in a holographic look.
 
THE GUARDIAN
A church where there is only fountain in the middle and a spooky computer girl coming out of it.
 
ROBERT BURNS
She is not a creepy computer girl, she is Anna.
 
THE GUARDIAN looks up at ROBERT.
 
ROBERT BURNS (CON'T)
Her name is Anna, she was my best friend.
 
ANNA
You will not intervene with the mission.
 
THE GUARDIAN
Wait, you never told me you were here before?
 
ROBERT BURNS
I never knew I had been here. My best friend Anna went missing when we were playing so many years ago. They said I was too young to remember what happened.
 
THE GUARDIAN
Or your body went into shock and made your mind forget what happened.
 
ROBERT BURNS
But what's happened to her?
 
ANNA
I am 97% Downloaded. New Contact in 45% downloaded, ship powering up.
 
THE GUARDIAN
I don't know but I would guess is she is getting downloaded just like Sarah.
 
ROBERT BURNS
Can we save them?
 
THE GUARDIAN gets up and looks at ROBERT.
 
THE GUARDIAN
Well I can save Sarah Before she reaches 50% but I'm sorry it's just been too long and she has been downloaded too much, I can't save Anna.
 
ROBERT BURNS
But you must be able to do something, your machine outside...you can do something!
 
THE GUARDIAN
But this ship. This is a war ship...using soldiers to power it up, I can't save her.
 
ROBERT BURNS
But I can't lose her, I have only just remembered her!
 
THE GUARDIAN
You have lived your life without her but I have just started mines with Sarah, she doesn't belong here.
 
ROBERT BURNS starts to cry, knowing what is coming next.
 
ROBERT BURNS
Ok then, but please do it fast.
 
THE GUARDIAN
I will and thanks.
 
THE GUARDIAN starts to run once more.
 
ANNA
You will not stop the mission, it will continue.
 
THE GUARDIAN
Oh no it won't, not with this.
 
THE GUARDIAN pulls out a small electric pen and holds it up while he runs. The walls just suddenly vanishes leaving THE GUARDIAN to continue.
 
ANNA
Line of defense 1 is out, start line of defense 2.
 
All of a sudden THE GUARDIAN stops and fries as the floor fries him. He falls to the ground, still alive but breathing heavily.
 
ROBERT BURNS
Guardian!!
 
THE GUARDIAN
I'm ok, It's not done a lot.
 
ROBERT BURNS
Can you get up?
 
THE GUARDIAN
No I can't, my legs need a minute.
 
ANNA
99% upgraded.
 
THE GUARDIAN
Ok Robbie I need you to do something. I need you to shut the ship down.
 
ROBERT BURNS
I can't.
 
THE GUARDIAN
Robbie if you don't it kills everyone for hundereds of miles.
 
ROBERT BURNS
But I can't kill her, I love her!
 
THE GUARDIAN
You won't kill her, this ship killed her a long time ago.
 
ROBERT BURNS
But won't they do to me what they did to you?
 
THE GUARDIAN
Not enough power, drained it with this pen. Now start running and push the big red button.
 
ROBERT BURNS
Ok...I trust you!
 
ROBERT BURNS starts to run towards the fountain. He reaches the fountain and leans down to see a small red button on the base.
 
ROBERT BURNS (CON'T)
I CAN'T DO IT!
 
THE GUARDIAN
You need too, you need to save the world!
 
ROBERT BURNS
But I love her, it's too much!
 
THE GUARDIAN
Think, just think. Please you need too.
 
ROBERT BURNS looks up at ANNA.
 
ROBERT BURNS
I love you.
 
ROBERT BURNS pushes in the button and ANNA stands in a neutral position.
 
ANNA
Download incomplete, self destruct in 1 minute.
 
ROBERT BURNS
Wait, self destruct?
 
THE GUARDIAN
It means we need to get out of here, come on!
 
THE GUARDIAN gets up and runs over towards SARAH.
 
THE GUARDIAN
Come on Sarah, we need to go.
 
THE GUARDIAN helps SARAH up and they both start running towards the door.
 
SARAH
What's happened?
 
THE GUARDIAN
You know, the same old stuff like usual. Now keep on running and get into the TARDIS.
 
THE GUARDIAN stops and turns back to see ROBERT BURNS just stand there.
 
ROBERT BURNS
I can't come, I just can't.
 
THE GUARDIAN
You can't stay here. You have a life Robbie, you lost her a long time ago and you moved on..you can do it again.
 
ROBERT BURNS
If I remembered I wouldn't have but I can't live now. I want to be with her.
 
THE GUARDIAN
Please just listen, come on!
 
The Whole room is flashing red now. ROBERT BURNS starts to run smileing at THE GUARDIAN.
 
THE GUARDIAN
There we go, now come on.
 
THE GUARDIAN and ROBERT BURNS run out the church together.

FADE TO:

INT.TARDIS.CONTROL ROOM.
 
SARAH is sitting in the control room. She is a bit dizy, trying to get her memory back. The TARDIS door swings open and THE GUARDIAN and ROBERT BURNS runs in.
 
THE GUARDIAN
Right then lets try and get out of here.
 
SARAH
Wait who is your new friend?
 
THE GUARDIAN
Ah yes you two haven't met. Sarah Meet Robert Burns.
 
SARAH
You mean the world famous burns?
 
THE GUARDIAN
That's the one.
 
THE GUARDIAN is now piloting the TARDIS, the central pannel is moving meaning he is in flight.
 
SARAH
Oh my god it's so great to meet someone so amazing.
 
THE GUARDIAN
No flirting, don't want you to become your own grandparents!
 
THE GUARDIAN pulls the screen closer to him.
 
THE GUARDIAN (CON'T)
Ships gone, imploded rather than exploded. they did that so their own armies wouldn't get hurt at war.
 
ROBERT BURNS
So that's it then?
 
THE GUARDIAN
Now then, I think we better show you something. You will enjoy this Robbie, you really will!
 
THE GUARDIAN starts to pilot the TARDIS, sure where he is going.
 
Scene Twenty Four. EXT. Princess Street. Future
 
The TARDIS sounds are heard and suddenly THE GUARDIAN, SARAH and ROBERT BURNS steps onto Princess Street.
 
THE GUARDIAN
Princess Street, Edinburgh, Scotland and I would say maybe it's 2010.
 
ROBERT BURNS
Oh my god, this place is amazing.
 
THE GUARDIAN
Isn't it just.
 
SARAH
Wait...why princess street?
 
THE GUARDIAN
Well I landed a tad out but we are not far from where I want to be.
 
SARAH
And where do you want to be?
 
THE GUARDIAN
Follow me, it's not too far away.
 
THE GUARDIAN joins the crowd and heads down the long street.
 
SARAH
Well then we better follow!
 
SARAH and ROBERT join the crowd too, following THE GUARDIAN down the street.

FADE TO:

EXT.OUTSIDE MUSEUM.

THE GUARDIAN, SARAH and ROBERT are all standing outside a large museum. Outside has banners and posters advertising "Robert Burns, tressure of Scotland".
 
THE GUARDIAN
Well then here we go.
 
ROBERT BURNS
Wait? Treasure of Scotland?
 
THE GUARDIAN
You are Robert Burns, the most famous Scot of all time.
 
ROBERT BURNS
But it must be wrong.
 
SARAH
He isn't lying, you even have a day named after you here in Scotland.
 
ROBERT BURNS
Oh my god, this is all overwhelming.
 
THE GUARDIAN
So want to take a look inside?
 
ROBERT BURNS
No, I can't!
 
SARAH
Wait, why not?
 
ROBERT BURNS
Because that is my future, it's going to come to me one day and that day isn't today.
 
THE GUARDIAN
You are one amazing human being Robert, right then you have seen the sights so lets get you back to your own time.
 
ROBERT BURNS
Where I belong, my home.
 
SARAH
Home is where the heart is, isn't it.
 
THE GUARDIAN
So lets go to where his heart is, home.
 
THE GUARDIAN places his arm around ROBERT and all three of them walk away.

CUT TO:

EXT.FIELD

The TARDIS is standing with THE GUARDIAN, SARAH and ROBERT BURNS all standing outside.
 
ROBERT BURNS
This has been such an interesting day, i don't think I will forget it!
 
THE GUARDIAN
Well make sure you don't write about the events, you know...could destory half of the universe.
 
ROBERT BURNS
Well then better not.
 
SARAH
Just going to say I'm sorry about her, I know you loved her.
 
ROBERT BURNS
I need to move on, i only knew her as a child and it would be better to move on and live the life I was given.
 
THE GUARDIAN
Well then this sounds like a goodbye.
 
ROBERT BURNS
And it is. Goodbye Guardian and you Sarah.
 
SARAH
Bye bye Robert.
 
SARAH enters the TARDIS.
 
ROBERT BURNS
So then, the friend I just made just leaving.
 
THE GUARDIAN
I can't stay, not my thing.
 
ROBERT BURNS
You need to be out there saving the world, I get it.
 
THE GUARDIAN
Don't call this goodbye Robert, hopefully I will see you again.
 
ROBERT BURNS
Will be a pleasure my fair Guardian.
 
THE GUARDIAN
Until that day.
 
THE GUARDIAN enters the TARDIS and slowly it vanishes from view.
 
ROBERT BURNS
Right then, time to get to work. I think I should write something new, maybe I should travel. YES!!!
 
ROBERT BURNS turns and walks away.
 
ROBERT BURNS CONT.
Travel Scotland, meeting my fans and the women. Watch out Scotland, Here Comes Robert Burns!

FADE TO:

THE GUARDIAN-John Mclellan
SARAH JOHNSON-Lauren Crace
ROBERT BURNS-James Mcavoy
ANNA-Tiffany Mulheron
SALLY-Neve Mcintosh
EMMA-Katie Leung
SUZIE-Ashley Lilley
GEORGE-Robbie Coltrane
MARY-Catherine Bell

NEXT TIME:

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The Guardian
Hatchling

Favourite Doctor: Matt Smith
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« Reply #9 on: June 24, 2011, 11:01:00 am »

2.4-Greeks and Guardians

INT.OLYMPUS.THRONE ROOM.

Eleven people (males and females), in ancient looking clothes, with two wearing battle Armour and one carrying a trident, are sitting on high chairs in a circle formation. The one with the trident stands up.


POSEIDON
My fellow gods, the titans are planning the resurrection of Kronos, once more. We must rise up against them.

The other god with armour stands up.

ZEUS
My brother, I take account of this. I, for the first time,… Agree with you. We can not stand back and let Kronos arise once more.

POSEIDON
There are only eleven of us. We have no Demi-Gods for back up.

HERMES
Only eleven? What about the twelfth?

ZEUS
Our brother, Hades, has sided with the Titans.

POSEIDON
The Titans have the power, of the Underworld.

CUT TO:



CUT TO:

INT.TARDIS.CONSOLE ROOM.

THE GUARDIAN is lying back, chilling, reading a book. While SARAH, is listening, to her Ipod.

THE GUARDIAN
Interesting. The God of the sea... Poseidon, created horses, as well as making earthquakes. I thought he was just lord of the sea. You learn something new everyday.

SARAH [singing]
This could be the start of something. I can feel my heart is jumping.

THE GUARDIAN recognises the song.
THE GUARDIAN
Sarah? SARAH?

SARAH takes the earphones out her ear.

SARAH
Yes?

THE GUARDIAN
That song... Georgina sings it!

SARAH
Yes, she did.
THE GUARDIAN smiles, but that quickly changes... when the cloister bell tolls.
THE GUARDIAN
Every time you go off, I'm having a break!

THE GUARDIAN gets up out of his chair, to inspect the scanner. SARAH following.

THE GUARDIAN
Now... What in the hell is that?

A black circle can be seen on the scanner.


SARAH
What is it, Guardian?

THE GUARDIAN
It's a crack in time and space, by the looks of it. Dating back to the ancient Greek times.

SARAH
Funny that, you were just reading a book about the Greek Gods.

THE GUARDIAN
Yeah. Now, we’re about to meet them... they are sending a distress signal... I think they have been for a while. Let's go.

THE GUARDIAN presses buttons then pulls the lever.

CUT TO:

FX SCENE.THE TIME VORTEX


The TARDIS changes course and heads for the crack, flying furiously fast, right, into it.

CUT TO:

4.EXT.OLYMPUS.GROUNDS


The TARDIS is seen, coming out of the crack, flying furiously still. HERMES looks up and sees the red telephone box.

HERMES
He has come! The Guardian is here.
HERMES shoes start flapping at the sides and he starts flying.

HERMES
Now to tell Zeus, of this arrival.

HERMES flies away. The TARDIS slows down and lands. The doors open and out steps THE GUARDIAN and SARAH.

SARAH
Wow. This is beautiful.

THE GUARDIAN
Yes, it is.
THE GUARDIAN hears a voice in his head.

GEORGINA V/O
I'd love to go to Ancient Greece. Especially Olympus.

SARAH notices there is something on THE GUARDIANS mind.

SARAH
What's wrong?

THE GUARDIAN
Nothing. It's just Georgina wanted to come here. She never did.

SARAH
Oh right. You have me here though.

THE GUARDIAN
Yes I do. I have Sarah Johnson with me.

THE GUARDIAN smiles.

THE GUARDIAN
The twelve gods of Olympus... Do you know them all, Sarah?


SARAH
Only some.

THE GUARDIAN
Well here are all twelve names... Zeus, Poseidon, Ares, Athena, Aphrodite, Hermes, Hestia, Hera, Apollo, Artemis, Hephaestus and Demeter.

SARAH
What about Hades?

THE GUARDIAN
Hades is not actually classed as one of the twelve gods of Olympus. He is classed as a lesser god.

SARAH
Really? I always thought he was?

THE GUARDIAN
Oh wait... Sorry, That was ages ago. It is now... Hestia stepped down as one of the twelve to keep balance when Dionysus became one of the twelve. You see back in the Ancient Greece times... The number thirteen was considered unlucky. Hades was actually always one of the twelve, as he is the brother of Zeus and Hades. Making them the big three. And Demeter isn't actually a member of the twelve... I can't remember what happened to her... she is the mother of Persephone though... who is married to Hades.

SARAH
Wait. So Dionysus came in as one the twelve and Hestia became a lesser one to keep the balance? And Demeter isn't actually a member of the twelve?

THE GUARDIAN
Yes. That's right. Now enough jibber-jabbering. Let us go forth.

SARAH
Do you ever speak sense?
CUT TO:

INT.OLYMPIAN PALACE


The ELEVEN GODS, are all sitting, on their thrones, apart from ZEUS, who is standing up, waiting.

ZEUS
You are sure... that was them, Hermes?

HERMES
Of course. Like The Oracle said " Come will, the red box, and in it's wake, a Guardian will shake. "

ZEUS
Okay. He must be here quickly. Our brother will be planning against us, trying to bring us down... Trying to make Olympus... FALL!

A loud noise can  be heard. The GODS look at ZEUS, thinking it’s him. ZEUS shakes his head. The Gods look to the door and in bursts THE GUARDIAN and SARAH.

THE GUARDIAN
Hello.

ZEUS
How did you get in here?

THE GUARDIAN
I used my sonic regulator.

ZEUS
An ancient device. Are you The Guardian? The one we have been waiting for?

THE GUARDIAN
That’s me…. The Guardian, and this is, Sarah.

ZEUS
We have been waiting for you. We need your expertise.

THE GUARDIAN starts walking up to the throne of ZEUS, SARAH wearily following.

THE GUARDIAN
My expertise? Did you hear that, Sarah? Zeus needs my expertise.

SARAH
Yes, I heard.

THE GUARDIAN stops just at the bottom of the stairs that lead up to the throne of ZEUS.

ZEUS
My brother, Hades, is siding with the Titans.

THE GUARDIAN
Siding in what?

ZEUS
We are at an endless war, with the Titans. They came before us… my father, Kronos,was the leader before I over-threw him.

THE GUARDIAN
More like, threw up.

ZEUS
Yes. We must make haste. Right now, Hades will be planning some sort of terror.

CUT TO:

INT. UNDERWORLD. MAIN ROOM

A man with black ancient looking robes, is standing looking at a fire. The man is HADES.


HADES
Zeus thinks he is so smart, with his lightning, striking anything and everything down. I deserve that throne.
A beautiful, young looking, female walks in.

HADES
Persephone, my dear… Come.

PERSEPHONE walks over to HADES.

PERSEPHONE
You are thinking too much into all this, be with your brothers… Remember the last time this happened, the Titans nearly won. The gods need all the help they can get.
HADES stands up.
HADES
How dare you dirty your tongue with that vile.

HADES slaps PERSEPHONE.


HADES
Zeus and the rest will pay for what they have done to me. For sending me to the lowest depths… To the underworld.
PERSEPHONE starts to walk away.

PERSEPHONE
You deserve it.
HADES stares angrily, at PERSEPHONE as she walks away.

HADES
Even my own wife is against me… THE GODS WILL PAY!

FX: Black smoke ascends around HADES with flames firing out from the ground, HADES disappears.

CUT TO:

INT. OLYMPIAN PALACE. WAR ROOM
.

The ELEVEN GODS are sitting around a table with THE GUARDIAN and SARAH standing in a small hole..

THE GUARDIAN
So, we have a war, a war with you and these Titans.

ZEUS
The war that has raged for all time, will end soon.

SARAH
An adventure with a war, that really could destroy the whole of time.

THE GUARDIAN
Yes, Time could be destroyed. But it won't, I am here, And, This war will stop today!

ZEUS
You will help us then?

THE GUARDIAN
Of course, I will.

FX: Suddenly black and blue flames appear in the middle of the table and PERSEPHONE appears in the middle of them.

PERSEPHONE
Gods, Hades is going against you and you will all fall.

THE GUARDIAN
That's right, There is only eleven of you, not twelve. Usually in a battle like this Hades would at least show his face. So Hades has betrayed you, and went to the Titan side.

ZEUS
Why do your bring us, this news, Persephone?

PERSEPHONE
Because, my husband has changed. He is not only, going against you, but me.

FX: PERSEPHONE suddenly bursts into flames, screaming in pain. She disappears to be replaced by HADES.



HADES
My fellow Gods, how nice, it is to see you. My wife, has come to you and she will be punished for it.

ZEUS
Persephone is on our side, Hades. Where you should be! Now stop this nonsense, or we will have to stop you.

HADES
You and who, Zeus?

ZEUS
We have The Guardian, the one from the prophecy. The one person in this universe that can stop you.

HADES looks over at THE GUARDIAN and SARAH.

HADES
You must be, The Guardian. The one who is suppose to bring my down fall.

THE GUARDIAN
Hades, I am finally meeting the twelve gods together. I can't say it's good with all that is happening right now, mind you but still, to meet you all is fantastic.

HADES
The war is coming, heed my warning… The Titans will win, Olympus shall fall.

FX: Black smoke surrounds HADES and he disappears, leaving the table to turn back to normal.

SARAH
This looks like trouble.

THE GUARDIAN
Trouble with a capital 'T' Sarah, Trouble with a capital 'T'.

The whole room looks at THE GUARDIAN, desperately.

THE GUARDIAN
We shall fight and we… shall… WIN!

SARAH
Guardian, you seem right into this.






THE GUARDIAN
I was in a war before, a Time War, between my race and another, called Daleks. They all got wiped out, and only a few of us Timelords live The Doctor and a lonely traveller, and I… I won't let this happen to the Gods.


THE GUARDIAN [cont'd]
Do you hear me, Gods? This never ending war between The Olympians and the Titans will stop soon, I will be there to lead you all in to battle. I am The Guardian, I am your saviour!

The GODS all burst out into a cheer.


CUT TO:

INT. UNDERWORLD. OUTSIDE TARTARUS.


HADES is walking up to a big black locked door.

HADES
Soon, father, you shall rise, and Olympus will fall. That pathetic Guardian won't even be able to save them, once you are free. Kronos shall arise!
Another figure can be seen, a woman. HADES hears her apporaching, casually.

HADES
My darling wife, Persephone, how nice of you to join me, after your stunt earlier.

PERSEPHONE
You know, I serve you, Hades. The gods are foolish to think that I am on their side.

PERSEPHONE kisses HADES on the cheek.

HADES
Yes, You’re right.

PERSEPHONE
I know, I am. Hades, baby, come on… Leave this thing, right now.
PERSEPHONE starts moving her hands, in a flirtatious manner.
PERSEPHONE [cont'd]
I need to be loved, come on.

PERSEPHONE takes HADES hand and walks away towards, HADES main room, HADES glances back at the big black door.

FX: HADES eyes turn red.

CUT TO:

INT. TARDIS. CONSOLE ROOM.

THE GUARDIAN walks through the door, SARAH following.

SARAH
What are you doing, Guardian?

THE GUARDIAN
I am needing the right supplies to battle with. So, I am going to the armoury room and stocking up.

SARAH
Oh, Right. Your going to battle then?

THE GUARDIAN
Yes. So, will the rest of the gods, but you can’t, I will not let you get hurt, Sarah.

SARAH
But, Guardian.

THE GUARDIAN
No, butss. Sarah, listen to me... this war is dangerous... The Gods are immortal, I can regenerate. But you, you will just die. I can't stand to see that happen to you.

SARAH
Okay, Guardian. I understand.

THE GUARDIAN
Good. You will stay in here, nothing can get through these doors. You will be able to watch the fight from the scanner.

SARAH
What if something terrible happens?

THE GUARDIAN
Nothing will, don't worry.

THE GUARDIAN smiles.


SARAH
Right, Guardian. This war won't end itself, go and get prepared.

THE GUARDIAN
Oh yeah.

THE GUARDIAN walks away to the armoury room. Once he is gone, a face covered in a black cloak appears on the scanner, SARAH notices it.

BLACK CLOAKED FEMALE V/O
Companion of The Guardian, watch out, Kronos will rise. But, The Guardian and the Gods have a chance… As long, as we stay in contact.

SARAH
Who are you?

BLACK CLOAKED FEMALE V/O
I can't say, but be warned… You can't get involved on the front line, in the battles to come.

SARAH
What? What do you mean battles?
THE GUARDIAN walks in, the image on the scanner disappears.
THE GUARDIAN
Are you talking to yourself?

SARAH
No. I was singing.

SARAH, looks around and sees THE GUARDIAN. In white battle armour, with a sword in the holder on his left side and a dagger, on the right side.

THE GUARDIAN
So? What do you think?

SARAH
I think, I should call you… The White Guardian, from now on.

SARAH winks.


THE GUARDIAN
The White Guardian? That's the name of one of the Eternals.

SARAH
Eternals?

THE GUARDIAN
I'll explain later, when we have time.

SARAH
Good luck.

SARAH stares at THE GUARDIAN.

THE GUARDIAN
Yes??
SARAH runs over and hugs THE GUARDIAN, tightly, like she doesn't want to let him go.

SARAH
You're amazing.

THE GUARDIAN
Just like you.

THE GUARDIAN smiles and lets SARAH go. He turns, and walks out the front door. Leaving SARAH by herself.

SARAH
I know you can do it.

SARAH stars walking around the console, she stops, at the scanner, which she stares at.

SARAH
What the hell is that?

CUT TO:

INT.OLYMPUS.WAR ROOM

The GODS are standing around the circular table, when THE GUARDIAN walks in.

THE GUARDIAN
So, are we ready?

ZEUS
You prepared?

THE GUARDIAN
Yes I am. Now, answer my question.

ZEUS
Nearly, but you will have to Visit the Oracle.

THE GUARDIAN
Oh, Yes. That is so I can get my prophecy for this battle, right?

ZEUS
Yes.


THE GUARDIAN
Well, I shall go and see, the Oracle and get my prophecy… Then, report back, here.

ZEUS
We shall see you soon, then Guardian.

THE GUARDIAN turns and walks away, towards the lair, of the Oracle, Delphi.

CUT TO:

INT.LAIR OF ORACLE.

THE GUARDIAN walks into a dark room, filled with cobwebs, and other ancient artefacts.

THE GUARDIAN
Hello? Anyone home?

THE GUARDIAN looks over at a mummy, lying against a wall.

FX: The Mummy's eyes light up blue

THE GUARDIAN
I guess, you must be The Oracle.

ORACLE
I am the spirit of the Oracle. You are here for your, prophecy, Timelord.

THE GUARDIAN
How did you know that?

ORACLE
I am the Oracle, I know everything.

THE GUARDIAN
I knew you were going to say that…  Come on, I'm waiting.

ORACLE
In a battle, with a friend, only one will come out in the end. Then, at a wall, the other shall fall, with a bang running through time.

THE GUARDIAN
This is for right now?

There is no answer from The Oracle.


THE GUARDIAN
Oh great, that’s you back to your normal state… I need to work this out myself.
The Guardian turns around and walks out the door, closing it behind him. A evil male laugh can be heard.

CUT TO:

INT.OLYMPUS.WAR ROOM

ZEUS is standing at the round table, with the other ten GODS, around him, All waiting on THE GUARDIAN.

POSEIDON
Brother, this war… It is going to come to a climax… One that may even be impossible to win.

ZEUS
Don't you dare speak like that. We shall win!
THE GUARDIAN walks in.

THE GUARDIAN
Well, I got my prophecy… Let's go.

ZEUS
What did she say?

THE GUARDIAN
I don't quite understand it.

ZEUS
No one ever does. Come, we must make haste.

ZEUS walks to the exit, With the GODS then THE GUARDIAN following.
CUT TO:

INT.TARDIS.CONSOLE ROOM.


SARAH is sitting reading the book THE GUARDIAN had earlier on Greek Gods.

SARAH
This battle has been going on for centuries, The Gods and Titans have been using, Demi - Gods… People born of one human parent and one immortal parent… Interesting. Oh, and a living energy source can resurrect Kronos.

The same image as earlier appears on the scanner, SARAH doesn't notice it until.

BLACK CLOAKED FEMALE VOICE
Sarah... Companion of The Guardian... Come forward.
SARAH now noticing the image, gets up out of the seat and goes over to the scanner.

SARAH
Who are you?

BLACK CLOAKED FEMALE VOICE
A friend, just know that. I can’t tell you my name, not yet, it’s not the right time.

SARAH
Why is it not the right time?

BLACK CLOAKED FEMALE VOICE
That I can not say... But…. Beware of the rise of Kronos.

SARAH
Should I warn The Guardian?

BLACK CLOAKED FEMALE VOICE
No. The Guardian must not know about this, or his life is in danger.

SARAH
Then why come to me? Why come to the TARDIS?

BLACK CLOAKED FEMALE VOICE
Because what comes next is not my doing.

SARAH
Then please, let me help him.

BLACK CLOAKED FEMALE VOICE
Please don‘t. You can not help him.

SARAH leans over the console and turns off the scanner.

SARAH
Thank gosh it was that button.
SARAH looks over at the TARDIS doors.

SARAH[CONT'D]
I need to tell him. I need to save him.

SARAH runs up to the TARDIS doors, running out quickly after THE GUARDIAN. A panel on the TARDIS console opens.

FX: A gold light appears from the Middle panel

CUT TO:

EXT.A BEACH.

THE GUARDIAN, the GODS and the SOLDIERS are standing on a beach. THE GUARDIAN is standing at the front of the army looking out over a large blank bit of beach.

THE GUARDIAN
They are coming, I know it. I can feel it.

POSEIDON rises from the sea

POSEIDON
Zeus, the sea is ready and they will fight for the cause.

ZEUS
Good. We need all the help we can get to bring down, Hades and the Titans.
FX: The ground opens up with flames bursting out, HADES appears.

THE GUARDIAN steps forward to talk to him.


THE GUARDIAN
Tell you what. Call this all off right now, Hades. Just say the word to the Titans. It doesn't have to be like this.

HADES
This is my time, Guardian. This ... Is ... My ... Time!


THE GUARDIAN
Then this is your choice. What happens next is your fault. Your down fall.

HADES
No. It is not my down fall, only the beginning.

ZEUS
What do you mean?

HADES
While you were all being strategic and planning your attack. I latched onto a power source… A great one at that.
HADES looks at THE GUARDIAN

THE GUARDIAN
No! What have you done to her?


HADES
I have done nothing. Time is on my side.

THE GUARDIAN
The closest person to the authority of time is me, and if I am not mistaken, I am with Zeus.

HADES
Not you. Someone so much powerful. For he returns, from the deepest pits of Tartarus. My father…  Kronos rises!

THE GODS looks at each other, while THE GUARDIAN stares at HADES.


CUT TO:

INT.UNDERWORLD.TARTARUS.

The big black doors open. A figure appears out of it, KRONOS.


KRONOS
I‘m back.

FX: KRONOS' eyes light up gold.

KRONOS
And I’m ready for war, for fire, for death... For the destruction of Olympus.

FADE TO:

THE GUARDIAN- John Mclellan
SARAH JOHNSON- Lauren Crace
ZEUS- Liam Neeson
POSEIDON- Kevin Mckidd
HADES- Ralph Fiennes
PERSEPHONE- Rosario Dawson
HERMES- Dylan Neal
KRONOS- Julian Bleach


NEXT TIME

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The Guardian
Hatchling

Favourite Doctor: Matt Smith
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« Reply #10 on: June 24, 2011, 11:02:14 am »

PREVIOUSLY

POSEIDON
The Titans have the power, of the underworld.

CUT TO:

THE GUARDIAN smiles, but that quickly changes when the cloister bell tolls.

THE GUARDIAN
Every time I am having a break, you go off!

THE GUARDIAN gets up out of his chair, to inspect the scanner. SARAH following.

THE GUARDIAN
Now, what in the hell is that?

CUT TO:

The TARDIS changes course and heads for the crack, flying furiously fast, right into it.

CUT TO:

ZEUS
We are at an endless war with the Titans. They came before us, my father, Kronos was the leader before I over-threw him.

CUT TO:
THE GUARDIAN[cont'd]
Do you hear me? This never ending war between The Olympians and the Titans will stop soon, I will be there to lead you all in to battle. I am The Guardian, I am your savior!

The GODS all burst out into a cheer.
CUT TO:
ORACLE
In a battle with a friend, only one, will come out in the end. Then at a wall, the other shall fall, with a bang.

CUT TO:

A panel on the TARDIS console opens.


FX: A gold light comes out from the panel

CUT TO:

HADES
Time is on my side.

THE GUARDIAN
The closest person to the authority of time is me, and if I am not mistaken, I am with Zeus.

HADES
Not you! Someone so much powerful. He returns, from the deepest pits of Tartarus. My father, Kronos rises!

CUT TO:

The big black doors open. A figure appears out of it, KRONOS.

KRONOS
I'm back.

FX: KRONOS eyes light up gold.

CUT TO:



CUT TO:

EXT. A BEACH

THE GUARDIAN, with THE GODS and SWORDSMENS, standing behind him, are all staring at HADES.

THE GUARDIAN
You have awakened, Kronos. How did you do that?

HADES
Simple, all he needed was an energy source. Your companion left your ship, giving me a chance to take power from part of it.

THE GUARDIAN
You took power from the heart of the Tardis, to awake Kronos? Do you know how wrong that is?

HADES
I am the god of the underworld. I do not care, if that is wrong.

ZEUS
Hades! How could you do this? Bring back our own father, who tried to kill us all, back.

HADES
That is why, you were always the weak one, Zeus.

ZEUS changes his expression. A furious look is now on his face.

ZEUS
You should never have said that!
ZEUS raises his right hand and points it up to the sky and then points his right hand at HADES.

FX: Lightning shoots down and zaps HADES.

HADES
Remember this, brother. Olympus will fall.

FX: Flames fire up from the ground and black smoke appears, HADES disappears.

POSEIDON
Coward.

THE GUARDIAN
He will be back soon with an army of Titans. Poseidon, I want you down back in your palace, waiting. Just in case Oceanus turns up, looking for trouble.

POSEIDON
Of course.
POSEIDON nods to THE GUARDIAN, then dives into the water, swimming back to his palace. THE GUARDIAN looks over at ZEUS.

THE GUARDIAN
I say we go to my Tardis. I need to see how much power has been drained and where Sarah has got to.

ZEUS
As you wish.

THE GUARDIAN, THE GODS and THE SOLDIERS turn around and walk away, back to the entrance of Olympus.

CUT TO:

EXT.OLYMPUS.OUTSIDE THE PALACE

SARAH is walking up  the stairs of the palace.

SARAH
Guardian, please dont be fighting! I need you...


FX: Black and blue flames fire out from the ground and the BLACK CLOAKED FEMALE suddenly is standing in front of SARAH.

SARAH
You! What are you doing here?

BLACK CLOAKED FEMALE
I could ask you the same. You were suppose to have stayed in that machine.

SARAH
The Tardis?

BLACK CLOAKED FEMALE
Yes, Hades needed the power source of the Tardis to resurrect Kronos. You are too late. He has been resurrected! You should have stayed in the Tardis as the power was let free.

SARAH
Why didn't he just do it, when I was in the Tardis?

BLACK CLOAKED FEMALE
He could not, there was an extrapolator shield around it, which only works when someone is in that place. Also the power source from the Tardis could of fed into you. Giving you an upper hand to defeat Hades, but then maybe dying in the process.

SARAH
Well, what am I suppose to do now?

BLACK CLOAKED FEMALE
Wait, for he is coming.

SARAH
Who is?

BLACK CLOAKED FEMALE
The man who can save us all, The Guardian.

FX: Black and blue flames fire up from the ground, The BLACK CLOAKED FEMALE disappears.

SARAH turns around. THE GUARDIAN, GODS and SOLDIERS are standing looking at her.

SARAH
Guardian!

THE GUARDIAN
Who was that?

SARAH
Who was what?

THE GUARDIAN
That person in the black cloak.

SARAH
I don't know. It was definitely a female, I know that.

THE GUARDIAN
Right. Zeus, do you have an idea of who it could be?

ZEUS
No.

THE GUARDIAN
Glad we got that sorted. Sarah, I told you to stay in the Tardis. Why are you not there?

SARAH
That woman, the one you just saw me talking to, she appeared on the scanner and told me you would be in trouble. So I had to come.

THE GUARDIAN
You did not have to come Sarah. I can look after myself.

SARAH
That's gratitude for you.

THE GUARDIAN
Sarah! Back to the Tardis. That is all the help you can be right now.

SARAH
Sometimes I wish you wouldn't be as infuriating!

SARAH walks back down the stairs then walks past THE GUARDIAN in a mood.

THE GUARDIAN
Sarah.

THE GUARDIAN looks at SARAH who is now at the TARDIS. APHRODITE looks at THE GUARDIAN and walks forward.

APHRODITE
Go after her Guardian. I see it in your mind, she means a lot to you, go.

THE GUARDIAN looks at APHRODITE.

THE GUARDIAN
Be back in a minute.
THE GUARDIAN smiles then turns around and runs to the Tardis, after Sarah.

THE GUARDIAN
Sarah!

SARAH is just about to walk in the Tardis doors. But then turns around to see THE GUARDIAN running up to her.

SARAH
What have you came to moan at me for this time?

THE GUARDIAN stops and looks at SARAH. Their eyes meet.

THE GUARDIAN
I'm not here to moan at you. I am here to apologise. Listen Sarah, I am only trying to protect you. I know it may not seem that way. But believe me, I care about you. You're the closest thing I have to family now. I don't want to see you hurt.

SARAH smiles.

SARAH
Aw, Guardian. Shut up!

SARAH laughs, still looking in THE GUARDIANS eyes.

THE GUARDIAN
But know this Sarah, you are all I now have.

SARAH runs and hugs THE GUARDIAN.

SARAH
Stop being so cheesy! Go and save Olympus from the Titans!

THE GUARDIAN
Just you watch me.

THE GUARDIAN pulls away from SARAH, but still holds on to her.

THE GUARDIAN
I promise you after this, I will take you anywhere you want to go!

SARAH
Thanks Guardian. Now go!

THE GUARDIAN lets go of SARAH, turns around and runs back to the GODS and the SOLDIERS.
APHRODITE
Well done Guardian. I knew you would patch things up with Sarah,the connection is too strong between you two.

THE GUARDIAN
Yeah, it is.

THE GUARDIAN, led by the GODS followed by the SOLDIERS all walk up the stairs to the grand palace.

CUT TO:

INT.OLYMPUS.PALACE

The ELEVEN GODS, SOLDIERS and THE GUARDIAN walk through the entrance door to the Palace. The GODS sit on their seats leaving the SOLDIERS standing to the side and THE GUARDIAN standing in the middle of the circle of seats.

ZEUS
Guardian, what is your plan.

THE GUARDIAN
I say, we battle to the finish. I haven't really got a plan right now. Usually it's a spur of the moment thing. It comes to me.

ZEUS
Oh, the Great Guardian, comes up with plans on the spot?

THE GUARDIAN
Yes. I do it brilliantly though.

ZEUS
Hmmm....I'll be the judge of that!
The GODS stare at THE GUARDIAN.

THE GUARDIAN
Trust me, I know what I am doing.
An explosion can be heard from outside.

THE GUARDIAN[CONT'D]
It has started.

ZEUS
Everyone ready? Soldiers take the front line.

The SOLDIERS make a two line formation at the door, Archers at the back, Swordsmen at the front.

ZEUS
My fellow brethren, take up positions.

The ELEVEN GODS walk from their seats and get their weapons ready and they then walk up behind the ARCHERS.


ZEUS
Guardian.

THE GUARDIAN looks at ZEUS and nods. He then reaches into his pocket and brings out the sonic regulator which he points at the door and presses down on to activate. The doors swing open. THE GUARDIAN cuts in to the middle of the first line.

THE GUARDIAN
To battle!

They all walk out, still in formation, getting ready for the battle to come.

CUT TO:

INT.TARDIS.CONSOLE ROOM.

SARAH walks in, closing the door behind her. She suddenly stops dead on her tracks noticing...

FX: The gold light has got brighter and bolder and is now going right around the TARDIS Time Rotor.

SARAH
What? But, how can that be?

SARAH steps near the console but stops just before it to make sure the Gold energy doesn't touch her.

SARAH[CONT'D]
No way. Is that how Hades resurrected Kronos?
FX: Black and blue flames fire up from the TARDIS floor, The BLACK CLOAKED FEMALE appears.

BLACK CLOAKED FEMALE
The Tardis is not safe for you, Sarah. You must come with me.

SARAH
Answer me this first. Who are you?

BLACK CLOAKED FEMALE
I guess it is time for you to know my true identity.

The BLACK CLOAKED FEMALE reaches for the hood of her cloak. She pulls it down and we see a familiar beautiful face.


SARAH
Persephone? You have been warning me all this time?

PERSEPHONE
Yes, I have. I have been trying to help you all out. It looks like I have failed.

SARAH
No you haven't. I need your help.

PERSEPHONE
What with?

SARAH
This energy. To get rid of it.

PERSEPHONE
You can not get rid of it but there is one way...

PERSEPHONE stares at SARAH thoughtfully.

SARAH
No I couldn't. The Guardian, he would be mortified, I wouldn't be right to do that.

PERSEPHONE
But it is your only choice.

CUT TO:

EXT.OLYMPUS.OUTSIDE THE PALACE

The GODS,SOLDIERS and THE GUARDIAN are still in their battle formations. The TITANS with creatures such as a MINOTAUR, FIVE GIANTS, CERBERUS-a three headed dog with a tail of a dragon are on the opposite side from them. HADES at the front leading them.

THE GUARDIAN

Hades, where is he? Where is Kronos?

HADES
Oh, Guardian. He is coming,  just you wait.

ZEUS
Hades, stop this nonsense.

HADES
You are the one full of nonsense.

HADES swings his right arm up in the air.

HADES
Attack!
The army of HADES charge at the OLYMPIANS, SOLDIERS and THE GUARDIAN.

The ARCHERS raise their bows and fire, arrows go flying, coming down on the TITANS. One arrow hits the MINOTAUR right in the eye.


FX: The MINOTAUR vanishes with gold dust spreading around it.

THE GUARDIAN
Ha! One down!

HADES
Enough talk.

FX: Everyone goes into slow motion except THE GUARDIAN.

THE GUARDIAN
He's coming! Kronos is near!

FX: A black vortex swirls next to HADES, KRONOS appears.

KRONOS
We finally meet, Timelord.

THE GUARDIAN steadies his hand on his sword, getting ready to draw it.


THE GUARDIAN
Kronos, I see you can control time. But you don't have as much of a right to as I do.

KRONOS
Your foolishness will cost you dearly one day.
KRONOS raises his scythe.
THE GUARDIAN
Wouldn't you just love that.

THE GUARDIAN raises his sword. THE GUARDIAN and KRONOS are now both staring at each other, KRONOS snaps his right fingers.

The SWORDSMEN are running, four take on CERBERUS attacking it right,left and centre, another four are taking on two GIANTS, with the last two running for HADES.

FX: HADES fires a black shadow from his hand, The TWO SWORDSMEN disappear as if they have been disintegrated.

THE GUARDIAN looks, distraught.

CUT TO:

FLASHBACK.EXT.GALLIFREY BATTLEFIELD.DAY

TWO MALE TIMELORDS are standing, with ruins of a cathedral, burning, in the background.


FX: A DALEK hovers down, noticing the TWO TIMELORDS.

TIMELORD#1
Dalek incoming!

TIMELORD#2
Sonic regulator at blaster mode, brother.

TIMELORD#2 holds up his sonic regulator at the DALEK. The DALEK looks at TIMELORD#2 then changes it's direction to TIMELORD#1.

DALEK
Exterminate!

FX: A blue ray shoots out of the DALEKS gun.

TIMELORD#1
GUARDIAN!

FX: TIMELORD#1 flashes blue with his skeleton being revealed, he falls down.

THE GUARDIAN
Brother!
THE GUARDIAN, overcome with grief, guilt and rage, runs away from the DALEK, as fast as he can, running into his TARDIS.

CUT TO:

EXT.OLYMPUS.OUTISDE THE PALACE.DAY

THE GUARDIAN turns around to look at the FOUR SWORDSMEN fighting off CERBERUS. The FOUR SWORDSMEN are each attacking CERBERUS at different place positioned around the creature.

SWORDSMAN#1
Come on, attack from the sides.

SWORDSMAN#2
There is no way we can hold it off much longer.

SWORDSMAN#3
We have to give it everything we have got.

SWORDSMAN#4
This is our final battle!

The FOUR SWORDSMEN all together charge at CERBERUS, who swings its claws at the THREE SWORDSMEN in front, Knocking them down. CERBERUS raises its claws once more and brings them down three times, killing each SWORDSMAN.


SWORDSMAN#4
No!

THE GUARDIAN starts to run, seeing that SWORDSMAN#4 is going to try and kill CERBERUS.

SWORDSMAN#4
You will never take Olympus!
SWORDSMAN#4 runs in at CERBERUS, who sweeps its claws at SWORDSMAN#4, who ends up falling, CERBERUS goes to raise its claws, but instead topples over, revealing a blade stabbed into its back. SWORDSMAN#4 looks up, THE GUARDIAN is standing looking at him.

FX: Gold dust flies around CERBERUS, who has now vanished.

THE GUARDIAN
You should have stayed, guarding the Underworld.

THE GUARDIAN extends a hand for SWORDSMAN#4, who takes it and gets pulled back up to his feet by THE GUARDIAN.

THE GUARDIAN
There you are, alive. But the battle is not over yet, not by a long shot. What is your name?

SWORDSMAN#4
Perseus.

THE GUARDIAN
Ah right. Perseus, nice to meet you.

THE GUARDIAN goes over to where the body of CERBERUS was and picks up his sword.


THE GUARDIAN
Now we have some giants to slay.

THE GUARDIAN and PERSEUS walk over to where the other FOUR SWORDSMEN are who are trying to fight  four giants.


THE GUARDIAN
Looks like you could all use some help.

THE GUARDIAN runs over to one of the FOUR SWORDSMEN.
THE GUARDIAN[CONT'D]
I'll take this one, You go help with the other three.

THE GUARDIAN turns around to PERSEUS.

THE GUARDIAN
You too.
PERSEUS runs over to the third GIANT who is raising its hands getting ready to bash the SWORDSMAN in front of it. PERSEUS swings his sword at the GIANTS left leg. The GIANT falls over.

PERSEUS
You okay?

SWORDSMAN#5
Yes, thank you. Let's take this giant out!

SWORDSMAN#5 swings his sword so it slices down the GIANTS neck, the GIANTS head falls off.

FX: Gold dust forms around the GIANT and it disappears.


The GIANT starts to sweep its hands to knock THE GUARDIAN over but before it can do that, THE GUARDIAN brings out his Sonic Regulator and points it at the GIANT.

THE GUARDIAN
Resquiet in pace.
FX: THE GUARDIAN presses down on the Sonic Regulator, a Red Bolt shoots out of the Sonic Regulator and gets the GIANT in the middle of its chest.

The GIANT roars and falls down. THE GUARDIAN turns around to look at KRONOS and starts to run towards him. The ARCHERS are firing at HADES and KRONOS, With the GODS standing, staring at the battle.


HERMES
This has gone too far.

ZEUS
Yes, it has.
FX: A whirlpool of water spins next to ZEUS and POSEIDON appears.

POSEIDON
Oceanus has been taken care of.

What an abomination!

THE GUARDIAN changes course and runs up to the GODS.
THE GUARDIAN
Didn't I tell you, this would be over soon.

ZEUS
Yes, but how long, Guardian? I mean we have lost a good number of men.

THE GUARDIAN
So have the Titans.

POSEIDON
Who have they lost?

THE GUARDIAN
A Minotaur, Cerberus and two Giants.

THE GUARDIAN looks over at the GIANTS, he sees one more falling.

THE GUARDIAN
Okay, three Giants now!
CUT TO:

INT.TARDIS.CONSOLE ROOM.

SARAH is staring at PERSEPHONE.

FX: The gold glow is getting brighter.

SARAH
Destroy the Tardis?

PERSEPHONE
Yes. It is really the only way, I am sorry.

SARAH
Shouldn't we talk to The Guardian about it first?

PERSEPHONE
Yes, we will have to go and get him, but he is in battle. So we have to be careful.

SARAH
Let's go.

SARAH and PERSEPHONE start to walk to the door, when the TARDIS goes in flight.

SARAH
No! Stop!
FX: An image appears on the scanner of....

THE GUARDIAN
Sarah, I am bringing the Tardis to me, I need it.

SARAH
Okay Guardian, will I be glad to see you. I have something to ask you.

THE GUARDIAN
i Sounds nteresting.

CUT TO:

EXT.OLYMPUS.OUTSIDE THE PALACE

FX: The TARDIS materialises.

SARAH and PERSEPHONE step out. They see the battle, The SWORDSMEN who are left, are fighting off the last TWO GIANTS. THE GUARDIAN is talking to The GODS. SARAH and PERSEPHONE go over to them.


PERSEPHONE
Where is Hades?

THE GUARDIAN
He is over there, next to Kronos.

PERSEPHONE
He will kill me if he knows I went against him... Again.

THE GUARDIAN
He won't. Don't worry.

PERSEPHONE
I think he just seen me.

THE GUARDIAN
Yes, he did.

SARAH walks up closely to THE GUARDIAN. THE GUARDIAN and PERSEPHONE look away from HADES and look at SARAH.

THE GUARDIAN
Now Sarah, what was it you were wanting to talk to me about?

Just as SARAH is about to tell THE GUARDIAN, ZEUS appears.

ZEUS
Guardian, we are away to battle Hades and Kronos. You stay there and think of a way to stop all of this.

THE GUARDIAN
Of course. Good luck.
ZEUS runs back to the GODS, who all then run to battle HADES and KRONOS. Perseus is fighting off the last giant, by himself. The bodies of the other swordsmen are lying around him. PERSEUS runs and jumps at the GIANT, bringing his sword down on its head.

FX: Gold dust forms around the GIANT, and disappears.

PERSEUS' sword falls from where the GIANTS head was and PERSEUS catches it. PERSEUS looks over at THE GUARDIAN

PERSEUS
Guardian! That is the giants dealt with.

THE GUARDIAN
Good! Go back to the palace!

PERSEUS turns and runs to the palace, He opens the doors and going through them.


THE GUARDIAN
Right, now that thing...

A roar of pain can be heard. THE GUARDIAN, SARAH and PERSEPHONE look over to where The GODS, HADES and KRONOS are.

FX: Gold energy is circulating KRONOS.

KRONOS falls to his knees.

HADES
No! We will be back.

FX: Black smoke ascends around HADES and KRONOS with flames firing up from the ground, they disappear.

SARAH
What was that?

THE GUARDIAN
I will explain it. Everyone in to the palace... Now!

The GODS, GUARDIAN, SARAH and PERSEPHONE run up the steps to the palace.

CUT TO:

INT.OLYMPUS.PALACE

PERSEUS is standing in the middle of the room when the doors open with a mighty thud. In come The GODS, GUARDIAN, SARAH and PERSEPHONE. ZEUS at the front leading them.

PERSEUS
Is that it, it's all over?

ZEUS
For right now, Son. They will be back.

THE GUARDIAN
Maybe not.

ZEUS
What do you mean?

THE GUARDIAN
Kronos has not fully restored yet. He is barely living because of the Tardis power. So...

Just as THE GUARDIAN goes to see the rest, SARAH interrupts him.
SARAH
If the connection gets broken then Kronos will return to Tartarus and Hades will not have anyone to help him.

THE GUARDIAN
How did you know that?

SARAH
That is what I have been trying to tell you. Also the only way to break the connection is to destroy the Tardis.

THE GUARDIAN
I knew you were going to say that.

PERSEPHONE
Guardian, it is the only way.

THE GUARDIAN

I know. Let's do it.

SARAH
Really?

THE GUARDIAN
Yes, it is okay Sarah. The Tardis will rebuild itself.

SARAH
I didn't know that.

THE GUARDIAN
You do learn something new everyday. The question though is how do we do it?

SARAH
Mind when we came through here, there was a crack in the vortex.

THE GUARDIAN
Of course! The crack had opened in space and time because you needed our help Zeus. It was you who opened it, charging lighting bolts at it and Poseidon creating quakes. If me and Sarah go through the crack with the power source still on, the energy loses its signal and the crack shuts, Which then means Kronos will have no power. Thus being sent back in Tartarus! Oh, I am good!

SARAH
Hey, so am I!

THE GUARDIAN
Yes, you are. Now we need to do this, Sarah say your goodbyes.

SARAH walks over to each GOD and shakes their hand, gives them a hug. SARAH finally walks up to PERSEUS.

SARAH
It was nice to have met you. I wish i could of known you better and talked to you.

PERSEUS
Thank-you. I wish I got to know such a beautiful girl like you a lot more than I did.

SARAH kisses PERSEUS on the left cheek. Both blush. SARAH walks back over to THE GUARDIAN, PERSEPHONE is standing next to him.
SARAH
Good-bye Persephone.

PERSEPHONE
Good-bye Sarah.

SARAH and PERSEPHONE hug then let go of each other. THE GUARDIAN now goes up to each GOD individually. He misses out APHRODITE and goes over to PERSEUS.

THE GUARDIAN
Well done out there, Perseus. You truly are a son of a god. It was fantastic meeting you! Oh, and here.

THE GUARDIAN takes off his armour, which reveals his usual costume. THE GUARDIAN passes the armour over to PERSEUS.

THE GUARDIAN
Take this. I have plenty more in the Tardis. May it bring you good luck in battles to come.

PERSEUS
Who are you, Guardian?

THE GUARDIAN
I am a Timelord! A race higher than the Gods themselves, sorry Gods.

ZEUS
You are right, Guardian.

THE GUARDIAN laughs. He then walks over to PERSEPHONE.

THE GUARDIAN
Thank-you for looking after Sarah for me. You are brilliant.

THE GUARDIAN turns around to ZEUS.


THE GUARDIAN[CONT'D]
Make sure Hades doesn't hurt her.

ZEUS
You have my word.

THE GUARDIAN
Swear on the River Styx.

ZEUS
I swear on the River Styx, I will protect Persephone.

THE GUARDIAN
That is more like it! Well..

THE GUARDIAN and SARAH turn around to face the door.


THE GUARDIAN[CONT'D]
Best be going. Destroy Tardis! Defeat Kronos and all that.

APHRODITE raises her right hand.
APHRODITE
Wait, Guardian.

THE GUARDIAN turns around to face APHRODITE.
THE GUARDIAN
Oh sorry, I forgot you.

THE GUARDIAN walks up to APHRODITE.


THE GUARDIAN[CONT'D]
How could I forget you?

THE GUARDIAN hugs APHRODITE.


THE GUARDIAN
Thank-you, for helping Sarah and I out.

APHRODITE
It was no problem, Guardian. After all, I am the Goddess of Love.

THE GUARDIAN
Yes you are.

THE GUARDIAN lets go of APHRODITE who then grabs THE GUARDIAN's hand and pulls him closely in to her so their faces are right up to each other. Their lips meet and APHRODITE starts to kiss THE GUARDIAN, who starts kissing APHRODITE back. THE GUARDIAN rubs his hands through APHRODITES hair while APHRODITE is holding THE GUARDIANS face. Five seconds later, THE GUARDIAN and APHRODITE stop kissing and break away from each other, but both eyes meeting one another.


THE GUARDIAN
Wow. You are also the Goddess of kissing.


APHRODITE winks.

THE GUARDIAN
This time I am away. Good-bye!

THE GUARDIAN turns around to face SARAH and walks towards her. THE GUARDIAN clicks his right fingers.

FX: The TARDIS materialises.

THE GUARDIAN and SARAH walk into the TARDIS, with THE GUARDIAN opening the doors.

FX: The TARDIS De-materialises.

The GODS sit on their thrones, waiting for the inevitable to happen. APHRODITE is sitting thinking of that kiss she just shared with the Timelord.

CUT TO:

INT.TARDIS.CONSOLE ROOM.

THE GUARDIAN and SARAH walk through the doors, SARAH shutting them behind her.
SARAH
You know I am never going to let you forget what just happened there.

THE GUARDIAN
You don't need to remind me. I think I will remember myself who I just snogged.

SARAH
Don't be making a habit of it!

THE GUARDIAN
Why? You jealous?

SARAH
No. I don't want you coming on to me.

THE GUARDIAN
Good. Human and Timelord wouldn't work one bit.

THE GUARDIAN stands at the console.

FX: The Gold energy coming off of the Heart of the TARDIS is even brighter.

THE GUARDIAN rumbles through his pockets and pulls out sunglasses. He puts them on.
THE GUARDIAN
That's better. Now, Sarah we are going to fly through that crack, are you ready? It's going to be a bumpy ride!

SARAH
Yes, I am ready.

THE GUARDIAN pulls down a lever, presses a red button and then flicks a switch on the Console.

THE GUARDIAN

Right. Into hyper-drive.

SARAH
Hyper-drive?

THE GUARDIAN
Yes. Hold on.

SARAH runs over to the railings and holds on to them. THE  GUARDIAN slams his fist down on the console. At first nothing happens, then the time rotor starts moving up and down faster than usual.


CUT TO:

EXT.FX SCENE.TIME VORTEX

The TARDIS shoots out of the other side of the crack, still flying at a rapid speed. Sparks fly from the TARDIS exterior, the windows smash.

CUT TO:

INT.OLYMPUS.PALACE

The GODS have joined hands using their wisdom and powers combined together, they start closing the crack.
ZEUS
This crack we opened will now be closed. Stop the link of Kronos and the Tardis. Olympus prevails once more! Back to Tartarus, Kronos.

CUT TO:

INT.UNDERWORLD.HADES MAIN ROOM.

HADES and KRONOS are standing and planning their next attack when...


HADES
Father, what is happening?

FX: KRONOS turns gold, which gets brighter and brighter.

KRONOS
No! No! No!

FX: KRONOS vanishes.

HADES
No!

HADES sits down on his chair as PERSEPHONE walks in.

PERSEPHONE
Hades, dear?

HADES looks round on his chair.
HADES
What do you want?

PERSEPHONE
It is over. You have lost. I am sorry, but you did bring it on yourself.

HADES
Excuse me?

HADES stands up.

PERSEPHONE
It was all your own fault.

HADES raises a hand to slap PERSEPHONE, but doesn't get to do it, as PERSEPHONE smacks HADES in the jaw.

HADES
You attacked me. My own wife attacked me!

PERSEPHONE
Let us not fight, please darling.

PERSEPHONE takes HADES' right hand and leans in, kissing him.


CUT TO:

INT.TARDIS.CONSOLE ROOM.

FX: Sparks are flying from the console.

THE GUARDIAN and SARAH are being thrown from left to right, THE GUARDIAN manages to regain his balance and grabs SARAH with them both running now for the door to the other rooms. They both go through running.

FX: Flames erupt from the floor.

FX: The Time Rotor glass smashes.

CUT TO:

FX SCENE.OUTERSPACE.

As the stars are sparkling, the TARDIS furiously hurtles uncontrollably towards the Earth at a great speed. As it is falling down, flames surround it. As soon as it reaches Earth, The TARDIS starts falling faster than before in a very unexpected place.

CUT TO:


THE GUARDIAN- John Mclellan
SARAH JOHNSON- Lauren Crace
ZEUS- Liam Neeson
POSEIDON- Kevin Mckidd
HADES- Ralph Fiennes
PERSEPHONE- Rosario Dawson
HERMES- Dylan Neal
APHRODITE- Scarlett Johansson
KRONOS- Julian Bleach
PERSEUS- Sam Worthington[/b]


CUT TO:


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The Guardian
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Favourite Doctor: Matt Smith
Favourite Companion: Amy Pond
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« Reply #11 on: June 24, 2011, 11:04:03 am »

2.6-Home Life


EXT.A GARDEN.NIGHT

The TARDIS has crashed on the ground, with the side door facing up.


FX: Smoke is ascending from the inside of the TARDIS.

Two male hands can be seen reaching up and grabbing the rim of the TARDIS. The male pulls himself up. It is THE GUARDIAN. THE GUARDIAN climbs over the TARDIS front and lands stumbling on the grass. THE GUARDIAN manages to stand straight and sees SARAH'S hands reaching up, He helps her climb over the TARDIS front. SARAH trips when trying to climb and they both fall over with SARAH landing on top of THE GUARDIAN.

The door of the house that The TARDIS landed in opens. A middle-aged woman walks out in her nightgown with a torch, She notices The TARDIS with it's companions lying on the ground. The WOMAN walks up to them, noticing who the girl is.

WOMAN
Sarah?
SARAH notices the woman.
SARAH
Mum. It's me. It's Sarah.

THE GUARDIAN
Oh great. Something a Timelord fears more than the Daleks... Mothers.

FX: THE GUARDIAN clicks his right fingers and the TARDIS doors shut.

CUT TO:


CUT TO:

INT.JOHNSON HOUSEHOLD.LIVING ROOM.NIGHT

THE GUARDIAN, SARAH and SARAH'S MOTHER are each sitting on a separate chair, 1atching the television. SARAH and her MOTHER are drinking tea.

SARAH'S MOTHER
Where were you Sarah?

SARAH
I have been places you wouldn't believe, if I told you.

SARAH'S MOTHER
And you were with?

SARAH'S MOTHER looks at THE GUARDIAN.

THE GUARDIAN
I'm The Guardian by the way.

THE GUARDIAN extends his hand over to SARAH'S MOTHER who shakes it.

SARAH'S MOTHER
I'm Hannah, Hannah Johnson.

HANNAH
If you don't mind, who exactly are you? And what kind of name is The Guardian?

THE GUARDIAN
The Guardian is a title I chose at an academy along way away from here and along, since lost.

HANNAH
What do you mean? You're talking like...

SARAH
The Guardian is an alien, Mum.

HANNAH[SHOCKED]
An alien? But how can that be? He looks human.

THE GUARDIAN
You look Timelord. That's my race, The Timelords. Not many of us are left, after a war.

SARAH
Guardian, I probably should have told who my mum works for. She works for U.N.I.T.

THE GUARDIAN
The Unified Intelligence Task force?

HANNAH
Yes. I have heard of your species, the Timelords. But I have only ever heard of The Doctor.

THE GUARDIAN
Yeah, he gets noticed a lot. Mostly for the showing off.

HANNAH
That machine out there. That's your Tardis, right?

THE GUARDIAN
Yeah. Only it's needing to repair itself. So a day or two should do it. It got destroyed when we stopped the titan, Kronos.

HANNAH
That is interesting. Really interesting.

HANNAH sits her mug down on the table next to her, SARAH passes her mug over to HANNAH, who sits it down next to hers.

HANNAH
Right well, it is getting late I am off to my bed. Guardian, are you needing anywhere to sleep or?

SARAH
Mum, I have a double bed. He can just share with me.

THE GUARDIAN
If that is okay with you, Hannah?

HANNAH
Sure why not? I mean Timelord and Human would never work. So it's not like anything is going to happen.

THE GUARDIAN
Exactly.
THE GUARDIAN smiles.

SARAH
Unless your name is Aphrodite.

HANNAH looks at THE GUARDIAN intrigued.

THE GUARDIAN
Long story, I'll explain later.

HANNAH
I will look forward to hearing that story. Goodnight.

THE GUARDIAN
Goodnight, Hannah.

SARAH
Night mum. You will love that story mum.

HANNAH walks out the living room door. SARAH walks over and switches the television off.

THE GUARDIAN
The same way your mum would love to hear about your mutual affections for Perseus?

SARAH
What affection? There was nothing between Perseus and I.

THE GUARDIAN
Yes, there was. We could tell easily Sarah.

SARAH
Come on, we could be doing with some sleep too.

THE GUARDIAN
Changing topic there, eh?. Well I don't usually sleep but, I guess I could try it.

SARAH
Yeah. I think you should try sleeping.
SARAH smiles. They both then walk out the same door as HANNAH.

CUT TO:

INT.JOHNSON HOUSEHOLD.SARAH'S BEDROOM.NIGHT

THE GUARDIAN and SARAH walk in the room, THE GUARDIAN closing the door behind him. They whisper.

SARAH
So, here we are my room. What side do you want to sleep on?

THE GUARDIAN
I'm not bothered. Anywhere will do me, even the floor.

SARAH
No you are sleeping on the bed. I don't want you stuck on the floor Guardian, it gives you a bad back.

THE GUARDIAN
Thank-you for that, Dr. Johnson.

SARAH
Very funny Guardian. Now I am going to the bathroom and getting changed. Make yourself at home.

SARAH goes into a drawer and takes out a set of pyjamas. SARAH walks out the door. THE GUARDIAN walks over to SARAH'S CD collection. Most of the CDs there are by the punk rock band Green Day.

THE GUARDIAN
Good taste in music, I see.
A shadow passes the window. THE GUARDIAN walks to the window and looks out, only trees can be seen swaying side to side.

THE GUARDIAN
Must have just been the trees, casting reflections.

THE GUARDIAN walks over to the bed and removes his shoes then his socks, shoving them in his shoes. He then sits his shoes down on the left side of the bed. Doing all that, he now goes under the covers and lies down, staring at the ceiling.

THE GUARDIAN
Life on Earth for a couple of days. It surely can't be that bad. The Tardis will be up soon so then Sarah and I can be off again.

The door opens and SARAH walks in, now in her pajamas (Pink trousers and a black vest top). She walks over to the right side of the bed and goes under the covers, now staring at the ceiling, like THE GUARDIAN.

SARAH
What is it, Guardian?

THE GUARDIAN
I'm just thinking this is the first time I have slept since I don't know when. In fact I've never slept before. Usually it's just traveling all about the universe in the Tardis. No time for sleeping, as The Doctor use to say to me when we were younger... Sleep's for tortoises.

SARAH
Well this Doctor, isn't here, is he?

THE GUARDIAN
I guess not.

SARAH
And now for the first time ever, the Guardian is experiencing human life in the slow path.

THE GUARDIAN
Yes. I guess I am.

SARAH
Night, Guardian.

SARAH closes her eyes.

THE GUARDIAN
Goodnight, Sarah Johnson.
THE GUARDIAN closes his eyes.


FADE TO:

INT.JOHNSON HOUSEHOLD.SARAH'S BEDROOM.MORNING

THE GUARDIAN opens his eyes, waking up to the sound of birds, tweeting away. The sun is shining in from the outside through the window.

THE GUARDIAN
Morning Sarah.

THE GUARDIAN looks to the right side of the bed, where SARAH should be, but she is not...

THE GUARDIAN
Sarah?
THE GUARDIAN gets up, putting his socks then shoes on. THE GUARDIAN then walks over to SARAH'S window to check on the TARDIS. Looking out the windows, THE GUARDIAN notices the windows on the TARDIS restored.

THE GUARDIAN
I'd better go and see how she is getting on.

THE GUARDIAN walks over to the door, opens it and walks out, The door shuts behind him.

CUT TO:

INT.JOHNSON HOUSEHOLD.KITCHEN.MORNING.

SARAH is sitting in her pyjamas, talking to HANNAH who is in her nightgown still.

SARAH
So, are you busy at UNIT today?

HANNAH
It's my day off, sweetheart.

SARAH
Ah right. Have I missed anything while I have been away?

HANNAH
You were only away for so many hours. I had suspected you were still at the party.

SARAH
Oh, no I wasn't. I have been travelling with The Guardian.

HANNAH
Sarah, where have you been?

SARAH
Places you could only dream of mum. I met the Olympian Gods and Robert Burns and this King who took the eyeballs of his subjects. I became friends with Perseus, and The Guardian got a bit close with Aphrodite.

HANNAH
Close?

SARAH
They kissed. Well, it was actually more a snog.

HANNAH
He gets about, doesn't he?

The kitchen door opens and THE GUARDIAN walks in.

THE GUARDIAN
Talking about me, are we?

SARAH
I was just telling my mum what we have been up to.

THE GUARDIAN
And who I have been kissing, right?

SARAH
Yeah, I told her.

THE GUARDIAN
There's a reason... Aphrodite is the goddess of love. She is beautiful and an excellent kisser.
THE GUARDIAN winks at HANNAH.

THE GUARDIAN
Now I am going to go and check on the Tardis. Check how she is.

HANNAH
She?

THE GUARDIAN
Yes. The Tardis is a living thing, not just a machine.

SARAH
Guardian, I'm coming with you.

THE GUARDIAN
Sarah, I will be fine by myself. I am not going anywhere.

SARAH
Fine but don't be too long.

THE GUARDIAN
I will be back soon.

THE GUARDIAN walks over to the back door, opens it and then walks out, closing it behind him.

HANNAH
Right, I am going for a shower, Sarah. Check if The Guardian wants anything to eat when he comes back in.

SARAH
Okay mum.

HANNAH walks out the kitchen door and closes it behind her.

CUT TO:

EXT.JOHNSON HOUSEHOLD.BACK GARDEN.DAY


THE GUARDIAN's running his right hand fingers, along the rim of the TARDIS front.

THE GUARDIAN
Windows are repaired. Still need to wait on the inside, no doubt. Best having a look.

THE GUARDIAN leans over the front of the TARDIS and opens the doors. He looks in to see the interior.

THE GUARDIAN
Yeah. Best giving it another couple of hours hopefully.
THE GUARDIAN closes the TARDIS doors.

THE GUARDIAN
I will be back, baby.


CUT TO:

INT.JOHNSON HOUSEHOLD.KITCHEN.DAY

THE GUARDIAN walks in through the back door, shutting it behind him. SARAH notices him.

SARAH
So........ How is she?
THE GUARDIAN
I guess she is alright. The exteriors back to normal, It is just the interior, now to be fully restored.

SARAH
Awesome. We will be back traveling the stars soon, then?

THE GUARDIAN
Yes, we will. Have you got anything planned for today?

SARAH
Well I thought we could just walk about the town and I can show you some sights while we wait on the Tardis getting back to normal.

THE GUARDIAN
Sounds like a plan. First, You better get changed. That is all we need, you walking about London in your jim-jams.

SARAH
Guardian, it's London. You get a lot worse than that.

THE GUARDIAN
Yeah, I guess. I can not argue with that.

SARAH
My mum is in the shower right now. So I will need to wait on her coming out, so I can go for one too.

THE GUARDIAN
Okay. I never have really looked that much, at London.

SARAH
Well now is your chance. Give you a little tour around London. Come on,let's go through to the living room.

SARAH and THE GUARDIAN walk towards the door that leads out to the main hall. SARAH opens the door and they both walk through it, with THE GUARDIAN shutting it behind him


CUT TO:
INT.JOHNSON HOUSEHOLD.LIVING ROOM.DAY

THE GUARDIAN and SARAH are sitting down watching television.


THE GUARDIAN
This is classic television at its best, Sarah.

SARAH
Tom and Jerry, seriously Guardian?

THE GUARDIAN
It is funny, Sarah.

SARAH
But, it's just about as old as my mum.

THE GUARDIAN
Is there any pleasing you? What do you like?

SARAH
The Simpsons.

THE GUARDIAN
Oh. Now we are talking.

THE GUARDIAN brings out his sonic regulator, he points it at the television screen. The sonic glows green and the channel changes to Sky1 with The Simpsons playing.

SARAH
How did you?

THE GUARDIAN
I used my sonic regulator as a remote. Well actually I used it to function the channel of Sky one. So they always play The Simpsons.

SARAH
Great. That's the only good thing on that channel if I'm honest.

THE GUARDIAN
Everybody wins. But, I tell you the last ever episode of The Simpsons. Oh, I cried.

SARAH
What happens?

THE GUARDIAN
That's spoilers, Sarah. You will have to wait and see. I don't want to spoil what happens. All I will say is the ending is amazing!

SARAH
Oh, Guardian. You are teasing me.

THE GUARDIAN
I know.
THE GUARDIAN looks at SARAH and winks. He then turns back to watch The Simpsons.

SARAH
Guardian, who is your favourite character?

THE GUARDIAN
It has to be Homer. He is the funniest out of the lot. Brilliant he is. What about you, Sarah?

SARAH
Eh, has to be Lisa. She is funnily smart and annoying at the same time.

THE GUARDIAN
Reminds me of someone.

SARAH looks at THE GUARDIAN.

SARAH
Me? Why Guardian? Am I annoying?


THE GUARDIAN
No. I was just joking, Sarah.

SARAH
Ha-ha. Very funny, Guardian.

THE GUARDIAN
I know I am.

THE GUARDIAN and SARAH turn back to watch, The Simpsons.

SARAH
Guardian, how do you know all about these programmes?

THE GUARDIAN
What do you think I do when I am not busy saving the universe?

SARAH
Do you watch television on the scanner?

THE GUARDIAN
Yeah. I can get any programme I want from any time.

SARAH
That is amazing.

THE GUARDIAN
It is. If you have ever missed an episode of the programs you watch, just tell me. I will put it on and you can catch up on it.

SARAH
Thank you, Guardian.

The door opens and HANNAH walks in hair wet, now in casual clothes.

HANNAH
Right, Sarah you can get in the shower now.

SARAH
Okay. I'll just go the now.

SARAH stands up and walks over to the door then goes through it. Hannah walks over to where SARAH was sitting and sits down.

THE GUARDIAN
So, you work for UNIT. What are they like these days?

HANNAH
We are a bit military in our approach, we know not all aliens are threats. But when there is a threat there is no second chances.

THE GUARDIAN
I thought it would be something like that.

There is a pause for a couple of seconds, then HANNAH speaks.

HANNAH
You will look after Sarah, won't you?

THE GUARDIAN
Of course. Sometimes it's her who looks after me.

HANNAH
Taking charge, does she?

THE GUARDIAN
Yeah. She can at times. You have done a good job, bringing her up yourself.

HANNAH
Thankyou. How did you know I brought Sarah up myself?

THE GUARDIAN
Well no-one is living with you so I took it you brought her up yourself. It is only you, right?

HANNAH
Yes. Sarah's dad, Tony, died in a plane crash. He was going to an important business meeting over in America, when the plane he was in crashed and no-one survived.
HANNAH has a tear in her eye. THE GUARDIAN looks at her, sympathetically.

THE GUARDIAN
I am sorry to hear that.

HANNAH
It would have been twenty years this October, we were married.

THE GUARDIAN
Oh right. What is today's date? I honestly don't know.

HANNAH
21st of June, 2010.

THE GUARDIAN
Ah. What age is Sarah? I never really found that one out.

HANNAH
Sarah is 18.

THE GUARDIAN
Interesting. Hannah, how would you like the trip of a lifetime?
HANNAH lights up more..

HANNAH
What do you mean?

THE GUARDIAN
Come with me and Sarah. Once the Tardis is repaired. Travel the stars.

HANNAH
I couldn't. I have so much things to do, right now. I have UNIT. I have to pay bills.

THE GUARDIAN
It's okay. I understand.

HANNAH
Besides I don't want to cramp Sarah's style.

THE GUARDIAN
Ha-ha. It sounds like something Sarah would say.

HANNAH
Yes. She would say something like that.
THE GUARDIAN and HANNAH start laughing.

CUT TO:

EXT.LONDON.CONVENT GARDENS.LATER THAT DAY.

THE GUARDIAN and SARAH are sitting at a table, watching the birds fly.

SARAH
Just think Guardian. That will be us soon. We will be back flying.

THE GUARDIAN
I suppose you could put it like that. I tell you Sarah, I enjoy London especially at night, when all the lights are on. Look at it from the sky, and it looks beautiful.

SARAH
I've always wondered what London looks like from the sky at night.

THE GUARDIAN
Maybe I will show you it when the Tardis restores.

SARAH
Thank you, Guardian.

THE GUARDIAN
Now is there anywhere good to eat?

SARAH
Well there is KFC, Mcdonalds, all of those fast food places.

THE GUARDIAN
Hm, Are there no restaurants?

SARAH
Well there is, T.G.I Fridays which is in Leicester square.

THE GUARDIAN
Hm, I think KFC sounds good.

SARAH
Okay. Come on.

THE GUARDIAN and SARAH stand up and start walking to go to KFC.

CUT TO:

EXT.LONDON.LEICESTER SQUARE.2 HOURS LATER.


THE GUARDIAN and SARAH are walking back to the Johnson household.


THE GUARDIAN
That was good, I haven't had a KFC before in my life. Which says something.

SARAH
Yeah. I prefer KFC to the rest of the fast food places.

There is a slight pause, until THE GUARDIAN breaks it.


THE GUARDIAN
So, Sarah. Have you got a boyfriend?

SARAH
No. Haven't had one in a while.

THE GUARDIAN
Someone like you, not got anyone?

SARAH
Yes. There was this one person I liked. He liked me back too.

THE GUARDIAN
What happened to him?

SARAH
He was killed by Oron.

THE GUARDIAN
Oh right, that male skeleton that was lying there when I saved you from Oron. Was that boy?

SARAH
Yes. It is a complicated story before all that.

THE GUARDIAN
Well we have a while. I am all ears.

SARAH
Well I liked him and he liked me. We had told each other, we were going to see how the night at the party went for us, and if we felt a connection, then we were going to go out. I had known him for five years. I miss him, Guardian. Can't you do something to bring him back?

THE GUARDIAN
I'm sorry, Sarah. I can't. I would if I could, but there are laws for a reason. I can't break them.

SARAH
Guardian. You won't leave me, will you?

THE GUARDIAN
Of course not. I will be here to protect you until the end of time.

THE GUARDIAN smiles to reassure SARAH, who smiles back.

SARAH
Aw Guardian, I love you.

THE GUARDIAN
I knew you were going to say that.

SARAH laughs, but the mood is changed when...

BANG. Gun shots are heard, just up from where THE GUARDIAN and SARAH are walking, a shop is being burgled.


THE GUARDIAN and SARAH run to the noise of the gun shot.

The street is filled with Police cars and armed Police all pointing their weapons at the shop being burgled. The DETECTIVE INESPECTOR is standing with a a megaphone then he starts to speak into it.


DETECTIVE INSPECTOR
This is the police, come out with your hands up. We will give you 10 seconds. If you are not out by then, we will bring you out by force.

THE GUARDIAN and SARAH arrive next to the DETECTIVE INSPECTOR.

THE GUARDIAN
What is happening?

DETECTIVE INSPECTOR
This is no place for civilians, sir. Please can you step back.

THE GUARDIAN
Oh. I am not a civilian.
I am Homer Simpson. Chief of Scotland yard, in Scotland.

DETECTIVE INSPECTOR
Sorry Mr Simpson. What's happening here is, we have three armed criminals, with civilians trapped inside.

THE GUARDIAN
Okay. Sarah my plucky young assistant and I will go in and try to reason with them.

DETECTIVE INSPECTOR
There's no reasoning with them. We've tried it.

THE GUARDIAN
Yes. You have tried it.

THE GUARDIAN[CONT'D]
But we haven't.

THE GUARDIAN smirks.   

THE GUARDIAN and SARAH turn around to face the shop.

THE GUARDIAN
Ready?

SARAH
Yes. Just one question. How did you do that?

THE GUARDIAN
Physic intelligence. What I wanted him to think, he thought.

SARAH
Just by a handshake?

THE GUARDIAN
Yes. All Timelords learn the trick at the Academy.

THE GUARDIAN and SARAH arrive at the shop, and walk in.
CUT TO:

INT.LONDON.LEICESTER SQUARE.SHOP.DAY


THE GUARDIAN and SARAH walk through the door. The ROBBERS have their guns pointed at them.

ROBBER1
Don't move. Move and we shoot.

THE GUARDIAN
Come on. We can talk about this. What is it you want? Money?

ROBBER1
I said don't move!

ROBBER2
We will shoot you.

ROBBER3
Don't think we won't.

THE GUARDIAN
Okay. Wait, wait, wait. Who are the three of you? Finishing each other's sentences. You lot are the worst kind of robbers I have laid my eyes on, in all of my life, and I tell you that is saying something.
The ROBBERS become angrier.

ROBBER1
Shut your mouth! Or your friend gets it.

THE GUARDIAN
Oh. You would not shoot Sarah. You could not if you tried.

ROBBER1
Don't tempt me.

THE GUARDIAN
No. No. No. You have it all wrong.

THE GUARDIAN walks up to ROBBER1, so they are face to face. While secretly taking his sonic regulator out.

THE GUARDIAN
DON'T TEMPT ME, SIR.

ROBBER1 raises his gun, as THE GUARDIAN steps back.

ROBBER2
Do it. Finish him off.

ROBBER1 starts to pull the trigger, when THE GUARDIAN raises his right hand, with the sonic regulator in it and presses down. The sonic regulator starts to light, sending a sonic wave over to ROBBER1s gun.

ROBBER1 tries to pull the trigger, but can't. He finds it's jammed.

ROBBER1
What have you done? It won't budge.

ROBBER2
Your not pulling hard enough.

THE GUARDIAN
Haha ha. Now for you two.

THE GUARDIAN lifts his sonic regulator and repeats the same steps as above on ROBBER2 and ROBBER3.

ROBBER2/ROBBER3
Our guns are jammed too. They won't fire.

ROBBER1 looks at THE GUARDIAN in disgust.

ROBBER1
Who are you?

THE GUARDIAN
I am The Guardian and I am... your... worst... nightmare.
The ROBBERS look at THE GUARDIAN, now becoming scared.

THE GUARDIAN
Now...Run!

The ROBBERS look at each other, not knowing what to do.


THE GUARDIAN
I said, run!
The ROBBERS run desperately out of the shop, but are ambushed by the police. They are arrested and taken away.

SARAH walks over to the door and looks at the ROBBERS  in the Police car.

SARAH
Yeah. And don't come back!

THE GUARDIAN looks at SARAH.

THE GUARDIAN
Sarah!

SARAH looks at THE GUARDIAN.

SARAH
What?

THE GUARDIAN and SARAH laugh.

The Police run in, with the DETECTIVE INSPECTOR at the front of them. The DETECTIVE INSPECTOR stops at THE GUARDIAN and SARAH but the rest run for the civilians untying them.

DETECTIVE INSPECTOR
Thank you.

THE GUARDIAN
Anytime.
THE GUARDIAN and SARAH start to walk out the door, then stop. THE GUARDIAN turns around.

THE GUARDIAN
Oh yeah, and by the way I'm not actually Homer Simpson from Scotland Yard. I am The Guardian from Gallifrey.
THE GUARDIAN turns around and continues walking away with SARAH.

The DETECTIVE INSPECTOR is standing staring at where THE GUARDIAN and SARAH stood.

DETECTIVE INSPECTOR
No. It can't be. Why didn't I notice it was you Guardian?

CUT TO:

EXT.LONDON.OUTSIDE THE JOHNSON HOUSEHOLD.DAY



SARAH looks at THE GUARDIAN. THE GUARDIAN looks back puzzled, wondering what SARAH is thinking.

SARAH
Guardian who was he?

THE GUARDIAN
Who was who?

SARAH
That officer. You spoke to him like you knew him.

THE GUARDIAN
I did. He's an old friend.

SARAH
How old?

THE GUARDIAN
What is this? 20 questions?

SARAH stares at THE GUARDIAN angrily, then quickly comes out of being angry and starts laughing. THE GUARDIAN starts to laugh too.

CUT TO:

INT.JOHNSON HOUSEHOLD.LIVING ROOM.DAY


HANNAH is sitting watching television, which is showing footage from the armed robbery...

NEWS REPORTER V/O
The chief of Scotland Yard, Homer Simpson stopped an armed robbery today. Sources believe there was a girl with him called Sarah.
The phone rings. HANNAH then picks the phone up, turning off the T.V so she can hear.

HANNAH
Hello. Yes, this is Hannah Johnson. Yes, sir. I understand but it's my day off. Yes I know.

The door opens and THE GUARDIAN and SARAH come in, laughing. They then fall silent, seeing HANNAH is on the phone.

HANNAH
Okay. I will be right there then. Bye.

HANNAH puts the phone down. She looks at THE GUARDIAN and SARAH.


THE GUARDIAN
What is up, Hannah?

HANNAH
U.N.I.T needs your help. Only they don't know they do. But seeing as your the only one closest to us, that can time travel, they will need you.

THE GUARDIAN
What is U.N.I.T needing help with?

HANNAH
An energy source has been tracked, back in time.

THE GUARDIAN
U.N.I.T have time tracking technology?

HANNAH
Yes. We got it from a crashed ship.

THE GUARDIAN
Inte-resting. What year is it, Hannah?

HANNAH
1999.

THE GUARDIAN
Once the Tardis is up and running. Sarah and I will take off and go there, and stop what is happening.

HANNAH
Good. I will let U.N.I.T know.

HANNAH picks the phone up and phones U.N.I.T.

HANNAH
Hello. This is Scientific Adviser Hannah Johnson. My daughter has been travelling with a Timelord named The Guardian and he is here with me right now. He has said that he will go and find what the source is and neutralize it. Yes another Timelord. Okay. Yes. I'll tell him.

HANNAH ends the call and sets the phone down.

THE GUARDIAN
What have you to tell me?

HANNAH
Captain Magumbo says thank you Timelord and you better be quick about neutralizing the source.

THE GUARDIAN
Is she always like that?

HANNAH
Yes. I'm fine though, I hardly ever see her. I work with another scientist. Doctor Malcolm Taylor. He's met The Doctor, and never stops talking about him.

THE GUARDIAN
That doctor is a sly old fox. Wait... I think I feel something heating up.

THE GUARDIAN reaches into his pocket to look at the TARDIS key.

FX: The key glows.

THE GUARDIAN
That's it! Fantastic.

SARAH
What is it, Guardian?

THE GUARDIAN
The Tardis is fully restored.

SARAH
We best be going, shouldn't we Guardian?

THE GUARDIAN
Yes. We should.

HANNAH
Goodbye, Guardian.

THE GUARDIAN
Good-bye Hannah. Best to let Magumbob know that we are leaving.

HANNAH
Magumbo.

THE GUARDIAN
I said that.

THE GUARDIAN winks.

SARAH
See ya mum.

HANNAH
Good luck Sarah. Be safe remember.

SARAH
Always.

CUT TO:

INT.THE TARDIS.CONSOLE ROOM.

THE GUARDIAN and SARAH are walking around the newly formed console in amazement.

SARAH
Wow. Guardian. This is amazing.

THE GUARDIAN

It's really amazing. Tardis you have outdone yourself, old girl.

SARAH
I love this. I love this too much!

THE GUARDIAN
Oh, what is this?

THE GUARDIAN goes over to the scanner which now has a mic on it.


THE GUARDIAN
Hello?

VOICE
Hello Guardian.

THE GUARDIAN
What?

VOICE
I am your Tardis.

SARAH
Guardian. I didn't know the Tardis was voice activated.

THE GUARDIAN
Neither did I. Amazing!

THE GUARDIAN presses a red button next to the scanner.

TARDIS V/O
Tardis type 46. Your choice of voice.

SARAH
Guardian. I dare you to try Mr.T.

THE GUARDIAN
Okay. Tardis please may I have the voice of Mr.T.

SARAH
Tardis what would you say if I wanted to do something really dangerous that could end up with me dead?

TARDIS V/O
Don't be a fool, Sarah.

SARAH laughs.

THE GUARDIAN
Right, I think I'll try Dawn French.

TARDIS V/O
Where would you like to go, Guardian?

THE GUARDIAN
I am keeping the voice of Dawn French. It's rather cool.

SARAH
But Guardian... this is...

THE GUARDIAN
Your speechless, right?

SARAH
Yes I am.

THE GUARDIAN
So am I. Not like me to be speechless! Well where to start... Tardis hack into the files of the Unified Intelligence Taskforce and follow the signal they have picked up on.

TARDIS V/O
Right away, Guardian.
THE GUARDIAN looks at SARAH and smiles.

THE GUARDIAN
Ha!

The Time Rotor starts to pulse.

CUT TO:

EXT.JOHNSON HOUSEHOLD.BACK GARDEN.NIGHT.

FX: The TARDIS de-materializes.

A shadow passes through the bushes.
FADE TO:

THE GUARDIAN- John Mclellan
SARAH JOHNSON- Lauren Crace
HANNAH JOHNSON- Keeley Hawes
OFFICER- Ako Mitchell
ROBBER1- Nicholos Colicos
ROBBER2- Ivan De Freitas
ROBBER3- Thomas Goodridge
NEWSREADER- Claire Greenway
TARDIS V/O- Mr. T/Dawn French
[/QUOTE]

CUT TO:

NEW AGE: THE GUARDIAN - THE MUSICAL

 
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The Guardian
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« Reply #12 on: June 24, 2011, 11:06:42 am »

INT.LONDON.CLUB - NIGHT
[/b]

The club is busy, with people chatting, dressed up in fancy dress, dancing, and singing. One in particular… dressed in a nun outfit, who is standing on the stage. She has two back up singers behind her. [/I]

MARY ROBERT
Hello London! Yeah that’s right, it’s me… Mary Robert… and we’re going to rock it out a little bit. Enjoy the party folks…

MARY ROBERT/BACK-UP SINGERS (sings)
Can we pretend that airplanes
in the night sky
Are like shooting stars
I could really use a wish right now
(Wish right now, wish right now)
Can we pretend that airplanes
in the night sky
are like shooting stars
I could really use a wish right now
(Wish right now, wish right now)

I could use a dream or a genie or a wish
To go back to a place much simpler than this
Cause after all the partyin'
and smashin' and crashin'
And all the glitz and the glam and the fashion
And all the pandemonium and all the madness
There comes a time where you fade to the blackness
And when you're staring at that phone in your lap
And you hoping but them people never call you back
But that's just how the story unfolds
You get another hand soon after you fold
And when your plans unravel
And they sayin' what would you wish for
If you had one chance
So airplane airplane sorry I'm late
I'm on my way so don't close that gate
If I don't make that then I'll switch my flight
And I'll be right back at it by the end of the night

Can we pretend that airplanes
In the night sky
Are like shooting stars
I could really use a wish right now
(Wish right now, Wish right now)
Can we pretend that airplanes
In the night sky
Are like shooting stars
I could really use a wish right now
(Wish right now, Wish right now)
A wish I really could use right now…

The audience in the club, cheer.
    
MARY ROBERT
Thank-you. You all have been amazing.

A 30 year old looking male, appears on the balcony. He starts walking down the stairs…

EDDIE
Once again give it up for my girl… Mary Robert. I’m Eddie Shank… your host with the most. Your legend and provider for the sinners. And it’s time to get your groove on.

EDDIE walks up to MARY.

EDDIE
Hello babe. You were amazing. I’ll be back in five minutes. I’ve got some business to take care of.

MARY
Okay love. Hurry back

EDDIE
Oh I shall.

EDDIE turns around and heads for the door, bringing his phone out, dialling a number… as he reaches the door, he pushes it open and walks out it.

MARY decides to go up to EDDIES office, and wait for him there.


CUT TO:

  INT.LONDON.CLUB.EDDIES OFFICE - NIGHT

MARY is sitting on EDDIE’s deluxe chair, looking through his files, on his computer.

MARY
Let’s see… Mary Robert… singer… actress…dancer… Yes. We know she is amazing…

Accidentally, she clicks on his calendar, bringing up a schedule…

MARY
Right now… what are you doing?

MARY hovers over the date, and time, finding something she wished she didn’t.



MARY
Meeting the snitch, who snitched him up for his drug dealing, in the alley behind the club…. What?!


MARY quickly gets up, and runs for the door, heading outside to see what is happening.

CUT TO:

EXT.LONDON.BACK ALLEY OUTSIDE THE CLUB - NIGHT
[/b]

EDDIE and his three minions - PATRICK LAZARUS, DECLAN SMITH and DAVID SUPERIOUR, are leaning against a wall, waiting for the snitch.

PATRICK
Boss… here he comes.

A black car pulls up. A man in a suit, smartly dressed gets out. He walks up to EDDIE.

EDDIE
So you showed your face… You disappointed me… I thought I could trust you… looks like I couldn’t.

MARY is hiding behind a Dumpster, watching the events unfold.

EDDIE
You and I… We had something going… A good partnership… We could have been big… But you had to rat me in about the drugs. Now there is no way I can let you live.

EDDIE brings out a gun, from his trousers. He points the gun at the snitch.

SNITCH
You always did hide behind a gun. Why do you think you need goons…? Because you’re a coward to do anything yourself.

EDDIE
Don’t think I won’t.

EDDIE pulls in the trigger… BANG.

MARY looks on in horror.


CUT TO:

JOHN MCLELLAN
         KATIE ROWLEY JONES
         AKO MITCHELL
         NEW AGE: THE GUARDIAN
         THE MUSICAL - ACT 1


CUT TO:

 


EXT.LONDON.BACK ALLEY OUTSIDE THE CLUB - NIGHT

MARY jumps out from behind the dumpster.

MARY
Eddie, no!

EDDIE and his goons turn round in surprise.

EDDIE
Mary… baby what are you doing? I thought I told you to stay inside.

MARY
You shot an innocent person.

EDDIE
I do it all the time. It’s part of my job.

MARY
You’re a monster. A despicable, evil monster!

EDDIE
I am maybe that. But at least I’m not you. Oh. I’d hate to be you right now.

EDDIE brings his gun up, and aims it at MARY.

A metallic thrumming can be heard.

EDDIE starts to pull in the trigger of the gun, when…

FX: The TARDIS materializes in the spot where MARY is standing.


EDDIE
Where did she go?

PATRICK
Eh… sir. I think she went into that phone box.

DECLAN
We should probably get out of here…

DAVID
Yes. You know to be on the safe side…

EDDIE
Of course, you’re right. Let’s get out of here.

The four run, back to the club.

CUT TO:

INT.TARDIS.CONSOLE ROOM.

THE GUARDIAN is right-up at MARY.

THE GUARDIAN
Who are you? How did you get in my Tardis?

MARY
I’m Mary… Mary Robert. I don’t know, it just appeared around me.

THE GUARDIAN
Ah right. Did I come at the wrong time?

MARY
No. It was the right time. I was close to death.


THE GUARDIAN
Oh. What happened?

MARY
I was about to be shot, by my boy… ex-boyfriend.

THE GUARDIAN
Oh. That doesn’t sound too good.

MARY
Turns out he’s not the guy I thought he was. He’s a crime boss. Anyway what is this place? And why is it so big?

THE GUARDIAN
This is the Tardis… and well here within these walls… time and space is at my disposal…

THE GUARDIAN [Sings]
Outside, life's a mess.
No one's pure of spirit any longer.
There's no wrong or right,
just wrong and wronger.
People have amused themselves
to death.
Outside, life is grim.
Filled with smut and scandal
to the brim.
I suppose there may be room
for Joy -
Frankly, I don't plan to hold
my breath.

But here within these walls,
days are filled with grace.
Time is in it’s place,
My wisdom still respected.
Here within these walls,
life has a different pace
from life beyond those doors.
And for what it's worth,
this life's always mine!

Outside all is vice.
People now are absolutely shameless.
Most, including those who you read about
Hardly seem to know or even care.
Outside, all is sin.
And I won't have the outside
coming in.
Trust me, it's a battle they
won't win -
Frankly, dear, they haven't got
a prayer.

Here within these walls,
life is fast and good.
Faith is understood,
and selfishness rejected.
Fun, dare, and running
are what life's built upon.
That's how it will stay,
or else I’m gone!

So put aside the gluttony!
Put aside the pride!
As for carnal lust,
they’d need a break, I trust.
Put it all aside!
Put aside intemperance!
Profanity as well!
Put aside each remnant
of their former worldly shell.

Here within these walls,
all is stripped away.
Surrender and obey,
that's all that is expected.
Here within these walls,
all else is kept at bay.
Though the world may go astray,
here eternal binds keep play.

Here within these walls,
Life is truly blessed!
Here you're my own guest
celestially protected.
Here within these walls,
all's for the very best,
and always shall be thus
and if Gallifrey’s will be done,
here you’ll just have lots more fun,
Safe within these walls, from death itself.

THE GUARDIAN
So that’s all you need to know. I’m The Guardian, and you Mary Robert are on the run. Do you have anywhere you can stay?

MARY
Yes. I have a friend… his name is Michael Colicos… he’s a police officer.

CUT TO:

INT.LONDON.POLICE STATION - DAY
[/b]

MICHAEL is sitting at a desk, ruffling through paper work.

MICHAEL
Let’s see… Murder in a dark alleyway outside a club. Wait. That’s the club Mary works at. I hope she’s okay.

MICHAEL picks up the phone, and dials a number…


MICHAEL
Come on answer… voice mail…. Hello Mary it’s me, Michael. I just heard about the shooting outside the club you work at… are you okay? Phone me back when you get this message.

MICHAEL sets the phone down, and goes back onto his computer. He opens Microsoft word. He types in the words, he speaks.



MICHAEL
Crime in this city is getting ridiculous. Most seem to be connected… but who’s doing it? After my last attempt at trying to bring the person down, failed, I fear this could be my last entry. It wasn’t even my fault… the person was in the shadows, all I could see was a silhouette. I didn’t even know it was them, until the last minute. But everything is always my fault here. The one, who actually pays attention, does what he is supposed to do and acts maturely.

An upstanding looking male, approaches MICHAEL.
MICHAEL stops typing, and looks up.


MICHAEL
Yes D.I.Parsons?

D.I.PARSONS
P.C. Michael Colicos, after your failure to capture the mastermind behind the local crimes, and drug dealing… I have no choice, other than to fire you.

MICHAEL
But sir…

D.I.PARSONS
My word is final. Clear your desk out, and let someone who knows what he’s doing, take your place.

MICHAEL
Okay.

The D.I.PARSONS walks away.
 MICHAEL puts his hands in his head.



MICHAEL
I’ll never impress her now.

CUT TO:

EXT.LONDON.CONVENT GARDEN - EVENING [/b]


MICHAEL is carrying a small brown box, while watching the street performers, as he walks alone.

He walks up a street, heading for the tube.

MICHAEL
Oh Mary. There’s no chance I can get you now. You’ve got a boyfriend, a career. I’ve got nothing. If only you could see there’s more to me deep within.

MICHAEL walks into the entrance to the underground. He swipes his oyster card, over the oyster card swiper, with his spare hand, walking through the gates as they open.
MICHAEL walks in the first life he can find.

The doors close.


CUT TO:

INT.COVENT GARDEN UNDERGROUND.LIFT - EVENING. [/b]

MICHAEL [sings]
I walk a lonely road
The only one that I have ever known
Don't know where it goes
But it's home to me and I walk alone

I walk this empty street
On the Boulevard of broken dreams
Where the city sleeps
And I'm the only one and I walk alone

The lift doors open, MICHAEL walks out them.

CUT TO:

INT.CONVENT GARDEN UNDERGROUND.ON THE TUBE - EVENING. [/b]

MICHAEL is standing, holding onto a railing, as the train is moving.

MICHAEL [sings]
I walk alone
I walk alone

I walk alone
I walk a

The train stops, people get on and off. MICHAEL stays on. The train moves once more.

MICHAEL [sings cont’d]
My shadow's the only one that walks beside me
My shallow heart's the only thing that's beating
Sometimes I wish someone up there will find me
Till then I walk alone

PASSENGERS [sings]
Ah-ah, ah-ah, ah-ah, aah-ah
Ah-ah, ah-ah, ah-ah

MICHAEL [sings]
I'm walking down the line,
That divides me somewhere in my mind,
On the border line of the edge,
And where I walk alone.

Read between the lines,
What's mucked up and everything's all right,
Check my vital signs to know I'm still alive,
And I walk alone.

  The train stops once more, MICHAEL gets off this time.

CUT TO:

EXT.LEICESTER SQUARE - EVENING

MICHAEL is still walking home, passing the Empire Cinema.

MICHAEL [sings]
I walk alone
I walk alone
I walk alone. I walk a

My shadow's the only one that walks beside me
My shallow heart's the only thing that's beating
Sometimes I wish someone out there will find me
Till then I walk alone

CROWD [sings]
Ah-ah, ah-ah, ah-ah, aah-ah
Ah-ah, ah-ah

MICHAEL [sings]
I walk alone
I walk a

He turns a corner, leading into a row of houses.

MICHAEL [sings]
I walk this empty street
On the Boulevard of broken dreams
Where the city sleeps
And I'm the only one and I walk a

MICHAEL walks past a telephone box, before reaching his front door. He brings out his keys, and opens the door… walking through it.


MICHAEL [Sings]
My shadow's the only one that walks beside me
My shallow heart's the only thing that's beating
Sometimes I wish someone out there will find me
Till then I walk alone…

MICHAEL walks into his living room, which is dark, but senses a presence.

CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – EVENING
[/b]

He switches on the lights, and sitting on a sofa right in front of him is…

MARY
Hello Michael! This is The Guardian. He’s a Timelord or something like that.

MICHAEL
Mary! Are you okay? I read a report on a shooting outside the club… I thought something might have happened to you…


MARY
Calm down. I’m fine, thanks to The Guardian. It turns out Eddie isn’t who I thought he was.

MICHAEL
Oh. So are you two finished?

MARY
Yes.

MICHAEL
When you say he turns out to be different than you thought, what do you mean?

MARY
He’s the crime boss. The one you lot are looking for.

MICHAEL
Oh right. Listen about that… remember I told you the story of how when we were out looking for him, I lost him?

MARY
Yes?

MICHAEL
And I said that D.I.Parsons, would want to speak to me about it…

MARY
Get on with it.

MICHAEL
Well turns out… I’m fired because of it.

MARY
What?! Fired just because of that?!

MICHAEL
Yes. I’m sorry, I’m a failure.

MARY
Michael, you’re not a failure… to me.

MICHAEL
Listen Mary; if you need anywhere to stay, I’m your man. You can stay here with me, I have a spare room.

MARY
Thank you Michael. That’s what I actually came for, to see if you could. So I can hide out away from Eddie. He’ll be after me, now I know what he truly is.

THE GUARDIAN
And that’s where I come in… no one wanting to introduce me?


MARY
Oh Guardian… this is Michael, my friend I told you about.


THE GUARDIAN
Excellent. Please to meet you. I have an idea. If you catch Eddie then you will probably get your job back, and who knows, maybe a promotion too.

MICHAEL
But I can’t. I’m a failed police officer. Right now Eddie will be making a plan with his goons, on how to get Mary back. And if he does find her, that’s it. Game over.

CUT TO:

INT.CLUB.EDDIE’S OFFICER - EVENING [/b]

EDDIE is sitting on his deluxe chair, with his goons standing in front of him.

EDDIE
Who does she think she is… running away from me… hiding?

PATRICK
You’ll find her. There’s no way you won’t.

DECLAN
She can’t stay away from you for that long.

DAVID
Exactly. She can’t run or hide from you, sir.

EDDIE
I know, I know. After all, one, I know her so well, two, I know what she thinks, and three, she’ll miss the life she had with me.

EDDIE [sings]
I know the way that she thinks,
I know her habits and kinks.
I know the stuff she’s all about.
I know the people she knows
at all the places she goes.
I know her up, down, inside out.
I know the needs that she’s got,
I know what gets the girl hot.
I know I’ve got the inside track.
And yeah, I know she’s upset –
Well, let her play hard-to-get.
‘Cause if I know one thing,
I’m gettin’ her back!

EDDIE stands up, and looks out his giant window, while his goons come to group round him.

EDDIE [sings]
Because I know that girl!
I mean, I feel that girl!
I understand that girl!
And if I want that girl!
I’m gonna get that girl!
Ain’t gonna let that girl get away!
No way!
And when I find that girl,
I’m gonna kill that girl!
I’m gonna wham! Bam! Blam!
And drill that girl!
Won’t rest until that girl
is safe and sound six feet below – no!
When I find my baby,
I ain’t lettin’ her go!

EDDIE and his goons walk to the middle of the room.

EDDIE brings out his gun.


EDDIE/GOONS [sings]
I bet wherever she’s at
I bet she’s trapped like a rat
and pacin’ up, down, ‘round
the floor.
(Sure, sure.)
I bet she’s startin’ to sweat.
That girl is buggin’, I bet.
Bet she’s got one eye on the door.
(Tell us more)
                                                                                                             
I bet she’s missin’ her gigs.
I bet she’s missin’ her booze,
I bet she’s tearin’ out her hair.
(Yeah, yeah.)
I bet she’s missin’ her fun,
and gettin’ ready to run.
And when she does,
you bet I’m gonna be there.

GOONS
Because you know that girl!
You see right through that girl!

You understand that girl!
And when you get that girl,
you’re gonna waste that girl,
‘cause you can’t let that girl
go and squeal. Squeal for real.

EDDIE/GOONS:
I’m gonna shoot that girl!
(Shoot that girl!)
And then I’ll stab that girl,
(stab that girl!)
And then I’ll take her
(take her!)
And shake her,
(shake her!)
And make her meet her maker!
(Meet her maker!)
Let ‘em hide that girl
(let ‘em hide that girl!)
Sure as the tide, that girl
will show – Oh! (Oh!)
When I find my baby,
I ain’t lettin’ her go!

Yeah, yeah.
Oh yes, I know that girl!
(know that girl!)
And man, I need that girl!
(need that girl!)
I gotta have that girl!
(have that girl!)
So I can snuff that girl!
(snuff that girl!)
If I know my baby! (Ahhhh!)
She’s already runnin’! (Ahhhh!)
That’s how my baby
is gonna be done in!

I’m gonna drown that girl!
(drown that girl!)
Or disembowel that girl!
(disembowel that girl!)
Or give her skull a big dent
(Oooooh!)
with a blunt instrument!
I tell ya, soon that girl
(soon that girl)
is lookin’ at a world of woe! –
Wo, (wo, wo ,wo!) wo, wo!
When I find my baby,
I ain’t lettin’ her go! (No!)
I know she ain’t gone too far! (Oh!)
Go and check
each discothecque,
tavern and bar!
Go and find my baby –
(We’ll find your baby.)
‘Cause I ain’t lettin’ her go!
(Ah! Oh no!)
Oh no!

EDDIE
Now go and find her! NOW!

The GOONS, all run for the door opening it then rushing down the stairs.

EDDIE
Mary Robert... you’ll never get away from me.

CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – EVENING. [/b]

THE GUARDIAN
Something I don’t get... Mary. You’re a singer, who works in a bar, but you’re also a nun with a boyfriend? Sister Mary Robert.... right?

MARY
Well...no. The club I worked in was having a fancy dress party, and I dressed up as a nun, because my favourite movie is Sister Act. I dressed up as a character from it, whom I’m named after.

THE GUARDIAN
That explains it.

MICHAEL
But wasn’t that last night? You haven’t changed?

THE GUARDIAN
I can explain that... My machine... travels in time. Mary wanted to come and see you, and ask if she could live here, so I said I’d take her. It turns out I got it wrong, and we ended up arriving next day, during the evening.

MICHAEL
Oh right. So then you’re an alien?


THE GUARDIAN
Yes. A Timelord to be precise.

MICHAEL
Wow. I’ve always wanted to meet an alien.

THE GUARDIAN
And now you have... Hello.

MARY
Guardian, you will stay to help us right?

THE GUARDIAN
Of course. My friend, who travels with me, is a bit busy this moment. I dropped her off, at a Beatles concert.... or was it Elvis? She wanted to go herself, so I let her. I need to trust my companions, for them to be able to trust me.

MARY
What on Earth are you talking about?

THE GUARDIAN
Nothing. Never mind. The thing we should be concentrating on right now is getting Michaels confidence back up.

MICHAEL
If I’m honest, Guardian... I’ve never really had confidence. I’m quite pessimistic.

THE GUARDIAN
Mary... any chance you could go and make us some tea, coffee, or even hot chocolate? I love hot chocolate.

MARY
Yes. I’ll go and make you some. I know this house, like it’s my own.

MARY walks away, to the kitchen.

THE GUARDIAN
Listen Michael... I think you should go for it.


MICHAEL
For what?


THE GUARDIAN
Mary. I’ve saw the way you look at her. You love her. And I think she may feel the same way.

MICHAEL
What are you talking about? Mary and I are just friends....

THE GUARDIAN
Really?

MICHAEL
No. You’re right. I do like her... a lot. We’ve known each other since High School. I’ve never had the confidence to tell her, she’s just amazing. She deserves better than a scumbag like Eddie.

THE GUARDIAN
She deserves someone like you Michael. You know her better than anyone else. Ask her out.

MICHAEL
Once Eddie is in jail, I’ll do it. I don’t want to do it right now, as she may not be thinking straight then it may seem as if I’m taking advantage of her.

THE GUARDIAN
Wise choice. Now what are we going to do about Eddie?

MICHAEL
Well I guess, you and Mary can get him locked up.

THE GUARDIAN
And you too...

MICHAEL
I can’t.

THE GUARDIAN
Yes you can. You just have to believe in yourself.

MARY is listening at the door, without any mugs. 

MICHAEL
I can’t. That’s my problem. Eddie is too powerful for someone like me to go against him.

THE GUARDIAN
There’s always hope. You’ve got to know that.

The door opens, and MARY walks in.

THE GUARDIAN
Mary! Where’s the hot chocolate?

MARY
I didn’t make them. I know why you wanted me to go and do that. So you could have a one on one conversation with Michael. Michael... The Guardian’s right. There is hope. I believe in you... why can’t you believe in yourself?

MARY [sings]
Do you know what's worth fighting for,
When it's not worth dying for?
Does it take your breath away
And you feel yourself suffocating?
Does the pain weigh out the pride?
And you look for a place to hide?
Did someone break your heart inside?
You're in ruins

One, 21 guns
Lay down your arms
Give up the fight
One, 21 guns
Throw up your arms into the sky,
You and I.

THE GUARDIAN [sings]
When you're at the end of the road
And you lost all sense of control
And your thoughts have taken their toll
When your mind breaks the spirit of your soul
Your faith walks on broken glass
And the hangover doesn't pass
Nothing's ever built to last
You're in ruins.

One, 21 guns
Lay down your arms
Give up the fight
One, 21 guns
Throw up your arms into the sky,
You and I...

MARY [sings]
Did you try to live on your own
When you burned down the house and home?
Did you stand too close to the fire?
Like a liar looking for forgiveness from a stone...

THE GUARDIAN [sings]
When it's time to live and let die
And you can't get another try
Something inside this heart has died
You're in ruins.

MICHAEL [sings]
One, 21 guns
Lay down your arms
Give up the fight
One, 21 guns
Throw up your arms into the sky,
You and I.

ALL [sings]
One, 21 Guns
Lay down your arms,
 Give up the fight.
One, 21 Guns
Throw up your arms into the sky,
You and I.

MICHAEL
So where’s this machine you talk about?

THE GUARDIAN
My Tardis! Follow me!

CUT TO:

INT.TARDIS.CONSOLE ROOM.
[/b]

THE GUARDIAN, MARY and MICHAEL are standing at the console, staring at the Time Rotor.

MICHAEL
This is amazing, really amazing. I can’t believe the size of this thing.

THE GUARDIAN
No-one ever can. It’s...

MARY
Bigger on the inside than the outside.

THE GUARDIAN
Yes. Don’t you just love it?

MARY
Yes. Love it a lot.

MICHAEL
She is really beautiful.

THE GUARDIAN looks at MICHAEL.

MICHAEL
I mean... It is really beautiful.

THE GUARDIAN winks at MICHAEL.

THE GUARDIAN
Yes. Let’s go with that.

MARY
What’d you mean?

THE GUARDIAN
The Tardis is extremely beautiful.

MARY
Yes. Oh, Michael... Do you think I should change my name after all of this?

MICHAEL
Well in a way... it could help. Put your past behind you... become a new person, start life a-new.

MARY
I think I’ll do that. Thank-you Michael.

THE GUARDIAN
Now that’s an idea. So then your ex-boyfriend, Mary... Where is he?

MARY
We’re not going back there. Not now though.

THE GUARDIAN
Why not?

MARY
We should wait... he may be on the rampage, and his goons will be waiting with him. We won’t be able to stop him right now.

THE GUARDIAN
It’s a time machine; we can go forward in time.

MARY
No!

THE GUARDIAN
Okay.

MARY
Guardian... you said you had someone who travelled with you... what’s she like?

THE GUARDIAN
Sarah? Well... she’s like any other girl... she’s an Extraordinary girl.

MARY
Really?

THE GUARDIAN
Yes...

THE GUARDIAN [sings]
She's an Extraordinary girl
In an ordinary world
And she can’t seem to get away.
She lacks the courage in her mind
Like a child left behind
Like a pet left in the rain

She's all alone again
Wiping the tears from her eyes
Some days she feels like dying
She gets so sick of crying

She sees the mirror of herself
An image she wants to sell
To anyone willing to buy

She steals the image in the kiss
From her hearts apocalypse
From the one called whatsername

She's all alone again
Wiping the tears from her eyes
Some days she feels like dying
She gets so sick of crying

MARY notices MICHAEL, who is now standing over the opposite side, railings, looking down... reflecting on what’s happened.


MARY[sings]
He's all alone again
Wiping the tears from his eyes
Some days he feels like dying
Some days it's not worth trying
Now that they both are finding
He gets so sick of crying

THE GUARDIAN/MARY [sings]
She's an Extraordinary girl(Extraordinary guy)
an Extraordinary girl(Extraordinary guy)
an Extraordinary girl(Extraordinary guy)
an Extraordinary girl(Extraordinary guy)

THE GUARDIAN
So, yes. That’s what Sarah is like. She is truly amazing.

MARY
She sounds nice.

THE GUARDIAN
Definitely she is. I’m sure Michael knows another girl who he thinks is nice and amazing.

MICHAEL over hears, and looks over.

MICHAEL
What? No... maybe.

THE GUARDIAN
Are you sure?


MICHAEL
No.

MARY
Who’s the girl?

MICHAEL
Just a friend. A good friend.

CUT TO:

INT.LONDON.CLUB – NIGHT [/b]

EDDIE is sitting in his deluxe chair, on his phone.

EDDIE
Yes… that’s right. My little sister is missing. She ran away from home, and we can’t find her… Her name is… Mary Robert. Yes, that’s her. Thank-you.

The door opens, and his goons walk in.

PATRICK
Yo boss. We haven’t found her yet.

EDDIE
Really? I thought you did, but you had just left her outside.

DAVID
Well… you never know boss.

EDDIE
Are you answering back to me?

DAVID
N…No. O… Of course not.

DECLAN
What he meant was… That, we have looked for her, and no luck. She’s nowhere to be found.

EDDIE
What is this? Sister Act?

DAVID
Well you never know, boss.

EDDIE
You are really annoying me right now.

DAVID
Sorry, boss.

EDDIE
You better be… or else.

PATRICK
When we find her, we’ll make sure your first to know boss.

EDDIE
I contacted the police. Told them she’s my little sister, and she’s run away from home. So any sign of her, they shall return her, and I’ll get her back.

PATRICK
And then it’s goodnight Vienna.

EDDIE
Goodnight… indeed.

EDDIE laughs manically.


CUT TO:


INT.TARDIS.CONSOLE ROOM. [/b]


THE GUARDIAN, MARY and MICHAEL are standing about.


MARY
Why are we just here? Shouldn’t we be out putting Eddie behind bars?

THE GUARDIAN
Not yet. It doesn’t feel like the right time. We need to wait. It’s better like that. And besides you said yourself, that you don’t want to go. Now… any questions for me?

MICHAEL
I have one. At school, in science class, they always said the universe was created, with a bang, but then in Religious Education, they say God created the universe… Which one is true?

THE GUARDIAN
Well you see…

THE GUARDIAN pulls a lever, and the Time Rotor pulses.

THE GUARDIAN [cont‘d]
How about I take us there?

The Time Rotor stops, and THE GUARDIAN runs over to the doors, and opens them.

FX: Outside a lone gaseous vapour is spreading out.

THE GUARDIAN
Come here.

MARY and MICHAEL run over to THE GUARDIAN, and look out the door.

THE GUARDIAN [sings]
Our whole universe was in a hot dense state,
Then nearly fourteen billion years ago expansion started. Wait...
The Earth began to cool, the autotrophs began to drool,
Neanderthals developed tools,
They built a wall, They built the pyramids,
Math, science, history, unravelling the mysteries,
That all started with the big bang!
"Since the dawn of man" is really not that long,
As every galaxy was formed in less time than it takes to sing this song.
A fraction of a second and the elements were made.
The bipeds stood up straight,
The dinosaurs all met their fate,
They tried to leap but they were late
And they all died, believe me I was there
The oceans and Pangaea
See ya, wouldn't wanna be ya
Set in motion by the same big bang!
It all started with the big BANG!
FX: A light starts to form around the gaseous cloud.
THE GUARDIAN [sings]
It's expanding ever outward but one day
It will cause the stars to go the other way,
Collapsing ever inward, we won't be here, it won’t be hurt
Our best and brightest figure that it'll make an even bigger bang!

Australopithecus would really have been sick of us
Debating out while here they're catching deer, Your catching viruses
Religion or astronomy, Encarta, Deuteronomy
It all started with the big bang!

Music and mythology, Einstein and astrology
It all started with the big bang!
It all started with the big BANG!

FX: The gaseous cloud, and light collide together, and the big bang is formed.
THE GUARDIAN shuts the TARDIS doors.


THE GUARDIAN
Does that help?

MICHAEL
Yes. It does actually. The big bang created the universe… not God.

THE GUARDIAN
Well I’m not saying, there is no such thing as God. There could be. I haven’t met him… although I knew one person who once thought he was a god.

MARY
What happened to him?

THE GUARDIAN
He graduated from the academy… called himself God, and was never seen again. Stupid person he was.

MICHAEL
Guardian…

THE GUARDIAN
Yes?

MICHAEL
Can we see more of the Tardis?

THE GUARDIAN
Yes. Of course.

THE GUARDIAN starts walking, toward the exit to the many rooms…

THE GUARDIAN
This way…

MICHAEL and MARY follow.


CUT TO:


INT.TARDIS.WARDROBE ROOM. [/b]

MARY is looking through all the different clothes.

MARY
Guardian… Any chance I can change into something a bit more comfortable from here?

THE GUARDIAN
Of course. It’s clothes picked up throughout time. I’m sure there’s something you’ll like.

MARY
Thanks.

THE GUARDIAN
I’m just going to show Michael the rest of the Tardis. Coming Michael?

MICHAEL looks at THE GUARDIAN.

MICHAEL
Yes.

THE GUARDIAN and MICHAEL exit.

MARY is still looking for something to wear, she comes across a gold sequined dress…

MARY
Wow. That is nice. I think I’d look good in that.

MARY takes it from the railings, and walks through a door, which is a changing room.

CUT TO:

INT.TARDIS.LIBRARY. [/b]

MICHAEL and THE GUARDIAN walk in.


THE GUARDIAN
What do you want to talk about?

MICHAEL
What do you mean?

THE GUARDIAN
Earlier, you looked disappointed. What’s up?

MICHAEL
Mary. I do really really like her, but I don’t know if I can be the hero she needs.

THE GUARDIAN
Of course you can.

MICHAEL
She was always into the more handsome, upstanding, guys. Not ones like me… a failed police officer.

THE GUARDIAN
There’s always a chance, no matter what. You just need to remember one thing… Mary loves you.

MICHAEL
I need to run something else by you… When Mary was younger, she always talked of changing her name… to Lucy Colby. I don’t know why… she just did. I was thinking that, after all of this is done, I get a form for her, and she can change her name… you know… start a fresh.

THE GUARDIAN
It won’t be Lucy Colby for that long though… will it?

MICHAEL
Come again?

THE GUARDIAN
Lucy Colicos.


MICHAEL
No…no. Mary, she wouldn’t marry me.

THE GUARDIAN
You don’t know that. You never know until you try.

CUT TO:

EXT.LEICESTER SQUARE - NIGHT [/b]


EDDIE and his goons, are walking through a busy crowd. [/I]

DAVID
Where are we going again boss?

EDDIE
Going to pay a little visit to one of Mary’s friends… Michael.

DECLAN
The officer?

EDDIE
Yes. Michael Colicos.

PATRICK
I hate him. He is such a loser, boss.

EDDIE
He is that. One big loser.

DAVID
Does Mary just go for losers?

All four stop.

EDDIE
What was that?

EDDIE turns to face DAVID.


DAVID
Except for you, boss. Of course.

EDDIE
Yes. Of course.

The four resume walking, they turn the corner into MICHAEL’S street.


CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – NIGHT [/b]
The door breaks down, and EDDIE and his goons enter. [/I]
EDDIE
The place is deserted! Where in the hell are they?!

DECLAN
Maybe he’s went out, boss.

EDDIE
Well that’s what it looks like. Let’s leave him a note.

EDDIE walks over to where a pad of paper, and pen are sitting. On the paper, words are written, lyrics to a song called “Every time we meet.” EDDIE  picks the pen up, and flips the page over, to a blank piece, before writing on the paper.

DAVID
Boss… what are you doing?

EDDIE
I think he has Mary.

DAVID
What makes you say that?

EDDIE
Sister Act.

DAVID
What’d you mean?

EDDIE
Sister Act, is Mary’s favourite movie… it’s a thing with her family. She has came to Michael for help… it’s the only thing she’s smart enough to do.

DAVID
Boss… you don’t give her enough credit.

EDDIE
What’s that suppose to mean?

DAVID
Well… Mary is smarter than you think, and she’s really good too.

EDDIE stops writing, and stands up.

EDDIE
Excuse me?

DAVID
When you weren’t in, once… We kissed.

EDDIE
You kissed my Mary? When I wasn’t there?!

DAVID
She was crying, boss… she needed someone.

EDDIE turns to DAVID, and takes his gun out, raising it, so it’s in line with DAVID’S face.

EDDIE
Finally an acceptable excuse to kill you. I really never did like you.

EDDIE pulls the trigger…. BANG.

DAVID falls to the floor cold, dead.


EDDIE
Anyone else been doing stuff with her, when I’ve been away?

PATRICK and DECLAN shake their heads.

EDDIE
Good. Leave this note, on David’s body… as a warning.

PATRICK
What an idea, boss.

EDDIE
When they come back… they shall see how serious I really am.

EDDIE rips the sheet of paper, off of the pad, and leaves it on DAVID’S dead body.

EDDIE
Now… let’s get out of here.

CUT TO:

INT.TARDIS.CONSOLE ROOM. [/b]

THE GUARDIAN and MICHAEL are sitting down.  

MICHAEL
The Tardis is wow. I wish our police cars, were like this. Well when I worked for the police.

THE GUARDIAN
I’m sure, you’ll get your job back.

MICHAEL
Hopefully I can show Mary, how much she really means to me.

THE GUARDIAN
Speaking of the devil, here she comes.

MARY walks in, in the gold sequined dress.

THE GUARDIAN and MICHAEL turn to look at her… MICHAEL’S jaw is dropped, taken a-back by MARY’S beauty.


MICHAEL
Wow. You look beautiful.

MARY blushes.

MARY
Thanks Michael.

MICHAEL
No really you do. You are beautiful.

MICHAEL stands up.

MICHAEL
Mary, do you want to go back to mine right now? I need to get some things.

MARY
Of course… Guardian?

THE GUARDIAN stands up.

THE GUARDIAN
Your wish is my command.

THE GUARDIAN pulls down on the lever, and the Time Rotor starts pulsing.

CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – NIGHT
[/b]

FX: The TARDIS materializes.

The doors open, and the three step out.

MICHAEL
What has happened here?

THE GUARDIAN notices the body of DAVID.

THE GUARDIAN
There’s a clue over there.

MICHAEL walks over to body, noticing the note he picks it up.

MARY
What’s that?

MICHAEL
A note…. From Eddie.

MARY
What’s it say?

MICHAEL
Michael… I know you have my Mary. Give her back, and no harm shall come to you… to her, it’s different. Meet me on London bridge tonight at midnight… if your not there… I’ll see your taken care of, like the rest, especially David.
P.S. Mary made out with David(The one on the floor)

MARY
What! He kissed me?! He took advantage of me!

MICHAEL
I believe you. What are we going to do about this?

THE GUARDIAN
We’re going to have to go to London bridge, at midnight, and come face to face, with Eddie.
CUT TO:

END OF ACT 1
[/b]
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The Guardian
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« Reply #13 on: June 24, 2011, 11:08:05 am »

INT.COLICOS RESIDENCE.LIVING ROOM – NIGHT [/b]


THE GUARDIAN v/o
We’re going to have to go to London bridge, at midnight, and come face to face, with Eddie.

THE GUARDIAN, MARY, and MICHAEL are all standing in the same positions as the end of Act 1.

MICHAEL
We can’t.

MARY
Why not?

MICHAEL
You’ve seen what he’s done here! He’ll kill us!

THE GUARDIAN
That’s a chance you need to take.

MICHAEL
Me…? I can’t. I’m a failed police officer… how am I suppose to do that?

MARY
Easily. Because I believe in you Michael… your such a good friend… your like a brother to me… at least do this for me… please.

MICHAEL
I… I don’t know. I just can’t. I would do anything for you Mary, but I won’t do this… I just don’t have the nerve.

THE GUARDIAN
Or the brain.

MARY
Guardian!

THE GUARDIAN
What? I thought we were referencing The Wizard of Oz, and Meatloaf! No? Oh right… carry on.

MARY
Anyway…

THE GUARDIAN
The wind blows…

MARY
Guardian!

THE GUARDIAN
Oops. Sorry.

MICHAEL
Mary… I… I

MARY
What?

MICHAEL
Never mind.

THE GUARDIAN
Michael… tell her…

MICHAEL
I love you, Mary… and I have ever since we met. I love how amazing you are, you are such a nice girl, and you deserve so much better than Eddie… I could be that guy.

MARY
Michael… I love you too, but right now I can’t… There’s just too much going on, and I just broke up with Eddie… I’m sorry.

MICHAEL
Yeah… me too. I think you should go now… you need to apprehend Eddie.

MARY
Come with us… please.


MICHAEL
No… I’m not going.

MARY
Why are you being so stubborn?

MICHAEL
Me being stubborn? Why did you have to drag me into all of this? My life is also now in danger thanks to you!

MARY
You know what, I don’t know what I ever saw in you!

MICHAEL
Same here! I don’t even know why I agreed to help you….

MICHAEL(sings)
Here we stand or here we fall
History won't care at all
Wake the dead, fight the fight
Lady Mercy won't be home tonight

MICHAEL/MARY(sings)
You don’t waste no time at all

MICHAEL(sings)
Don’t hear the bell but you answer the call.

MICHAEL/MARY(sings)
It comes to you, as to us all.

MARY(sings)
You're just waiting for the hammer to fall
Hey!

MICHAEL(sings)
Hey!

MARY(sings)
Yeah!

MICHAEL(sings)
Yeah!
The Hammer to fall…

MARY makes her way outside, with MICHAEL following.

CUT TO:


EXT.OUTSIDE THE COLICOS RESIDENCE - NIGHT [/b]


MARY, and MICHAEL exit still arguing, with THE GUARDIAN trailing behind watching.  

MARY(sings)
Every night, and every day
A little piece of you is falling away
But lift your face, the western way, babe
Build your muscles as your body decays

MICHAEL/MARY(sings)
Toe your line and play their game.

MARY(sings)
Let the anaesthetic cover it all.

MICHAEL/MARY(sings)
Till one day they call your name

MICHAEL(sings)
You know it’s time for the hammer to fall!
Hey! The hammer to fall!

MARY(sings)
Rich or poor or famous,
for your truth it’s all the same.
Lock your door but rain is pouring
Through your window pane.
Baby now your struggles all in vain.

THE GUARDIAN walks up to the TARDIS doors, opens them, and walks in, leaving MARY and MICHAEL alone.

MARY walks up to the TARDIS doors.  


MICHAEL/MARY(sings)
What the hell we fighting for?

MICHAEL
Just surrender, and it won’t hurt at all.

MICHAEL/MARY(sings)
You just got time to say your prayers
While you're waiting for the hammer to, hammer to fall
The hammer to fall
Hey? Yeah?
The hammer to, hammer to, hammer to fall

MICHAEL
Oh get out of my life!

MARY
In your dreams… mate.

MARY walks in the TARDIS, and slams the doors.  

FX: The TARDIS de-materializes.  

MICHAEL
Yeah. Well the same to you too!… What have I done?

CUT TO:


JOHN MCLELLAN
KATIE ROWLEY JONES
AKO MITCHELL
NEW AGE: THE GUARDIAN
MUSICAL EXTRAVAGANZA
 

CUT TO



INT.TARDIS.CONTROL ROOM.
[/b]

THE GUARDIAN and MARY are sitting down.

THE GUARDIAN
Are you okay?

MARY
Yes.

THE GUARDIAN
Are you sure? You don’t look it…

MARY
I’m fine, Guardian…

THE GUARDIAN
You not upset, about what happened with Michael?

MARY
No. I’m not. Why would I be?

THE GUARDIAN
In all of my 910 years, I’ve learned that you need to put the past behind you… You and Michael, you two shouldn’t be as mad as you two were there. The reason you two were that bad… your going through a lot right now… you’ve got to slow down, and take a breather, and think of what’s truly important.

MARY
What’d you mean?

THE GUARDIAN
You know what I mean… You love Michael… he loves you… you both were destined for each other… you just won’t accept it… which you must!

MARY
Your right…

THE GUARDIAN
First, we get this over with… then I’ll take you back to Michael, and you can talk to him about it.

MARY
Thank-you, Guardian… Is it okay, if I wander about the now? Just to have a think to myself?


THE GUARDIAN
Yes… on you go.

MARY walks out, going towards another room.

CUT TO:

INT.TARDIS.LIBRARY.
[/b]

MARY enters, she looks about the library, and notices a book, about police officers… she thinks of MICHAEL.

MARY(sings)
Hands touch, eyes meet
Sudden silence, sudden heat
Hearts leap in a giddy whirl
He could be that boy
But I'm not that girl:

Don't dream too far
Don't lose sight of who you are
Don't remember that rush of joy
He could be that boy
I'm not that girl

MARY walks over to table, and sits at it…

MARY(sings)
Ev'ry so often we long to steal
To the land of what-might-have-been
But that doesn't soften the ache we feel
When reality sets back in

Blithe smile, lithe limb
She who's winsome, she wins him
Gold hair with a gentle curl
That's the girl he chose
And Heaven knows
I'm not that girl:


MARY stands up, and starts to walk over to the door, heading back to the console room. She then stops, and turns around, looking back at the book.  


MARY(sings)
I won't wish, I won't start
Wishing only wounds the heart
I won’t dream, but I’m gonna pray
That maybe someday
I'll be that girl

MARY walks out.

CUT TO:

INT.TARDIS.CONSOLE ROOM.
[/b]

MARY walks in.  

THE GUARDIAN
You feeling better?

MARY
Yes. I feel much better.

The time rotor stops pulsing.

THE GUARDIAN
We’ve landed… On you go… There’s more chance he’ll shoot if I go with you… I’ll be right here… don’t worry.

MARY
What if I can’t do it myself?

THE GUARDIAN
You can… he’ll probably just want to talk, and try to make you take him back… then lock you up somewhere.

MARY
Oh thanks. That’s really reassuring.


THE GUARDIAN
Your welcome.

MARY runs to the door, opening it, then closing it behind her, after looking at THE GUARDIAN.

THE GUARDIAN
Now… to do the other thing.

THE GUARDIAN presses buttons, and pulls a lever.

CUT TO:


EXT.LONDON BRIDGE - MIDNIGHT
[/b]

MARY walks along the lone bridge…

She quickly turns when she hears a noise, which sounds like an engine running…

A car is making it’s way towards MARY. It stops, and EDDIE and his two goons evacuate from it.
 


EDDIE
Mary… baby… you came.

MARY
First of all… I’m not your baby… and second of all… Only to protect those I love, nothing to do with you.

EDDIE
Oh, is that so? That failed police officer? What’s his name?

MARY
Michael…

EDDIE
Yes, that loser.

MARY
He isn’t a loser, nor is he a failed police officer! He’s amazing! He’s nicer to me, than you ever were… Babe!

EDDIE
You’re going to regret you ever said that.

MARY
No. I won’t. You don’t scare me Eddie.

EDDIE
Oh. Is that true?

MARY
Yes. It is.

EDDIE
Patrick and Declan, take her into the car, and we shall make her scared for her life.

PATRICK and DECLAN grab a hold of MARY, and then pushes her into the car, shutting the doors behind them.

EDDIE looks out into the distance.


EDDIE
Do your worst… Michael.

EDDIE opens the front passenger door, and steps in, then shuts the door.

The car pulls away.


CUT TO:










INT.TARDIS.CONSOLE ROOM.
[/b]

THE GUARDIAN is standing at the console.

THE GUARDIAN
Come on! Hurry up! I’ve got to get back to Michael, and make him see sense, then we can go and save Mary!

The Time Rotor speeds up.

THE GUARDIAN
Faster… Faster… Faster!

THE GUARDIAN(sings)
Living easy, living free
Season ticket on a one-way ride
Asking nothing, leave me be
Taking everything in my stride
Don't need reason, don't need rhyme
Ain't nothing I would rather do
Going down, party time
My friends are gonna be there too

THE GUARDIAN slams his fist down on the TARDIS console, sparks fly.

THE GUARDIAN(sings)
I'm on the highway to hell
I'm on the highway to hell
Highway to hell
I'm on the highway to hell
No stop signs, speed limit
Nobody's gonna slow me down
Like a wheel, gonna spin it
Nobody's gonna mess me round

The Time Rotor slows down, and THE GUARDIAN makes his way towards the door.  

THE GUARDIAN(sings)
Hey Satan, paid my dues
Playing in a rocking band
Hey Momma, look at me
I'm on my way to the promised land
I'm on the highway to hell
I'm on the highway to hell
 Highway to hell
And I'm going down, all the way down
I'm on the highway to hell

The Time Rotor stops, and THE GUARDIAN opens the door, and steps out into…


CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – NIGHT
[/b]

MICHAEL is writing on a piece of paper, while playing the guitar.

He notices a picture of him, and MARY together. Sighing he remembers, the good times they had.

MICHAEL(sings)
And in my twisted fate
There's not the slightest trait
Of anything that even hints of kindness
And with my tortured babe
No comfort, no escape
I see, but deep within is utter blindness
Hopeless
As my dream dies
As the time flies
Love a lost illusion
Helpless
Unforgiving
Cold and driven
To this sad conclusion
No beauty could move me
No goodness improve me
No power on earth, if I can't love her
No passion could reach me
No lesson could teach me
How I could have love her and made her love me too
If I can't love her, then who?
Long ago I should have seen
All the things I could have been
Careless and unthinking, I moved onward
No pain could be deeper
No life could be cheaper
No point anymore, if I can't love her
No spirit could win me
No hope left within me
Hope I could have loved her and that she'd set me free
But it's not to be
If I can't love her
Let the world be done with me

FX: The TARDIS materializes.

The TARDIS doors open, and THE GUARDIAN steps out.  

THE GUARDIAN
Michael… Michael!

MICHAEL
Guardian… What are you doing here?

THE GUARDIAN
You’ve got to come, please. Mary needs you.

MICHAEL
After what happened?

THE GUARDIAN
Don’t beat around the bush… we all know you love her still. She also loves you… we were talking…

MICHAEL
I can’t do it. Please, don’t let me. I haven’t told Mary about this… but… the reason to why I don’t want to do this, is… that’s how my mum died. When I was a little boy, I was with my mum, we had just came out of watching a movie, then this man tried to rob her, and she fought back, then he shot her. I was then brought up by my aunt, and uncle… as my dad died in a war… defending his country. That’s what made me want to be a police officer… to stop people like that one who killed my mum.


THE GUARDIAN
That explains… a lot. Do this for your mum then… Think of it… you just said yourself, you became a police officer, because you wanted to fight back against criminals… Wouldn’t you be letting your mum down, and your dad too?


MICHAEL
Your right… I see what you mean…

MICHAEL stands up, and takes the guitar strap off him, and sits his guitar down.  

THE GUARDIAN
What you got there, anyway?

MICHAEL
Oh that… it’s just a song I’ve been working on…

THE GUARDIAN
Have you named it?

MICHAEL
Every time we meet… it’s about…

THE GUARDIAN
Mary.

MICHAEL
Exactly. I just finished it there, when you dropped in.

THE GUARDIAN
Excellent! Now, enough jibber-jabber, we have a Mary to go and help.

MICHAEL
Yeah. London bridge?

THE GUARDIAN
London bridge.

THE GUARDIAN opens the TARDIS doors,  and MICHAEL follows him in, closing the doors behind him.  

CUT TO:


EXT.LONDON BRIDGE - NIGHT
[/b]

FX: The TARDIS materializes.  

The doors open, and THE GUARDIAN and MICHAEL walk out onto a lonely bridge…

THE GUARDIAN
This can’t be right…

MICHAEL
What? Where’s Mary?

THE GUARDIAN
That’s what I’m wondering… She was here… I know she was… I can smell it. There’s a different smell in the air.

MICHAEL
You can smell it?

THE GUARDIAN
Yeah. I’m a Timelord… we smell a lot of things, you can’t.

MICHAEL
So what is it, you can smell?

THE GUARDIAN
Let’s see… nitrogen… no not that. Gas… yes, smells like gas… also smells like an engine… from a car… That’s it! She’s been taken away, in a car!

MICHAEL
Back to the club?

THE GUARDIAN
Yes! That seems plausible!

MICHAEL
Well let’s go!

THE GUARDIAN
No. I’ll go… You need to go to the police station, and make them listen to you… they will listen, don’t worry. Then you have them outside that club ready… When I give the signal… you’ll know what it is… Attack.

MICHAEL
Okay… Till then my friend.

THE GUARDIAN
Good luck Michael.

THE GUARDIAN extends his hand, MICHAEL shakes it.

MICHAEL
You two… Be careful.

THE GUARDIAN
Always.

The hands retract.


MICHAEL
When you find Mary.. Tell her I love her!

THE GUARDIAN
Do it yourself, when you see her!

THE GUARDIAN opens the doors to the TARDIS, and walks in, closing the doors.

MICHAEL walks across the bridge, heading to the police station.
 

MICHAEL
Eddie… your time is coming. You are going down… No-one takes my Mary, and gets away with it.

CUT TO:




INT.LONDON.CLUB.EDDIES OFFICE - NIGHT [/b]


MARY is in the centre of the room, tied to a chair.

EDDIE is sitting on his deluxe chair, staring at MARY.

PATRICK, and DECLAN are standing at each side of MARY.


MARY
Let me go… you monster!

EDDIE
Mary… You really have disappointed me. I can’t believe you would do this to me. If you didn’t run away, none of this, would of happened. I would of spared your life… But now I’m not going too… but of course, I’m going  to wait until Michael comes, and he can see you dying… like he saw his pathetic mother dying, at the hands of my father.

MARY
What?!

EDDIE
Didn’t he tell you? His mother was killed, when he was a young boy… and it was by my father. I come from a long line of crime bosses.

MARY
Well it looks like this is the end of that line!

EDDIE
What makes you so sure?

MARY
Because when Michael comes, he will kick your sorry butt!

EDDIE
Oh yeah… Him and what army?

MARY
The Guardian!

EDDIE
The who?

MARY
The Guardian, a Timelord, an alien. He will stop you, with Michael… just you watch him.

EDDIE
You’ve became more delusional than before… An Alien? A Timelord? What have you been taking? There is no such thing as Aliens…

MARY
You sure about that?

EDDIE
Of course! Aliens, are just stories. There is no way they exist, and if they did, they wouldn’t have a name like The Guardian, it’d be something like Karadofe.

MARY
You making fun of aliens?

EDDIE
Yes, I am. Even though they don’t EXIST!

MARY
Forget Michael, or The Guardian… once I get out of here, I’ll stop you myself!

EDDIE
Is there no end, to your stupid games?

EDDIE stands up, and walks over, to stand in front of MARY.

EDDIE
Your such a disappointment.

EDDIE slaps MARY.

CUT TO:


INT.TARDIS.CONSOLE ROOM.
[/b]

The room is empty… the time rotor is pulsing up and down… no sign of THE GUARDIAN.

THE GUARDIAN v/o
Now let’s see… one shotgun… one sword… no… I’ll do without the sword… what about a shotgun? Do I really need that? NO! I could use this… or maybe that… or oh… Molotov cocktail… nah… that’d burn the place down. Do I have anything interesting in here? Damn it! I’m taking the pistol.

THE GUARDIAN walks in, from the hall.

THE GUARDIAN
That armoury room has everything! I love it! This pistol should do… I’m sure I could use it. Probably won’t even shoot it, but you never know. I talk a lot to myself… I wonder how Sarah is…

THE GUARDIAN presses a green button on the TARDIS console, and SARAH appears on the scanner screen.

SARAH v/o
Guardian! When are you coming back to collect me?

THE GUARDIAN
I’m not sure… I have something to do right now… I’ll explain later… How is Elvis? Or was it the Beatles?

SARAH v/o
Neither! It was Queen! How could you mix them up?!

THE GUARDIAN
Oh yeah.. What are they like live?


SARAH v/o
You haven’t seen them before?

THE GUARDIAN
Nope.

SARAH v/o
They are amazing. You’d love them…

THE GUARDIAN
Excellent! Listen I need to go… Goodbye Sarah.

SARAH v/o
Bye, Guardian.

THE GUARDIAN turns the scanner off.  


THE GUARDIAN
Good to know, that she’s okay… unlike Mary… which reminds me!

THE GUARDIAN presses buttons, and pulls a lever.

The Time Rotor increases speed.



THE GUARDIAN
Let’s hope I get this right… Outside the club.


CUT TO:

EXT.LONDON.BACK ALLEY OUTSIDE THE CLUB - EARLY MORNING [/b]

FX: The TARDIS materializes.  

The doors open, and THE GUARDIAN steps out.

THE GUARDIAN
Yes. I got it right! I knew I would! Now… inside I go… to rescue young Mary Robert… from the evil Eddie Shank!

THE GUARDIAN walks up to the entrance door, and pulls it open, walking in.

CUT TO:


INT.LONDON.CLUB - EARLY MORNING [/b]

The club is alive, people dancing, and singing. Others on gambling machines… Some drinking. A really lively place!

THE GUARDIAN tries to make his way through the crowds.


THE GUARDIAN
Excuse me… Coming through… Watch… Sorry…

THE GUARDIAN notices a barmaid, and walks over to her.

THE GUARDIAN
Excuse me… Can you tell me where the office of Eddie Shank is?

BARMAID
If you go up those stairs, then turn right… it’s the first door on your left.

THE GUARDIAN
Thank-you. What’s your name by the way?

BARMAID
Patina… Patina Robert.

THE GUARDIAN
Nice to meet you, Patina Robert.

THE GUARDIAN, walks over to the stairs, walks up them… off to confront EDDIE, and save MARY.

CUT TO:

INT.LONDON.POLICE STATION - EARLY MORNING [/b]


The doors swing open, and MICHAEL storms in.

D.I.PARSONS stands up.


D.I.PARSONS
Michael… this is a… surprise.

MICHAEL
I know who the crime boss is. I know where he is, and who he has!

D.I.PARSONS
Who is it?

MICHAEL
Eddie Shank… owner of the club, Mary worked at.

D.I.PARSONS
Eddie Shank? Really? I guess we should of guessed it, by his name…

MICHAEL
Yes, you should of.

D.I.PARSONS
Don’t get lippy with me, just because you figured out, who it was.

MICHAEL
He is at his club… and he has Mary hostage.

D.I.PARSONS
Why would he have his own girlfriend hostage?

MICHAEL
Because they ain’t going out anymore! Mary caught him killing someone, then she came to my house, and told me all about it! Then while we were out, Eddie came to my house, trashed it, left one of his goons, lying on my floor… dead… with a note attached to him.

D.I.PARSONS
What did the note say?

MICHAEL
It told Mary to go to London Bridge at midnight there, and she did.

D.I.PARSONS
And then?

MICHAEL
If you let me finish… I’d tell you! She was taken by Eddie, and his other two goons!

D.I.PARSONS
How did you manage to figure all of this out?

MICHAEL
I’ve had help… by an alien… named The Guardian.

D.I.PARSONS
Alien? Really? Now this all sounds like a practical joke!

MICHAEL
It’s not.

D.I.PARSONS
You just want your job back! Get out… and don’t bother coming back.

MICHAEL
You know what’s wrong with you? Your too much of a coward to listen… I finally have the answer for you, of who it is you’ve been looking for… but your too scared to face the facts, that I know he is, and you don’t. For once I come out on top, and beat you! And you know something else?… You’re the failure, not me!

MICHAEL storms out the police station.


CUT TO:



INT.LONDON.CLUB.EDDIES OFFICE - NIGHT [/b]

MARY
I told you, The Guardian is real!

EDDIE
Stop lying to me!

MARY
I’m not! It’s not my fault, your just a failure.

EDDIE
What did you say?

MARY
You heard me!

EDDIE
If that’s what you think… then say goodbye… babe.

EDDIE brings out a gun and points it at MARY.

EDDIE goes to pull the trigger, but is disrupted when the door is kicked in, with THE GUARDIAN barging in, pistol pointing at EDDIE.


THE GUARDIAN
Let her go… or else.

EDDIE
And who are you?

THE GUARDIAN
I am… The Guardian. I am a Timelord, and you are in trouble.

EDDIE
Wait… your real?

MARY
I tried to tell you that!

EDDIE
Shut up!… Never mind… Take him too.

PATRICK and DECLAN both punch THE GUARDIAN. THE GUARDIAN’S gun drops, and is kicked away from the door.

PATRICK and DECLAN grab a hold of  THE GUARDIAN, and set him down on a chair, next to MARY… tying him up.



THE GUARDIAN
Oh come on! Let me go!

EDDIE
No… Now you will shut up, and not say a word, unless I speak to you… understood?

THE GUARDIAN
No.

EDDIE
What was that?

THE GUARDIAN
I said no… because I don’t understand what you said… because it’s an order… and I don’t do well with orders… especially from people like you.

EDDIE
Oh, is that so?

THE GUARDIAN
Yes, it is. How do you like me now?

EDDIE
Put some tape over his mouth, at least Mary doesn’t talk that much!

DECLAN grabs tape from EDDIE’S table, and rolls it around THE GUARDIAN’S mouth.

THE GUARDIAN(muffled)
I’ll still talk, even with tape over my mouth! Just watch me… I’ll just keep on talking… and talking… and talking…

EDDIE
Oh for the love of…

MARY laughs.
EDDIE
Do you think this is funny, Mary?

MARY(laughing)
Yes. Of course it is, Eddie.

EDDIE
It’s not funny! It is definitely not funny!

MARY(laughing)
Oh. It really is! Ha!

EDDIE
Stop it! Stop it!

DECLAN
Boss… do you want us to shoot them?

EDDIE
No… just make them shut up!

CUT TO:



INT.LONDON.CLUB - EARLY MORNING [/b]

The door opens, and MICHAEL walks in.

MICHAEL
Wow. This place is busier than usual…

PATINA notices MICHAEL, and walks up to him.

PATINA
Hello Michael… Would you like a drink?

MICHAEL
No.. I’m fine… I need to talk to Eddie…

PATINA
Official business?

MICHAEL
You could say that…

PATINA
I always thought there was something odd, about Eddie. Eddie Shank… the name is familiar…

MICHAEL
His father, and his father before that, etc, were all crime bosses.

PATINA
Oh yeah. Are you here to take him down?

MICHAEL
Well, yes. And to save Mary.

PATINA
He’s holding Mary hostage?

MICHAEL
Yes.

PATINA
What?! I’m coming with you.

MICHAEL
No… your not. You stay here… and try to evacuate the building… a lot of innocent people could be hurt here.

PATINA
Okay. Good luck, Michael.

MICHAEL
Thank-you Patina.

PATINA
You save my sister.

MICHAEL
I will.

PATINA runs up on to the stage, and stops the music.

MICHAEL runs up the stairs, but stops when he notices a gun… he looks at it.
 


PATINA v/o
Everyone please evacuate the building now… we have encountered a problem with the building… that will need to be looked at. If you could all leave, and we are sorry for this unfortunate message.

CUT TO:

INT.LONDON.CLUB.EDDIES OFFICE - NIGHT
[/b]

EDDIE is standing at the side of MARY’s chair…

PATRICK, and DECLAN are standing at the side of  THE GUARDIAN.
 

MARY
Just you wait… We’ll be saved… and you’ll regret it!

EDDIE
Oh no you won’t.

THE GUARDIAN(muffled)
Oh yes we will.

EDDIE
Is he always like this, Mary?

MARY
Pretty much… It’s funny though.

EDDIE
It’s annoying.

PATRICK
Very annoying, boss.

DECLAN
Extremely annoying.

THE GUARDIAN(muffled)
Do you two, always have to kiss up to Eddie’s…

EDDIE
Ask not.

THE GUARDIAN(muffled)
Okay.

EDDIE
Now… who’s going to go first?

DECLAN
I think Mary…

PATRICK
Same here boss…

EDDIE
I agree… Mary should die first.

EDDIE raises his gun, and pulls against the trigger…. BANG.

THE GUARDIAN looks, and MARY is still alive…

MARY looks at EDDIE, who falls to the floor.

PATRICK, and DECLAN look at each other.
 

MICHAEL
The names… Colicos… Michael Colicos.

MICHAEL is standing at the door, with the pistol aimed at PATRICK and DECLAN.

MICHAEL
Do you really want to go down the same road, Eddie is going through? The going to hospital, to be made better, then once he’s out… jail?

PATRICK
No. Of course not.

DECLAN
I wouldn’t of shot them.

MICHAEL
Guns down… and untie Mary, and The Guardian… Now!

PATRICK
Right away…

Sirens can be heard outside.

DECLAN rips the tape off of  THE GUARDIAN’S mouth.


THE GUARDIAN
That’s better! I can talk again!

PATRICK unties MARY.

DECLAN unties THE GUARDIAN.

MARY
Didn’t really stop you, though.

THE GUARDIAN
Okay… I can talk without muffling again!

MICHAEL
Guardian! I tried to talk to the police, but they wouldn’t listen…

THE GUARDIAN
Really? Because there are sirens…

MICHAEL
But that can’t be possible… they didn’t listen.

PATINA
Well maybe not to you… but to me… they did.

Everyone turns round, to face PATINA.

MARY
Sister! Thanks for calling the police.

PATINA
It was Michael, who told me what was happening.

MARY
Michael is amazing…

MICHAEL blushes.

D.I.PARSONS, and a couple of officers, walk in.
 


D.I.PARSONS
What happened here?

MICHAEL
I shot him. Well he went to shoot Mary, so I shot him first, but I didn’t shoot near the heart… I got him on the arm

D.I.PARSONS
And yet he’s down on the floor in agony.

THE GUARDIAN
That’s easy… The pain from the bullet went through his body. You ever been shot before?

D.I.PARSONS
No.

THE GUARDIAN
Well I have, and I know what it’s like.

D.I.PARSONS
Who the hell are you?

THE GUARDIAN
I’m The Guardian, an alien, a Timelord. How many people do I need to explain this too?

D.I.PARSONS
Wait? So you are actually real? And I didn’t take Michael seriously… And fired him before, when he knew who it was?

THE GUARDIAN
Something like that.

D.I.PARSONS
Michael, you were right… I am a failure… You were always better at the job than I was…

D.I.PARSONS removes his tag, and places it on MICHAEL.

MICHAEL
Wait… your not serious?

D.I.PARSONS
I am… you are now… Detective Inspector Michael Colicos.

MICHAEL
Wow! Thank you so much! What about you? What’s going to happen to you?

D.I.PARSONS
Well I’m not longer D.I… I resigned before I came… and I told the higher officials you had to get my place.

MICHAEL
I can’t believe this!

D.I.PARSONS
I let this get in the way of our friendship… I’m sorry. Are we friends?

D.I.PARSONS extends his hand, MICHAEL looks at him, then shakes his hand.

MICHAEL
Of course.

They retract.

MARY
Well done Michael!

MARY runs up to MICHAEL, and gives him a hug, then kisses him.


MARY
You were amazing.

THE GUARDIAN starts clapping, then everyone else in the room joins in.

CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – NIGHT [/b]

There is a party going on in Michael’s house.

Music blaring, and people dancing, in fancy dress…

MARY is wearing her nun outfit, once more… while MICHAEL is wearing his officers uniform.

THE GUARDIAN is just in his usual clothes, but is enjoying himself.


THE GUARDIAN
It’s been a long time, since I last partied.

MARY
Maybe you should do it more often?

THE GUARDIAN
With you? Yeah… why not?

MARY
I meant with Sarah.

THE GUARDIAN
Oh yeah.

MICHAEL
Guardian… Thank-you for everything. If it wasn’t for you, none of this would of happened.

THE GUARDIAN
No problem… I best be going actually… I need to go… I promised Sarah I wouldn’t be long.

MICHAEL
Goodbye, Guardian. I do hope we meet again.

THE GUARDIAN
So do I.

MARY
Guardian… What can I say? You have changed mine, and Michael’s life around.

THE GUARDIAN
Yes. I have… you two are now a couple… Congratulations.

THE GUARDIAN walks to the door, opens it, and walks through it.

MARY(To Michael)
Back in a minute, babe.

MARY and MICHAEL kiss.

MARY follows THE GUARDIAN out.

CUT TO:

EXT.OUTSIDE THE COLICOS RESIDENCE - NIGHT [/b]

THE GUARDIAN is opening the TARDIS doors, when…

MARY
Guardian!

THE GUARDIAN turns around.


THE GUARDIAN
Mary! What are you doing out here?



MARY
Take us with you… please.

THE GUARDIAN
I can’t… I’m sorry, Sarah is enough for me right now. I can’t just drop people on her, she doesn’t know just like that… besides you and Michael are having a wonderful life now… why would you want to come with me?

MARY
You opened my eyes, to new things… to wonders I’ve never seen before in my life!

MARY(sings)
I used to talk back,
I used to sleep late,
I always sat down
when told to stand straight
I'd always let go
and go with the flow,
and don't even know, really, why.
I've always asked questions,
and taken a dare.
I've usually worn clothes
that might make people stare.
I've always rebelled,
or stood up and yelled,
or even just held my head high.

And all of the feelings unspoken,
all of the truths unsaid,
they're all I have left
of the life I never led.

I've never gone surfing,
but ran with a crowd.
I’ve danced on a table,
and laughed much too loud.
I've never quite dared
to leave myself bared -
I've just been too scared I might fall,
I've never seen Paris,
swum naked,
been missed.
I've never quite realised
just how much I've missed
And what did I get
for hedging each bet?
Another regret, and that's all.
And all of the wishes unasked for,
All of needs unfed -
They're all that remain
of the life I never led.

And now...
now that you've given me one
little taste of it -
And now...
now that I know what I know -
Well how...
how can I go on ignoring the waste of it?
After all of the years
that I've clung to my fears.
Won't you help me let go?
Help me let go!

I want to be brave,
I want to be strong.
I want to believe
I'm where I belong.
To stand up and say
"I'm seizing the day"
To not just obey, but to choose.
And I may not surf,
I may not see France.
but I want to know
I still have the chance.
And maybe I'll make
a painful mistake.
It's mine though, to take or refuse.
And all of the doors yet to open,
all of the rooms ahead -
They're becoming bright,
scary and new -
But I'm standing tall,
and I'm walking through.
What's gone may be gone,
but I won't go on
playing dead!
It's time to start living
the life I never led.

THE GUARDIAN
I’m sorry Mary… maybe another time… I’ll always be there, though, if you two ever need me.

THE GUARDIAN opens the TARDIS doors, and walks in, shutting the doors behind him.

FX: The TARDIS De-Materializes.  

MARY
Goodbye, Guardian.

The front door opens, and MICHAEL runs out.

MICHAEL
Mary! You okay?

MARY
I asked, The Guardian if we could come with him… he turned my offer down. He told me having Sarah is enough.

MICHAEL
Come here.

MICHAEL walks over to MARY, and hugs her, then kisses her.

MICHAEL(cont’d)
Everything’s going to be alright… we have this party… you coming back in?

MARY
Yes. Just give me a few moments.

MICHAEL
Okay. And remember tomorrow, we have to go and see your lawyer  to see about you changing your name, to Lucy Colby.

MARY
Well… actually it’ll be Lucy Colicos.

MICHAEL
Funny… The Guardian said that too. Wait…. Are you hinting at something?

MARY
Of course not.

MARY winks at MICHAEL, who retracts from MARY, and walks back inside.

MARY looks up at the stars.


MARY(sings)
Don't wish, don't start
Wishing only wounds the heart:
There's a girl I know
He chose her so
I'm not that girl.

MARY turns back, and walks to the front door, entering through it.

CUT TO:

INT.COLICOS RESIDENCE.LIVING ROOM – NIGHT
[/b]

The room is silent… everyone is sitting, while MICHAEL is standing with his guitar plugged into an amp.

MARY walks in.


MARY
What’s happening here?

MICHAEL
Something I’ve been working on… A song.

MARY
For me?

MICHAEL
Yes. This is ‘Every time we meet’ and it’s dedicated to you, Mary baby.

MICHAEL starts strumming his guitar.

MICHAEL(sings)
Shall I compare thee to a winters night, when thou, is the stars that sparkle in my mind. The way your hair shimmers and shines, helps me see, my curious fate that’s kind.
In the darkness, you light the way, when I’m down, you make my day, and no matter what you say, I’m here to stay.  But even though some may tease, all you do is bring me to ease. And now, I want you to know, that oh, I love you so.

Oh your there, with that luxurious hair. And though I miss you, I want to kiss you.
Can you hear it calling? Or are we just falling? Is it the morning dove? Or is it just love? Every time we touch, it gets so much.  Every time we meet, I fall over my feet.

Shall I say what has been on my mind? Shall I confess to one so nice and kind? You help me through strife, but hey that’s just life. For so long I’ve just pondered and even more so i have wondered, are you listening?  And day by day, everything will go your way. So don’t worry, ‘cause it’s you and me babe.  That’s the way it’s going to be ‘til the end. For you’re the only one for me that can mend a broken day.

Oh your there, with that luxurious hair. And though I miss you, I want to kiss you.
Can you hear it calling? Or are we just falling? Is it the morning dove? Or is it just love? Every time we touch, it gets so much.  Every time we meet, I fall over my feet.

Your voice is echoes like music in the wind, your breathe, is like living in heaven. The long term, is you and I, the short term, is not us. You are the moon in the twilight and the sun in the dawn.  You are the art hanging on the wall but you are so so so much more. An angel came into my life and that angel was you. I've met people before but when you open that door, you guide me down the right path, because I know you'll always come back…

Oh your there, with that luxurious hair. And though I miss you, I want to kiss you.
Can you hear it calling? Or are we just falling? Is it the morning dove? Or is it just love? Every time we touch, it gets so much.  Every time we meet, I fall over my feet.

All I can see is dark when we are apart, but your smile lights up the night, and it means everything will be alright. No one can compare, whenever you're there. I can barely speak every time we meet...

Oh your there, with that luxurious hair. And though I miss you, I want to kiss you.
Can you hear it calling? Or are we just falling? Is it the morning dove? Or is it just love? Every time we touch, it gets so much…

Oh your there, with that luxurious hair. And though I miss you, I want to kiss you.
Can you hear it calling? Or are we just falling? Is it the morning dove? Or is it just love? Every time we touch, it gets so much.  Every time we meet, I need to say I love you.

MARY now smiling, claps.

MICHAEL unplugs the guitar from it’s amp, and sets it down.

Before he knows it, MARY is jumping on him, hugging, and kissing him.


MICHAEL
Mary… that’s not the only thing… Remember earlier? When we were talking about the name change?


MARY
Yes?

MICHAEL gets down on one knee.

MICHAEL
Well… I was wondering… would you marry me?

MARY looks over at PATINA.

PATINA(mouthing)
Go for it.

MARY looks back at MICHAEL.

MARY
Of course I will! I love you so much, Michael.

MICHAEL stands up, and hugs MARY.

MICHAEL
Tomorrow after seeing your lawyer… I’m taking you out for a big meal, then we are going to choose your engagement ring… I love you too, and I want to spend the rest of my life with you. We don’t need The Guardian to have a life.

MARY
Your right. I’m content just with you. After all, home is where the heart is. I’ve found home… you’re my home, and there’s no place like home.

MICHAEL, and MARY kiss.


CUT TO:


CREDITS!

FADE TO:


INT.WEDDING RECEPTION.HALL - EVENING
[/b] [/b]

Caption: Six months later

MICHAEL is sitting at a long table, in a tuxedo, with MARY next to him, wearing a white dress.

HARRY PARSONS is sitting next to MICHAEL, with PATINA sitting next to MARY.

Other people are in round tables, all over the hall.

MICHAEL stands up.

MICHAEL
First of all, I’d like to say thank you to everyone who has came to mine and Lucy’s wedding. It has been a very weird year for us, after the thing with Eddie, then me proposing to Lucy, well Mary, when she was named that, me becoming D.I. Michael Colicos, and Lucy changing her name… and here we are now, the day we have all waited for, our wedding. Now, we all know I’m not one for a speech, so I’ll keep this simple, and straight to the point. If someone said to me a year from now, that I would meet an alien, and save Lucy from her abusive ex boyfriend, then marry her… I’d ask if we were in a movie.

MICHAEL turns to look at LUCY.


MICHAEL (cont’d)
Lucy, baby, I love you so much, and I’m glad we are together, and that’s the way it’s going to be forever babe… you and me against the world… Always.

LUCY smiles.

MICHAEL (cont’d)
And there is something else…

MICHAEL looks over at the DJ…

MICHAEL (cont’d)
Hey! DJ… Play that funky music.

MICHAEL (sings)
I thought love was only true in fairy tales
Meant for someone else but not for me.
Love was out to get me
That's the way it seems
Disappointment haunted all my dreams.

And then I saw her face
Now I'm a believer.
Not a trace
Of doubt in my mind.
I'm in love
I'm a believer, I couldn't leave her
if I tried

LUCY stands.

LUCY(sings)
I thought love was more or less a given thing
It seems the more I gave the less I got, Oh Yeah
What's the use in trying
All you get is pain
When I needed sunshine I got rain

And then I saw his face,
Now I’m a believer.
Not a trace
Of doubt in my mind.
I'm in love
I'm a believer, I couldn't leave him
if I tried.

love was out to get that’s the way it seems
disappointment haunted all my dreams

BOTH
And then I saw her/his face,
Now I'm a believer.
Not a trace
Of doubt in my mind.
I'm in love
I'm a believer,
I couldn't leave her/him if I tried

HARRY looks at PATINA.

HARRY PARSONS
Then I saw her face,
Now I'm a believer
Not a trace of doubt in my mind.
Now I’m a Believer.

ALL
Yeah, yeah, yeah,
Yeah, yeah, yeah
I'm a believer.
I'm a believer.

MICHAEL and LUCY kiss.

HARRY  looks at PATINA, who looks back, and winks.

Overheard, the noise of the TARDIS can be heard.

CUT TO:

THE END






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The Guardian
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« Reply #14 on: June 24, 2011, 11:09:47 am »

EXT-FIELD-NIGHT

Two teenagers, RYAN and TOM were sat in a field round their campfire.

RYAN
Can't we go home?

TOM
No, if we go home the guys at school will take the mickey out of us, saying we're fraddey cats.

RYAN
But it's cold!

TOM
Go in your tent then.

RYAN
Fine. Good night.

RYAN walks into his tent and did the zip up.

TOM starts to walk to his tent before hearing a strange noise. He walks faster as he hears something approaching. He's about to undo his zip when a claw hit him. He screams as he fell to the floor.

Ryan hears noises outside his tent as he walked round his tent looking for Tom, he gasped as he leans down to see the body of TOM. He too screams before running, but another figure watches him...


CUT TO:




INT.TARDIS
[/b]

THE GUARDIAN and SARAH sit on the small chair as the TARDIS races through the Time-Vortex.


SARAH
Shouldn't we be there yet?

THE GUARDIAN
Sarah, we're in a time machine, of course a version of us is there....No,I understand what you meant, we should be landing in a few seconds...

The Tardis stops shaking.

SARAH
Shouldn't the Tardis say something like "You have arrived at your destination"?

TARDIS V/O
You have arrived at your destination.

THE GUARDIAN points up.


THE GUARDIAN
There you go! Come on, we should go and check out this power source your mum was talking about...

THE GUARDIAN and SARAH make their way to the door. THE GUARDIAN opens the door for a second then turns to SARAH

SARAH
Is everything OK?

THE GUARDIAN
We might need some wellies...

EXT.FIELD-DAY
[/b]

SARAH and THE GUARDIAN walk out of the TARDIS, SARAH is sporting pink polka dot wellies while THE GUARDIAN is now wearing plain green wellies.

SARAH
How long were we in there?

THE GUARDIAN
An hour maximum.I didn't remember the cupboard being so far away...Anyhoo, let's check out this power source...
THE GUARDIAN and SARAH make their way out of the field.

SARAH
What's that in the air? It smells like smoke and yet it's all foggy.

THE GUARDIAN
It's smog. What a great word: SMOG! It's basically smoke and fog mixed into one. It's nasty stuff, does terrible things to this planets Ozone layer...

THE GUARDIAN and SARAH make their way to the firld exit. They lookboth ways before crossing but a convoy is approaching. The trucks stop in front of THE GUARDIAN and SARAH. The window lowers to reveal a man, late fifties and hair gradually going grey...

MAN
I suppose you too are investigating the attack site?

THE GUARDIAN and SARAH looked at each other.

SARAH
What attack?

MAN
Where have you two been?It's the talk of the town.

THE GUARDIAN
We're sort of hermits.We come out of our cave now and again...

MAN
The Richardsons boy was attacked by something...They got animal experts in to have a look, he wasn't attacked by an animal...

SARAH
Could we get a lift to the attack site? I'm Sarah by the way and this is The Guardian.

MAN
Well I don't know. My bosses will be unhappy.

THE GUARDIAN was about to ask who is bosses were but he noticed the emblem on the truck: U.N.I.T.

THE GUARDIAN
So U.N.I.T are having a look are they?

MAN
How do you know about U.N.I.T?

The GUARDIAN
Oh I have this friend who used to work with them,not to mention I helped 'em a few times...I don't suppose we could come with you?

MAN
I'll have to check with my superiors.
The MAN picked up him walkie-talkie.

MAN
Hello, Brigadier Bambera? Yes,this is Patrick Donoghue. I've got two people here. One of them here claims to be The Guardian. Yeah, OK.
The MAN put his walkie-talkie down.

PATRICK
She says you can come.

THE GUARDIAN and SARAH climb into the front of the U.N.I.T truck. As soon as the TWO are in the truck, PATRICK speeds off to where the boy has been attacked.

EXT.U.N.I.T CAMP-DAY

The GUARDIAN and SARAH make their way out of the the truck. They look around to see U.N.I.T hads already set up camp. They walk towards the tent where Brigadier Bambera is standing.

THE GUARDIAN
Brigadier! Good to see you!

BRIGADIER
Like-wise, Guardian.Who's your friend?

THE GUARDIAN
This is-

SARAH
I'm Sarah. Guardian, I can talk for myself...Anyway, what's happened Brigadier?

BRIGADIER
Two nights ago, two teenager went camping in this field. While one of them was sleeping, one of the boys' was attacked. We've had specialists in and none of it adds up.

SARAH
What do you mean?

BRIGADIER
Well,just before the boy was attacked, the pollution levels went up round here.

THE GUARDIAN
Curiouser and curiouser...I want to see the boy. Where is it?

BRIGADIER
His been taken to the nearest Hospital. I'll get one of my officers to take you.

SARAH
And what about me? What am I gonna do?

BRIGADIER
You could go and see the other boy. Apparently he ran off when he saw the boys attacker...

SARAH
OK, I could do that...

INT.HOSPITAL-ROOM 24-DAY

TOM is lying in his bed as THE GUARDIAN and COMMANDER JONES walk through the door. They examined his chart.

THE GUARDIAN
His heartbeat readings are fine. Hang on...
THE GUARDIAN looks at the claw mark on his neck .He pulls out a sort of magnifying glass and inspects it.
THE GUARDIAN
It's almost as if this child has been poisoned with a dose of radiation...

COMMANDER
What sort of radiation?

THE GUARDIAN
Well it's not of Earth origin that's for sure.

COMMANDER
You're telling me that he's been attacked my an alien than injects radiation just by slashing some ones neck?

THE GUARDIAN
Yeah...But what was it doing in the middle of...um...Where are we anyway?

COMMANDER
We're in the middle of Gloucestershire. How could you not know that?

THE GUARDIAN
I lose track. So what's an alien doing in the middle of Gloucestershire? I think we should see how Sarah's doing...
INT.WASSELL HOUSE-DAY

SARAH knocks on the door of the small cottage. She hears footsteps approaching the door. The door opens and a little old woman was standing there.
SARAH
Um...Hello,I 'm Sarah Ashworth from St. Alexander's Hospital.

SARAH holds up her fake ID the U.N.I.T officer had given her.

WOMAN
Oh, yes. Come on in.

SARAH
I'm here about Ryan. I understand he's had an incident recently.

WOMAN
Yes, yes.You go on up, it's the third door on the right.

INT.WASSELL HOUSE-DAY


SARAH walks through the hall. Passing through, she can see nick-nacks that remind her of her nan's house back in London. Back in 2010. She reaches the bottom of the stairs and climbs up them. She arrives at the third door on the right, as the little old woman said. She knocks on the door. No reply. She knocks again but this time the door slides open. She advances towards RYAN who is curled up in a ball on his bed, muttering things.

SARAH
Ryan? My name is Sarah. I'm here to help you...
Ryan looks up at Sarah as if he was a baby deer.

RYAN
It attacked Tom! Ryan ran, ran far. Ryan saw it.

SARAH
What did you see, Ryan?

RYAN
It was big. It was smoke. Ryan doesn't know much.

SARAH
It's OK. It can't harm you.

THE GUARDIAN walks through the door after knocking.


THE GUARDIAN
What has he said?

SARAH
He's scared witless. He refers to himself a in the 3rd person. Apparently, it's a smoky creature.

THE GUARDIAN
That narrows it down a bit .I can think of three things it could be: the Hydrafcen, the Haxerdza or the Gradfien...

SARAH
What do we do now?

THE GUARDIAN
I've got an idea.
THE GUARDIAN gets down on his knees and places his hand on both sides of RYAN's head.

THE GUARDIAN
Oh...

THE GUARDIAN stands up.


THE GUARDIAN
The Haxerdza.

SARAH
Can we stop it though?

THE GUARDIAN
I hope so. The Haxerdza are a brutal race. They only want to conquer planets for feeding, and when they're done with the planet they destroy them. With the amount of of pollution, this planet wouldn't last very long. Come on, we need to get back to U.N.I.T.

EXT.U.N.I.T CAMP-NIGHT

THE GUARDIAN and SARAH make their way to the Brigadier.

THE BRIGADIER
Any information?

THE GUARDIAN
There is an alien being somewhere out here. It's called the Haxerdza, they feed on pollution.

THE BRIGADIER
That is some information. Where could it hide?

THE GUARDIAN
Sarah, can I borrow your phone?

SARAH
Sure.

SARAH hands her Blackberry to THE GUARDIAN. THE GUARDIAN gets a small device out and attaches a small gizmo to it. The screen shows a map of their surroundings.

BRIGADIER
What's that?!

THE GUARDIAN
Sarah's from the future. In the future,everyone has one...Right. So here we are.

He points to a small area of the map.

THE GUARDIAN
And here is the nearest cave entrance.Now,if you look at this...There's a whole load of cave and tunnels. I suggest we send a search party into those caves in the morning.

SARAH
Why in the morning?

THE GUARDIAN
Because in the films, silly people always get attacked at night...

EXT.FIELD-DAY

THE GUARDIAN walks out of the TARDIS with a device in his hand resembling a watering can. He takes  in a deep breath .SARAH follwos him, looking tired.


SARAH
I don't see why we couldn't have stayed at the U.N.I.T camp...It took us four and a half hours to find the bedrooms.

THE GUARDIAN
Well, just think, now we know where our bedrooms are.

SARAH sighed.

SARAH
Anyway, what's that thing in your hands anyway?

THE GUARDIAN
It detects radiation. I've typed in the energy type of our friend so we should be able to find it.

SARAH
You've got funny friends...

THE GUARDIAN and SARAH make their way back to the U.N.I.T camp.

EXT.FIELD-U.N.I.T CAMP-DAY

THE GUARDIAN and SARAH arrive at the U.N.I.T camp while walking towards THE BRIGADIER.

THE GUARDIAN
Morning Briggy!

THE BRIGADIER
I've told you not to call me that. Anyway, I've sorted out a search party, they'll do as you say.

THE GUARDIAN
OK, let's search the caves first.

THE SEARCH PARTY make their way through the trees where the cave entrance is.

INT.CAVE-DAY

They make their way through the cold and damp cave.

SARAH
What exactly are we looking for?

THE GUARDIAN (holding up devise)
Well, I'm having a look about with this, and I suppose you're here for moral support.
SARAH
Wow! You make us feel so good about ourselves.

THE GUARDIAN
Your're welcome.
Something shakes the ground as Sarah's's foot falls through the floor.

SARAH
Guardian!

THE GUARDIAN drops his device and helps SARAH up.They gaze down to find something glowing beneath them.

SARAH
I think we've found something.

THE GUARDIAN
It's a spaceship! It must have crashed a long time ago...Brigadier, can we go down there?

THE BRIGADIER
Men! Get some rope over here!
EXT.SPACESHIP-DAY

THE GUARDIAN inspects the large spaceship as SARAH is owered down by the TROOPS. He notices a part of the wall has been broken off so THE GUARDIAN approaches a small screen. He rewires the controls and the screen switches on by itself.

CAPTAIN (on screen)
This is captain Halfred, we've ran into some trouble!T he ship seems to be breaking up! We're trying to keep the cells shut but we can't promise that it won't get out! I'm try-

THE CAPTAIN is cut off as he is covered in a blinding light.

THE GUARDIAN
A prison ship. This is a prison ship! Of course! What was in that cell then?

SARAH
I bet it's a little friend that attacked that boy...

THE GUARDIAN
I'll check to see what was in that cell.

THE GUARDIAN presses down on the screen.

THE GUARDIAN
No! No way! That's impossible!

SARAH
What is it? Who was in that cell?

THE GUARDIAN
The Emperor of the Haxerdza. Well, the ex-emperor anyway...

SARAH
What happened?

THE GUARDIAN
There was a war on their home planet. In the end, a treaty was signed. But the emperor was unhappy and wiped out the capital of the other side so his own race banished him and somehow he ended up in here.

SARAH
Sounds awful.

THE GUARDIAN
It was, I was there.

SARAH
So what now? We hunt this thing down and what, hand it over to the authorities?

THE GUARDIAN
Yes. Sarah, such a being is too powerful for this planet.

SARAH
What do you mean?

THE GUARDIAN
Well as I said, it feeds on pollution...And if it absorbs the pollution on this planet , well, it will take over and then there won't be any air left.

SARAH
Then we really have to find this thing .Come on, let's go!
EXT.U.N.I.T CAMP-DAY

THE SEARCH PARTY make their way back through U.N.I.T. to find the tents and trucks destroyed, some soldiers are on the floor, dead and some are helping the injured.
THE BRIGADIER
What happened?!

COMMANDER
This green mist,nit attacked the camp, it's as if it took away the air. Some of us weren't here, we were at HQ but when we got back, we found them dead or...or...injured.

THE BRIGADIER
Green mist? Guardian, is this the same thing that attacked that child?

THE GUARDIAN
Well it's got my little device going nuts...I'm following the trail, everybody stay here!

SARAH
What about me?

THE GUARDIAN
You're staying here too. I can't afford to lose you,Sarah. Just stay here and help the troops.

THE GUARDIAN set off with his device in hand.

INT.RUINS-DAY

THE GUARDIAN walks through what he considers an old world war two outpost .His devise in his hand is tracing something nearby. As he looks around, something hits him in his neck.

EMPEROR
Puny human, you cannot destroy me.

THE GUARDIAN
Oh, but I'm not...human. I'm something far more superior.

EMPEROR
Then what are you?

THE EMPEROR is now circling THE GUARDIAN.
THE GUARDIAN
My race is long...long since gone ,but their name still lives...lives on. I'm...I'm a Time-Lord!

THE GUARDIAN now get to his feet before running towards the CREATURE that's floating like a cloud. HE picks his device up and aims it at THE EMPEROR.

THE EMPEROR smacked THE GUARDIAN out of the way. The small device rolls towards a lake, it stops just at the lake-side.

EMPEROR
Even a Time Lord can't stop me! Not any more! Within a few Earth hours, I shall consume every oxygen particle on this stinking planet! And then, I shall use their technologies to build a ship so I can return to my planet to declare war!

THE GUARDIAN
Leave these people alone!

EMPEROR
And who are you to tell me that?

THE GUARDIAN
I am one of the Guardians of the universe, defender of reality. I am the Guardian!

EMPEROR
Then I must warn you, your past is cashing up with you...

THE GUARDIAN
What...What do you mean?

EMPEROR
You shall find out very soon, Time Lord.

THE GUARDIAN stands up and grans his device before pointing it at the EMPEROR, as it pings twice, THE GUARDIAN drops to the floor as the air begins to get out of his control.

EMPEROR
It has began.
Behind the EMPEROR, a figure picks up the GUARDIAN's machine. SARAH throws a diving mask on the GUARDIAN as he wakes up coughing. Sarah points the machine at THE CREATURE.
SARAH
Guardian! What do I press?
THE GUARDIAN
Just hold it at him for ten seconds. Wait for it to make a pinging noise, TWICE!

The machine pings suddenly, twice. The CREATURE flies SARAH as she ducks down,  rrified. When she got to her feet again, the CREATURE was gone. SARAH looked around in disbelief.

SARAH
What did that machine do?

THE GUARDIAN
Basically,it was a sort of revved up vacuum.The containment field is bigger on the inside...Time Lord tech!
SARAH
I wish my wardrobes were like that. Aww!

THE GUARDIAN
That can be arranged.

THE GUARDIAN walks towards SARAH. He takes his mask off.


THE GUARDIAN
You can take that mask off now.

SARAH
What we gonna do with it now? Chuck it into a black hole?

THE GUARDIAN
No, the Shadow Proclamation.

SARAH
Who?

THE GUARDIAN
Outer space police.

EXT.TARDIS-DAY

THE GUARDIAN and SARAH stand in front of the TARDIS, THE BRIGADIER following them.

THE BRIGADIER
Well Guardian, Sarah, looks like this is it. It was good seeing you again.

SARAH
You take care!

THE GUARDIAN
Winifred, it was great seeing you again. I'll come and visit soon.

BRIGADIER
You don't have to.

THE GUARDIAN
Well we should go. I better hand this device to the Proclamation. Goodbye, Brigadier.
The BRIGADIER makes her way towards the field exit.

SARAH walks into the TARDIS while THE GUARDIAN is standing in the field, staring....

(FLASHBACK BEGINS)

INT.RUINS-DAY


THE EMPEROR is circling THE GUARDIAN in an intimidating manner.


EMPEROR
Then I must warn you, your past is catching up with you...

(FLASHBACK ENDS)

THE GUARDIAN steps into the TARDIS,ready for more adventures.

CUT TO:

THE GUARDIAN-John Mclellan
SARAH - Lauren Crace
RYAN - Drew Honey
TOM - Sonny Muslim
PATRICK - James Phelps
TARDIS V/O -Dawn French
BRIGADIER - Angela Bruce
COMMANDER JONES - Burn Gorman
WOMAN - Phyllida Law
CAPTAIN HALFRED - Paul Kasey
EMPEROR- Julian Bleach


NEXT TIME:

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The Guardian
Hatchling

Favourite Doctor: Matt Smith
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« Reply #15 on: June 24, 2011, 11:10:18 am »

The Guardian:
2.8 - The Lost Ones
----


1. INT: TARDIS CONSOLE ROOM
[THE GUARDIAN and SARAH are standing at the console.]

THE GUARDIAN
You are going to love it!

SARAH
Rome?

THE GUARDIAN
Yes, with my old mate, Julius.

SARAH
Caesar?

THE GUARDIAN
No Julius Smith, of course Caesar.

SARAH
My favourite leader of all time, knew how to live in luxury.

THE GUARDIAN
If I get the date wrong you’ll be there for the funeral.Tardis you know where to go right?

TARDIS [v/o]
Of course, Guardian.

THE GUARDIAN
Thank you.

[The time rotor pulses.]

THE GUARDIAN
Remember Sarah, to give my love to Jules.

[SARAH gives THE GUARDIAN a look.]

SARAH
Jules?

THE GUARDIAN
He calls me G.

SARAH
A bit like a rapper, aren’t you?... Ali G

THE GUARDIAN
Of course... T to the G, to the he to the uardian.
SARAH
That was just... don’t do that again Guardian...

THE GUARDIAN
Dabby from N-Dubz taught me.

SARAH
Not very well then. To Rome then?

THE GUARDIAN
The Tardis is on that, don’t worry... we’ll arrive shortly. Well you’ll arrive shortly... are you ready for your second time alone? This time in the past.

SARAH
Of course! It’s going to be fun... It also gives me independence.

THE GUARDIAN
Excellent!

[The time rotor stops.]

TARDIS [V/O]
Guardian, we have arrived.

CUT TO:

2. INT: JULIUS CAESAR’S PALACE - DAY

[A SERVANT is walking along carrying a basket of fruit, when he notices the TARDIS starting to appear. He drops the fruit and an apple rolls towards a spot and is stopped in it’s tracks by the now fully appeared TARDIS.

The TARDIS door opens. THE GUARDIAN steps out and picks up the apple, rubbing it on his shirt before biting into it. SARAH steps out the TARDIS, and closes the doors. THE GUARDIAN notices the astounded SERVANT.]

THE GUARDIAN
Hello, Is Caesar Home?

SERVANT
Y...Yes. I was just delivering this basket of fruit to him. I’ll take you to him.

THE GUARDIAN
Thank you. Lead the way.

CUT TO:

3. INT: JULIUS CAESAR’S PALACE, THRONE ROOM

CAESAR is sitting on his throne, when THE GUARDIAN, SARAH, and the SERVANT walk in.

THE GUARDIAN
Jules!

CAESAR
G!

[CAESAR gets up from his throne to hug him.]

THE GUARDIAN
How are you?

CAESAR
Good, and...[pushing the Guardian off him and walking over to Sarah] who is this beautiful lady?

[He takes SARAH’S hand and kisses it.]

SARAH
Guardian, this is a little creepy.

THE GUARDIAN
[Stepping in between the two of them] This is Sarah. Sarah meet...

SARAH
You don’t need to tell me...

CAESAR
Of course she knows me, I am the ruler of the whole known world!

[SARAH leans towards THE GUARDIAN.]

SARAH [whispering]
His head is as big as his Nose.

THE GUARDIAN
Well, anyway Jules, can Sarah stay around a bit for a holiday?

CAESAR
Of course, the art work around the palace will look like it doesn’t belong to a powerful man with a piece of beauty like this girl around.

SARAH [whispering to THE GUARDIAN]
Don’t take your time.

THE GUARDIAN [walking off]
Give her the finest Jules.

CAESAR
She is with a man who only has the finest.

CUT TO:


4. INT: ST MALCHY'S CHURCH

[The church congregation sit on the pues, heads bowed as the Vicar, REVEREND MARTIN HARRIS walks over to the altar.]

REV. HARRIS
Thank You for the great turn out in this hard time for our village. The loss of a child in the city, where I once lived, goes pretty unnoticed but in a small community like this one, it is like the Sheppard who had lost a sheep. He wouldn’t rest till he found it. Our village has lost many sheep, nearly a whole flock but it is in these times we unite in pray and ask the Lord to let them come back safe from evil and harm. Tu Solus Dominus, Tu Solus Altissimus, Iesu Christe In Gloria Dei Patris! In other Church news, the bun sale has been canceled till this difficult time is over. All rise for the closing hymn. Come ol’ ye faithful.

CUT TO:

5. EXT: OUTSIDE ST MALCHY'S CHURCH

[REV. HARRIS walks out of the entrance of the Church, MS WALSH is there waiting.]

REV. HARRIS
I’ve been in there for over an hour and you waited.

MS WALSH
Yes, Father. I want to ask, has the Lord spoken to you about my boy.

REV. HARRIS
He will return. The whole village is praying; for all of the lost children of Longwater.

MS WALSH
At times like this, my faith is tested.

REV. HARRIS
We must remain strong, Mrs Walsh, that’s what makes us human. We must keep the faith, and you know that.

MS WALSH
I know, Reverend. If my boy doesn’t come back... I don’t know what I’ll do...

REV.HARRIS
Just remember God watches over us all.

MS WALSH
He does but I need some Divine intervention right now.

REV. HARRIS
The Lord will provide, in one way or another. He may send us a Guardian Angel, even if it is in the form of a man who has seen the light. There is always hope.

MS WALSH
I hope so, Gareth is all I have after Steven died.

REV. HARRIS
He was a good man, your husband.

MS WALSH
Yes, he was.

REV. HARRIS
This will be fine... just keep praying, and the good Lord will see that your boy is safely returned to you.

MS WALSH
Thank you Reverend, you’re the nicest person I know.

[She leaves walking down the stone path to the gate.]

REV. HARRIS [to himself]
I need a Guardian angel now, just to take off the burden.

CUT TO:

6. INT:. GWEN’S TEA ROOM

The Bell rings as the door opens, THE GUARDIAN is opening it. GWEN stands behind a till, the shop is empty except two old ladies, who seem to have no cares in the world. They see THE GUARDIAN and their faces change, they whisper to each other in gossip.

GWEN
Who you know here?

THE GUARDIAN looks round to make sure who she is talking to, slightly comedic.

THE GUARDIAN
Oh me?! No one, I just fancied coming here.

The two old ladies giggle, nearly spitting out their tea.

GWEN
Took a wrong turn, well a very wrong turn.

THE GUARDIAN
Why, does no one ever come here?

GWEN
Unless they know someone, no.

THE GUARDIAN (sitting down)
Cut some coffee cake, put on the kettle and tell me more.

GWEN
Well we are totally excluded, 7 miles from the next village, 10 from the next town.

EDNA
It’s peaceful.

GWEN [indicating the two old ladies]
That’s Edna and her sister Sally. Everyone knows everyone here.

SALLY
So we know when we see someone new. They tend to have be pre described to us by their family members here but once in a blue moon, we get one like you.

THE GUARDIAN
Sounds sensible reasons for no visitors to me.

GWEN
Yes it does.

THE GUARDIAN
But there’s more, isn’t there.

GWEN
If you’re not a kidnapper....

THE GUARDIAN
Do I look like one?

[GWEN pauses, unsure.]

THE GUARDIAN [CONT.]
On second thoughts, don't answer that. But I’m not, for your information.

GWEN
Well then, there’s mystery disappearances in this village and it’s not just people, it’s just children and only at dusk and night when the sun is barely seen.

EDNA
There’s evil, in this town, pure evil, and you son, are the match to light the explosive.

SALLY
She gets like this, deeply religious, can see evil round every corner. Never asked, what’s your name?

THE GUARDIAN
The Guardian, at your service and certainly no match to light anything.

GWEN
Interesting name.

EDNA
Is it Spanish?

CUT TO:

7. INT: ST MALCHY'S CHURCH

[REV. HARRIS kneels at the altar.]

REV. HARRIS
This is killing me Lord, please send your children home, my strength is weakened and so is my soul. I can’t keep being the rock to these people sorrows. I am losing my patience, I worry I will eventually snap. Please give me the strength to carry on.

Our Father Who Art in Heaven...

[The Prayer goes on as the screen fades.]

FADE TO:

8. INT: GWEN’S TEA ROOM

THE GUARDIAN
So that’s every child aged 5 to 15 missing? That amounts to about fifty children.

GWEN
Wouldn’t know the exact numbers but there abouts.

SALLY
I’d say the same.

THE GUARDIAN
Over how long?

SALLY
A year or so, one every week.

EDNA
Evil, evil! Pure evil!

GWEN
Typical first visitor in ages and we are acting crazy around them.

THE GUARDIAN
No, Edna’s right, there’s random disappearances, there’s kidnapping and then there’s plan of actions, one every week, that’s a plan. And where there’s a plan... there’s a mastermind.

GWEN
What are you on about?

THE GUARDIAN
There’s something, or someone behind this, someone who has been planning it all for a while...

EDNA
Devil spawns.

THE GUARDIAN
Devil spawns? I take it this community is very religious? And in doubt, you all pray right?

GWEN
Exactly.

THE GUARDIAN
Do you have a church?

GWEN
Yes. I could take you to it.

THE GUARDIAN
Yes, please do.

GWEN
Edna, could you and Sally look after the shop for me, while I’m away?

SALLY
Yes, we'll do that, won't we Edna?

THE GUARDIAN
So take me to your leader... well church leader...

CUT TO:

9. INT: ST MALCHY'S CHURCH

[REV. HARRIS is kneeling, when... THE GUARDIAN and GWEN enter.]

THE GUARDIAN
So this is your church... Nice church.

[THE GUARDIAN, and GWEN stop at REV. HARRIS, who is now stood up.]

THE GUARDIAN
And you must be the reverend...

REV. HARRIS
Yes. Reverend Martin Harris at your service. And, you are?

THE GUARDIAN
The Guardian... I’ve been told about these disappearances...

REV. HARRIS
Thank the Lord, are you here to help?

THE GUARDIAN
Yes. Yes I am, for a matter of fact... You could even say I’m a Guardian Angel.
[REV. HARRIS blesses himself.]

THE GUARDIAN
No one got that. Guardian. Angel. Guardian Angel. Honestly my talents are wasted here.


REV. HARRIS
Yes I do. Gwen, do you mind giving The Guardian and I, a chance to speak alone?

GWEN
Of course, I’ll just go pray for the safety of the children.

[GWEN goes to a pue at the back of the church.]

THE GUARDIAN
Religion seems very important here.

REV. HARRIS
Electricity lines weren’t set up here for ages. So humanity needed something to help them survive the darkness and cold. And religion gave them the hope and support them needed. Are you religious yourself?

THE GUARDIAN
Oh I have my beliefs but I believe strongly there is something going on here, have you seen anything, anything at all?

REV. HARRIS
I have keep this secret but when I pray at nights, I see from my window a dark red glow on the hills.

THE GUARDIAN
Once a week.

REV. HARRIS
Every week and the next day a child has gone missing, I didn’t make the connection and when I did I feared people would think I’d lost my sanity. And I couldn’t go alone because I am weak of soul and mind.

THE GUARDIAN
How long since the last time you saw this?

REV. HARRIS
A week tonight.

THE GUARDIAN
I’ll come with you to see this.

REV. HARRIS
You are these childrens' saviour, Guardian.

THE GUARDIAN
I just hope I’m a good man first. You said Saviour, right?

REV. HARRIS
Yes. Is it of great importance?

THE GUARDIAN
That was my brother's name... before he was killed, in a war.

REV. HARRIS
The Guardian, and The Saviour? What kinda of names are those?

THE GUARDIAN
They are names of those, who burn in the stars. Those who are just below God himself, those who are at the turn of the century, because that’s who I am... I’m The Guardian, and I’m here to bring back the children, and restore this village back to the way it was!

REV. HARRIS
You certainly have a way with words. I had a brother too, he died in Vietnam. I tried to convince him not to go. I feel if I had a way with words like you then I’d have saved him.

THE GUARDIAN
You have to move on and let your conscience be clean. Life goes on.

REV. HARRIS
This town needs a man of God, I can’t rest till they have their peace!

THE GUARDIAN
I admire that. But it kills you inside sometimes. Trust me, I know how it feels.

REV. HARRIS
You seem to know a lot. Tell me this then... why us? Why are our children being kidnapped?

THE GUARDIAN
I don’t know... All I can do, is help. I swear I won’t rest either, until all your children are back, and whoever, or whatever that has taken them, is found.

REV. HARRIS
You really are a saint.

THE GUARDIAN
I have my moments.

CUT TO:

10. INT: GWEN’S TEA ROOM

[EDNA, and SALLY are still looking after the tea room.]

EDNA
This is all the work of the Devil!

SALLY
You have to stop believing in that sister... There’s no way, the Devil would want to do this.

EDNA
Why not? You’ve read the Bible. We all know, what the Devil is capable of! The clue is in the name, he is pure evil!

SALLY
Right. I am going to clean the dishes up, for Gwen.

[SALLY stands up, and walks through to the kitchen, with the dishes. EDNA is alone, drinking her tea.]

VOICE [OOV]
The Legion rises...

[EDNA drops her cup.]

EDNA
What’s that? Show yourself, Demon!

VOICE [OOV]
The children are ours. They are ours to do with as we wish.

EDNA
Why are you doing this?

VOICE [OOV]
We just want to play. We want to have fun.

[SALLY comes in.]

EDNA [rising out of her chair]
GO DEMONS! GO! Leave this village! Leave this world!

SALLY [settling EDNA back into her chair]
Calm down, Edna, calm down. There's nothing here.

EDNA
They were here.

SALLY
Who? Oh the Devils. I didn’t hear them and they're gone now, anyhow.

EDNA
You can’t kill Evil, it will come back.

CUT TO:

11. INT: JULIUS CAESAR’S PALACE

[SARAH picks grapes off the bunch, throwing them up and catching them in her mouth, punching the air when successful. The Male SERVANTS who are waiting her with jugs of water and wine watch in disgust.]

SERVANT #1
How can a woman and a friend of his Lord, Caesar be this...

SERVANT #2
Words surpass me as well.

SARAH [calling the servants]
Any chance of some wine please?

SERVANT #1
She has taste though.

[He fills up her golden glass. She picks it up and looks at SERVANT #1.]

SARAH
5 coins says I can down it in one.

[CAESAR comes into the room and sees Sarah downing it. He turns to the SERVANTS.]

CAESAR
Now that’s my type of woman. Such a shame I have a wife.

[SARAH finishes the glass and places it on her head.]

SARAH
Any chance of some shots this round instead?

CUT TO:

12. INT: PARISH HOUSE - NIGHT

[REV. HARRIS sits alone around a small table waiting for the doorbell to ring.
SOUND FX: The doorbell rings. REV. HARRIS runs to answer it. THE GUARDIAN is standing there.]

THE GUARDIAN
Good evening, Reverend.

REV. HARRIS
You are late, the sun set half an hour ago.

THE GUARDIAN
Any sign of the glow?

REV. HARRIS
No, but now we play the waiting game. How do we pass the time?

THE GUARDIAN
Monopoly Board in the Cupboard?

REV. HARRIS
No.

THE GUARDIAN
Good Books?

REV. HARRIS
Yes.

THE GUARDIAN
That’s not the Bible.

REV. HARRIS
No but it is a good book.

THE GUARDIAN
I've read it four times. It's alright. Bit boring at the start.

REV. HARRIS
I have a CD.

THE GUARDIAN
Of hymns?

REV. HARRIS
Yes.

THE GUARDIAN [slumping into a chair]

Put the kettle on and play it.

REV.HARRIS
Okay. tea or coffee?

THE GUARDIAN
Any hot chocolate? Not a big fan of tea and coffee...

REV. HARRIS
Yes. I've stocked up for the winter.

THE GUARDIAN
Thank you.

[REV. HARRIS walks to the kitchen.]

THE GUARDIAN
I’m just going to look at your CDs, might put one on.

REV. HARRIS [OOV]
Okay!

[THE GUARDIAN stands up, and walks over to the CDs, and looks through them.]

THE GUARDIAN
Hymns... Hymns... More Hymns... oh there we go... yes... Sister Act... Movie or Musical? That’s the question.... I’ll flip a coin.

[He rummages through his pockets. Pulling out different coloured and sized coins.]

THE GUARDIAN
Doubled Headed Venusian, Doubled Tailed Jalt, and a diamond shaped Kint.

[He looks around.]

THE GUARDIAN
Reverend!

[REV. HARRIS walks back through.]

REV. HARRIS
Yes?

THE GUARDIAN
Sister Act: Movie or Musical?

REV. HARRIS
Movie.

THE GUARDIAN
Tough I like the Musical.

[He puts the CD inside the CD player.]

CUT TO:

[The Guardian is dancing and singing along to 'Take me to Heaven (reprise)']

THE GUARDIAN [singing]
Benedicta tu in mulieribus et benedictus fructis ventris tui Iesus.

REV. HARRIS
Guardian... do you know what that means?

THE GUARDIAN
Your making me miss the disco version... I learned how to do this part of the dance at Pineapple Studios! Let me see... I can’t remember...

REV. HARRIS
Please let that glow appear now!

THE GUARDIAN
Getting bored of my singing, are we? I’ve sang with the best of ‘em... Michael Ball, Nigel Planer, John Barrowman, Sheila Hancock...

REV. HARRIS
Okay, I get it! You’ve been round a bit.

THE GUARDIAN
Yes. Now, where’s this hot chocolate?

REV. HARRIS
It’s cooling down, I’ll go and get it.

THE GUARDIAN
Thank you.

[REV. HARRIS walks back to the kitchen.]

THE GUARDIAN [singing]
Take me to Heaven...

[THE GUARDIAN looks outside, where he can see a strange light.]

THE GUARDIAN
Rev... Reverend!

[REV. HARRIS runs in.]

REV. HARRIS
Yes? What is it?


THE GUARDIAN
They’re here! We'd better go...!

[THE GUARDIAN brings out his sonic, and points it at the CD player, then preses down on it, the CD stops playing. He sees the look on REV. HARRIS' face.]

THE GUARDIAN [CONT.]
Saves time. We better go!

[THE GUARDIAN and REV. HARRIS run towards the front door.]

CUT TO:

13. EXT: HILLS

[A SMALL BOY of about nine or ten walks towards the light, THE GUARDIAN and REV. HARRIS follow shortly behind.]

REV. HARRIS
That’s Mark Wilson.

THE GUARDIAN
Anything bad happens, we’ll intervene.

REV. HARRIS
I’m still not sure about this.

[MARK walks closer to the source of the unearthly glow; a ball of fire. He walks straight into it and vanishes along with the fire.]

REV. HARRIS
You said we’d intervene.

THE GUARDIAN
Well did you see that coming?

REV. HARRIS
No.

THE GUARDIAN
Let’s just tell the village in the morning, maybe we can stop more disappearances.

CUT TO:

14. INT: ST MALCHY'S CHURCH - DAY

[THE GUARDIAN is speaking to the village.]

THE GUARDIAN
We saw it, he walked straight into it, we couldn’t stop it.

GWEN
We have to stop this you understand.

THE GUARDIAN
Of course I do.

MS WALSH
Quiet I hear something.

VOICE [OOV]
Mum!

MS WALSH
That’s my Steven.

[She runs out followed by the entire church, except THE GUARDIAN and EDNA.]

THE GUARDIAN
How? That’s not right.

[THE GUARDIAN follows the villagers out of the Church, leaving EDNA alone on a pue.]

CUT TO:

15. EXT: VILLAGE

[The parents watch in joy as the children walk back towards the village, almost in formation, chanting in unison.]

ALL CHILDREN
Mum. Mum. Mum. Mum. Mum...

CUT TO:

16. INT: ST MALCHY'S CHURCH

[EDNA sits alone.]

VOICE [OOV]
Now the fun can begin. Now we shall play.

[EDNA grabs her head.]

EDNA
No. Please. No!

CUT TO:

17. EXT: VILLAGE

THE GUARDIAN walks out into the village, he looks as the children walk towards their parents.

THE GUARDIAN
No, something is really wrong.

CUT TO:

18. INT: ST MALCHY'S CHURCH

EDNA is standing holding her head in agony.

VOICE [OOV]
We are going to have fun!

EDNA
The Demons are Here!

TO BE CONTINUED...

CUT TO:

THE GUARDIAN-John Mclellan
SARAH- Lauren Crace
TARDIS v/o-Dawn French
CAESAR-Peter Capaldi
REV. HARRIS-William Thomas
MS WALSH-Catherine Zeta-Jones
GWEN-Samantha Womack
EDNA-Margaret John
SALLY-Melanie Walters
SERVANT1-Michael Mcintyre
SERVANT2-Robert Webb
VOICE of LEGION-Rob Brydon
STEVEN-John Bell

CUT TO:

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The Guardian
Hatchling

Favourite Doctor: Matt Smith
Favourite Companion: Amy Pond
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« Reply #16 on: June 24, 2011, 11:11:17 am »


PREVIOUSLY

INT: ST MALCHY'S CHURCH - DAY

VOICE
Mum!
MS WALSH
That’s my Steven!

[She runs out followed by the entire church, except THE GUARDIAN and EDNA.]

THE GUARDIAN
How? That’s not right.

[THE GUARDIAN leaves himself, leaving EDNA alone on a pue.]

CUT TO:

EXT: VILLAGE

[The parents watch in joy as the children walk back towards the village, almost in formation, chanting in unison.]

CHILDREN
Mum. Mum. Mum. Mum...

CUT TO:

INT: ST MALCHY'S CHURCH

[EDNA sits alone.]

VOICE
Now the fun can begin. We shall play.

[EDNA grabs her head.]

EDNA
No. Please. No!

CUT TO:

EXT: VILLAGE

[THE GUARDIAN walks out into the village, he looks as the children walk towards their parents.]

THE GUARDIAN
No, something is really wrong.

CUT TO:

INT. ST MALCHY'S CHURCH. DAY

[EDNA is standing holding her head.]

VOICE
We are going to have fun!

EDNA
The Demons are Here!

CUT TO:



CUT TO:

1. EXT: VILLAGE

[The children are hugging their parents, with colds eyes, still talking as one.]

CHILDREN [together]
I’m back home, I love you.

THE GUARDIAN
No this isn’t right, they aren’t your kids.

MS WALSH
But that’s my Steven!

THE GUARDIAN
That’s just his body.

[She slaps him hard on the face. THE GUARDIAN stumbles back and falls onto a near by flower bed. The village parents turn to face the action.]

MS WALSH
Never speak about my boy like that again! Your services are no longer needed so why don’t you go back to wherever you came from!

REV. HARRIS [rushing to help The Guardian up]
I don’t think that was necessary Ms Walsh.

MS WALSH
I do, he’s just causing trouble now, isn’t he?

THE GUARDIAN
I know kids, and they aren’t acting like kids.

MS WALSH
What are you now, some kind of disgusting pervert?

THE GUARDIAN
What?!

MS WALSH
Gwen told me, since you came here, you’ve seem to have only mentioned the children...

REV. HARRIS
The Guardian's only interests have been in bringing them back to us, Ms Walsh.

MS WALSH
Well these are our kids, and they’re back now, so just leave!

[The Church doors fly open with EDNA running out screaming. Everyone turns to face her.]

EDNA
The Demons are here!

[They turn back to THE GUARDIAN.]

THE GUARDIAN
And the demons are in the children of Longwater.

[He turns to face the children.]

CHILDREN
We have nothing to hide now, we can have fun.

[FX: The Children’s eyes go red and some ghostly shapes come out of them, while the children remain possessed.]

THE GUARDIAN
See, look, demons! Demons inside your children, you can’t deny those facts now, Ms Walsh!

CHILDREN
We are the Legion. The Legion of Demons.

THE GUARDIAN
What do you want?

CHILDREN
We want to play, we want to dance with your children, to have fun, and enjoy ourselves.

THE GUARDIAN
Well, I’m hundreds of years old, I’m your dad so to speak and quite frankly all I can say to you is; Bring it on.

[The Children all smile together, as if knowing something THE GUARDIAN doesn't.]

REV. HARRIS
Was that wise?

[The Children and Demon-Ghosts advance.]

THE GUARDIAN
Nope. Best bet is to...

MS WALSH
Run!!!

THE GUARDIAN
First time I’ve agreed with her all day.

REV. HARRIS
I must agree with you on that one too, Guardian.

THE GUARDIAN
Excellent... now... where can we go?

REV. HARRIS
The church?

THE GUARDIAN
Hmm... Not sure. The church, is the first place we hide... we need to think of somewhere different! I know! To Gwen’s cafe!

[THE GUARDIAN, followed by REV. HARRIS and the rest of the parents and public, run to GWEN’S cafe.]

CUT TO:

2. INT: GWEN’S TEA ROOM

[THE GUARDIAN peers through a gap in the curtains at the children stalking the streets, roaming with vacant red eyes. REV. HARRIS walks in from the kitchen.]

REV. HARRIS
All the entrances are locked, Gwen made sure.

MS WALSH
Everyone ok?

REV HARRIS
Seems so.

THE GUARDIAN
And Edna?

REV. HARRIS
She’s in the kitchen recovering.

THE GUARDIAN
Do you know why she is like that?

REV HARRIS
We grew up together. They have a saying here: if you don’t move by the time you're 18 then you're not moving at all. She was like that when she was a child - she heard things, saw things. She was different, her mother said.
THE GUARDIAN
Her own mother said that?

REV. HARRIS
Yes, everyone felt strange around her. Sally's called for a Doctor several times.

THE GUARDIAN
There’s a rift in Cardiff, did she ever go there?

EDNA
No I didn’t.

[EDNA is standing in the kitchen doorway, with a blanket round her.]

EDNA [cont.]
I’ll tell you how I hear the demons. Years ago, when I was a girl, I felt like going to the hills, I was entranced. When I got there, I saw the flames, they danced in the moonlight, as though it was alive, it was. I walked into it, I didn’t know better at that time. And I woke up, in a dungeon of flames. I thought I had died and gone to Hades. Then I saw the demons, they had tools, that checked my head and they put a device on it. It was alien. I turned and saw someone beside me, but my vision was already being taken over and I couldn’t see them. Then the Demons possessed me, I could feel myself walking when my mind was telling me not to. It was agony, I can only imagine what those children are going through. They let me go, telling me they’d be back when they were old enough to stay out late. I never understood that. I still don’t.

THE GUARDIAN
That... is... interesting. No one tried to perform an exorcism on you?

REV. HARRIS
Guardian!

THE GUARDIAN
Right... sorry, about that Edna. I was trying to have a joke.... didn’t work.

EDNA
Yes, I knew that. But, this is no laughing matter.

THE GUARDIAN
You're right! How silly of me. What can you hear?

EDNA
The Demons, are talking of wanting to play. They want fun... no harm will come to the children, they say.

THE GUARDIAN
I don’t get it. Fun? Why would they want fun? When have demons ever wanted fun?

REV. HARRIS
Are these actual Demons, sent from the depths of Hell?

THE GUARDIAN
No. They are aliens, you heard them, the Legion of Demons. It’s how the Bible story came about.

REV. HARRIS
I shall be right back.

THE GUARDIAN
Praying won’t help. You can try, but I don’t know.

REV. HARRIS
I’m going to look for Divine wisdom.

[THE GUARDIAN looks at him, a confused expression on his face.]

EDNA
He’s going to read the Bible.

THE GUARDIAN
I see. Are they actually called the Legion? Is that their species?

EDNA
They say we are many, that is their name's meaning.

THE GUARDIAN
How did they hear me?

EDNA
They are saying that they have found us.

[THE GUARDIAN runs over to the curtain and tears it down. The street is crowded with the Children.]

CHILDREN [together]
We are here.

[THE GUARDIAN turns back round, and faces everyone.]

THE GUARDIAN
I want everyone to listen to me. Right, here! Right, now! Outside, the Demons have come. We must remain calm, while I try to think of a way out of this.

MS WALSH
And who made you leader?

REV. HARRIS
I did. The Guardian is our only hope. As I told you before, A Guardian angel would come to us, one who has seen the light... and the Guardian is that angel.

THE GUARDIAN
Thank you! I like that... I may use that.

MS WALSH
I don’t care, who, or what he is. He just comes barging into our lives, wanting to know about our children, telling us a fake name... The Guardian, really? It’s made up.

EDNA
No, it’s real... the man from Gallifrey. The Guardian, from the planet Gallifrey, which is lost... never coming back... the species of the Time Lords.

THE GUARDIAN
How’d you know that?

EDNA
The Legion. They know of you.

THE GUARDIAN
Oh really? Well tell them this... Yes, I am from Gallifrey, the lost planet, and I am a Time Lord, one of the last... and they should remember, I’ve fought worse than them. I’ve fought Daleks, flesh eating jesters, and warriors of Ice... Silly little demons who want to play, won’t stand in my way of victory!

MS WALSH
You seem to think you can do this.

THE GUARDIAN
Yes. I can. I don’t need you telling me otherwise!

[STEVEN appears at the window, and MS WALSH notices him.]

MS WALSH
Steven!

[MS WALSH runs for the door, to reach STEVEN.]

THE GUARDIAN
No! Don’t go out there!

[THE GUARDIAN runs to stop MS WALSH from running out.]

MS WALSH
My boy’s still in there somewhere. I heard Edna talking about it, she said he was still in there!

THE GUARDIAN
I will save him but right now, I need to think.

MS WALSH
Actions speak louder than words.

[She pushes him over, sending him into a table.]

THE GUARDIAN
My back isn’t getting better today.

[She opens the door, and runs out. She runs to hug Steven.]

MS WALSH
You are there Steven, I know it!

[Close Up: STEVEN. Like all the other children, his eyes are no longer red.]

STEVEN
Yes Mum, help me. The Demons hurt me, they're evil.

MS WALSH
Get out of my boy.

[THE GUARDIAN gets up and goes out the door and over to her.]

THE GUARDIAN
Leave him.

MS WALSH
Why? He’s my son.

THE GUARDIAN
Ask him a question and look at the other children.

MS WALSH
When’s your birthday?

CHILDREN [together]
The 12th of October.

[MS WALSH walks back into the shop horrified. The Children start to advance towards them.]

THE GUARDIAN
Get out the back!

[Every child's eyes go red.]

CHILDREN
Witness the fun!

[FX: A laser of fire shoots from their eyes and hits the door, setting it alight. The Children walk straight through the flames into the shop.]

CHILDREN [together, defiant]
We are one. We are united. We are strong.

[THE GUARDIAN and co. run out the back, with the CHILDREN following.]

THE GUARDIAN
Hurry!

REV. HARRIS
Where are we going?

THE GUARDIAN
To the church! Don’t stop, don’t look back! Just run!

[THE GUARDIAN looks back at the CHILDREN, walking towards them.]

THE GUARDIAN
Please, leave just these kids alone.

CHILDREN [together]
We are still bored.

CUT TO:

3. INT: ST MALCHY'S CHURCH

[THE GUARDIAN is pacing up and down on the stage. REV. HARRIS is standing at the altar, while the rest of the crowd are barricading the doors.]

THE GUARDIAN
Let’ see... what can we do? Anyone with ideas?

MS WALSH
So now, you want our help!

THE GUARDIAN
Actually... it's just your help that I wasn't looking for.

REV. HARRIS
We pray, in hard times, always.

EDNA
Stop!

THE GUARDIAN
What!?

EDNA
They say they are playing with us still, they can get in.

[DIGITAL FX: A ghostly figure walks straight through the church door.]

FIGURE [deep voice]
The Legion are here!

[Everyone runs to the back of the church.]

REV. HARRIS [running forward]
Take this, foul demon!

[He throws some holy water at the FIGURE. It screams in agony and disappears back into the door, leaving drips of water around it, where it once was.]

THE GUARDIAN
It’s made of hydrogen.

REV. HARRIS
What?

THE GUARDIAN
It’s intangible, but it has traces of hydrogen in it, and when the water hit it, it reacted with it.

MS WALSH
We have plenty of water, we can kill them.

THE GUARDIAN
No, we give them a chance first, but we need something stronger.

REV. HARRIS
You can make that?

THE GUARDIAN
Easy, you have a food cupboard?

REV. HARRIS
Yes, I'm diabetic see.

THE GUARDIAN
So plenty of sugary stuff, brilliant! Just what I need! Everyone stay here, don’t leave, when your kids come back they will be back to normal, I promise.
MS WALSH
And if they’re not?

THE GUARDIAN
Then... you really need to stop being so pessimistic!

EDNA
Be quick, Time Lord. They are preparing their advance.

THE GUARDIAN
Of course!

CUT TO:

4. INT: PARISH HOUSE

[THE GUARDIAN, and REV. HARRIS are going through the kitchen cupboards, looking for sugary foods.]

REV. HARRIS
How’s sugar?

THE GUARDIAN
That’s too sugary.

REV. HARRIS
This is ridiculous.

THE GUARDIAN
No. This is serious. Sugary stuff... Do you have chocolate, jam... those kind of things...I’ll even have Banana Milkshake.

REV. HARRIS
I have jam definitely. I’m not sure about chocolate.

THE GUARDIAN
Good! Get them, now. And do you have a blender?

REV. HARRIS
Yes, that’s it over there.

THE GUARDIAN
Excellent. Oh, here's some chocolate.

[THE GUARDIAN takes the chocolate, and unwraps it, then sticks it in the blender. He reaches back in and breaks a piece off and tastes it.]

THE GUARDIAN [looking at REV. HARRIS]
Sorry, haven’t had any in a while.

REV. HARRIS
Surely, this is no time for eating?

THE GUARDIAN
It’s always time to do something you shouldn’t be doing. Now, have you got that jam?

REV. HARRIS
Yes, here it is.

[REV. HARRIS passes the jam to THE GUARDIAN. THE GUARDIAN picks up a knife, and scoops some jam from the jar, and places it into the blender.]

THE GUARDIAN
And a couple of bananas, that should do us!

[REV. HARRIS takes a couple of bananas from his fruit bowl, and passes them to THE GUARDIAN. THE GUARDIAN peels the banana skin, then places the bananas into the blender.]

THE GUARDIAN
That should do us...

REV. HARRIS
Are you sure this will work?

THE GUARDIAN
Of course! It may seem strange to you, but beyond Earth, this is deadly stuff.

[THE GUARDIAN places the lid on the blender, and starts it.]

THE GUARDIAN
Don’t you just love the noise the blender makes?

REV. HARRIS
Not really.

THE GUARDIAN
Yeah. I don’t like it either.

REV. HARRIS
Won’t they hear it?

CHILDREN [together]
We don’t like the noise either.

THE GUARDIAN
I think they just did.

[THE GUARDIAN releases the blender button. He then runs for the front door, with the blender in his hand.]

REV. HARRIS
Where are you going?

THE GUARDIAN
To the hill! But you need to stay here. I’ll be back soon, don’t worry... pray for me, your Guardian Angel!

[THE GUARDIAN opens the door, runs out.]

REV. HARRIS
It’s suicide!

[THE GUARDIAN closes the door.]

CUT TO:

5. EXT: PARISH HOUSE

[THE GUARDIAN runs out and sees the children walking past the tombstones.]

CHILDREN [together, taunting]
We can see you!

THE GUARDIAN
Well come on then!

[He runs up the hill, they walk on behind him following him.]

CUT TO:

6. INT: PARISH HOUSE


[REV. HARRIS looks out the window as the CHILDREN walk up the hill.]

REV. HARRIS
I must take action, mustn’t I, Lord? I cannot let the Guardian down.

[He looks at the blender.]

CUT TO:

7. EXT: HILL

[THE GUARDIAN stands at the top of the hill as the CHILDREN surround him.]

THE GUARDIAN
Come Out of these Children, I have poison - and believe me, I will use it!

[The Children’s mouths open wide and the Legion emerge. The Children look around and see the Legion. Some scream, some stand petrified.]

THE GUARDIAN
Go to the Church.

[They nod and obediently run away.]

THE GUARDIAN
Thank you.

LEGION
We mustn't let death be in vain.

THE GUARDIAN
What do you mean?

LEGION
We are children, we just wanted to play, we were playing a game.

THE GUARDIAN
What did you mean by you "mustn't let death be in vain"?

LEGION
Our parents died, they sent us here as a new home.

THE GUARDIAN
You poor things, I know the feeling.

LEGION
We meant no harm, lose the poison.

[THE GUARDIAN pours the poison into the ground, and smiles at them. REV. HARRIS sneaks up the hill behind THE DOCTOR and listens, unseen.]

LEGION
A war was starting between our parents and our neighbours.

THE GUARDIAN
You are the Yabs and your neighbours are the Baraxs?

LEGION
Yes.

THE GUARDIAN
I see, what about Edna, all those years ago?

LEGION
We weren’t sent a couple of weeks ago to see if we could play here. Years ago, we took two of the village, a girl called Edna and a boy called Martin.


THE GUARDIAN
Reverend Harris?

LEGION
Yes, he found the experience traumatic, he was only 4 Earth years old but the girl has potential - she was 6. We had basic control until she was 11.

THE GUARDIAN
Hence the age gap.

LEGION
We have been trying to communicate with the Reverend, but he believed us to be the devil tormenting him.

[REV. HARRIS stands up.]

REV HARRIS
You did this to me?

LEGION
We are sorry.

[REV. HARRIS pulls a bottle from his pocket.]

THE GUARDIAN
Reverend, What are you doing?


LEGION
We meant no...

REV. HARRIS
You destroyed my life, I have been this people’s output for a year. You have ruined my life. Now - die, Demons!

[He throws the contents of the bottle at them. PRAC. FX: THE LEGION smoke away into nothing, screaming.]

THE GUARDIAN [angry, crying]
They were just kids, Reverend! Children!

[REV. HARRIS turns his head down to the ground.]

REV. HARRIS
I didn’t know, I just panicked, because they said they did all that to me.

THE GUARDIAN
It’s between us from now on, this town needs a good man, we learn from our mistakes, you just need to stay behind after classes for a little bit extra teaching.

[He puts his arm round REV. HARRIS and smiles at him.]

THE GUARDIAN
In your services tell them anything is possible, tell them that prisons are prisons no more, tell blind people that they can see and set the downtrodden free.

REV. HARRIS
That’s another hymn.

THE GUARDIAN
I have been to a church service before.

[They laugh, walking down the hill together.]

CUT TO:

8. EXT: ST MALCHY'S CHURCH

[The village is rejoicing. THE GUARDIAN and REV. HARRIS walk down onto the green. MS WALSH runs and hugs THE GUARDIAN.]

MS WALSH
You did promise.

THE GUARDIAN
I did.

MS WALSH
Why are you so sad?

THE GUARDIAN
I saw a man do an amazing thing.

MS WALSH
Reverend Harris did it? He saved us!

THE GUARDIAN [looking at him]
He did.

[MS WALSH hugs REV. HARRIS.]

MS WALSH
Thank you, Reverend.

REV. HARRIS
Thank our Angel, he has taught me so much.

THE GUARDIAN
I’ll be on my way, then.

MS WALSH
Please stay.

THE GUARDIAN
I have to help others as well.

REV. HARRIS
Go In Peace.

[THE GUARDIAN nods at him, and walks away from the celebration but is stopped by EDNA.]

EDNA
I know what he did.

THE GUARDIAN
He didn’t...

EDNA
And I forgive him.

THE GUARDIAN
Good for you.

EDNA
They were thanking you before they died. They also wanted me to tell you that the Calendar is running out of pages.

THE GUARDIAN
What does that mean?

EDNA
Time is running out, they said.

THE GUARDIAN
Thank you. I hope you live a long, good life.

[THE GUARDIAN walks away as Edna rejoins the celebration signing ‘Amazing Grace’.]

CUT TO:

9. INT: CAESAR’S PALACE - DAY

[CAESAR and SARAH are dancing, both staggering a little - they've obviously been drinking.]

SARAH [drunk]
I didn’t know you could dance!

CAESAR [drunk]
I don’t think many people know I can.

[The SERVANTS look on in awe.]

SARAH [getting closer to CAESAR, looking into his eyes]
Come on, Caesar baby...

[CAESAR and SARAH stop as they hear a metallic thrumming. FX: The TARDIS materialises.]

CAESAR [annoyed]
He picks his moments, doesn't he?!

[The doors opens, and THE GUARDIAN steps out, shocked by what he’s confronted with.]

THE GUARDIAN
What’s going on here?!

SARAH
I’ve just been partying with Caesar, that’s all.

THE GUARDIAN
I leave you for a little while, and you end up drunk with Caesar?

SARAH
Yeah... and?

THE GUARDIAN
You get drunk, and party with Caesar... while I’m fighting demons?

SARAH
Well... If you put it that way, yes.

THE GUARDIAN
We’re going...

SARAH
Was it nice?

THE GUARDIAN
Being confronted by demons who possessed children?

SARAH
Yes...?

THE GUARDIAN
What do you think?!

SARAH
It was fun.

THE GUARDIAN
Yes. It was, really. I had a ball.

SARAH
Like me here.

THE GUARDIAN
Sarah... we really need to get you back in the TARDIS.

SARAH
Oh. Do I need to leave my Julesy now?

THE GUARDIAN
Yes. And he let’s you call him Julesy now?

CAESAR
Come on, Guardian. Stay a little longer!

THE GUARDIAN
No we really need... to...

[A phone can be heard ringing.]

CAESAR
What is that?

THE GUARDIAN
Oh... that's my phone... in the TARDIS... I better get that... coming, Sarah?

SARAH
Yeah. Be there in a minute.

THE GUARDIAN
Bye Jules.

CAESER
Goodbye. Bring Sah back anytime you like!

THE GUARDIAN
Sah?

SARAH
Yeah, Sah and Jules.

THE GUARDIAN
You two make me sick, he’s centuries older than you.

SARAH
Not when I’m here.

THE GUARDIAN
Right. That makes it all fine then! Bye Jules.

CAESAR
Bye G. Bye Sah!

[He blows her a kiss. THE GUARDIAN and SARAH walk into the TARDIS. FX: It disappears. CAESAR starts talking as the noise of that marvelous machine echoes round the palace.]

CAESAR
Never be a lady like that here. [Claps] More wine and more music, we are having a feast to honour my new love. Just don’t tell me wife, eh lads?

[CAESAR laughs as the groan of the TARDIS vanishes.]


CUT TO:

10. INT: TARDIS CONTROL ROOM
[THE GUARDIAN is on the phone, while SARAH is sitting, slumped, on the seat, sobering up.]

THE GUARDIAN
Yes... I understand. NASA what? Sent a spaceship to the dark side of the moon?! Yes, I'll get right onto that. Don’t worry. Yes. Okay. Goodbye.

[THE GUARDIAN puts the phone down, and SARAH looks at him questioningly.]

SARAH
What’s up?

THE GUARDIAN
That was UNIT, not your mum’s division, the American one. They said, NASA has been pushing the boundaries, and have sent a rocket up to the dark side of the moon, and are needing our help... what d'you think?

SARAH
Bring... it... on!

THE GUARDIAN
TARDIS... you know what to do. Follow the signal of the last phone call!

TARDIS [V/O]
As you wish.

SARAH
Any chance you could be a little bit quieter? I’ve got a hangover here.

TARDIS [V/O - quieter]
Sorry, Miss Johnson.

[The time rotor pulses excitedly.]

CUT TO:

11. CGI: TIME VORTEX

SARAH [V/O - hyper]
To infinity, and beyond!

FADE TO:
THE GUARDIAN-John Mclellan
SARAH- Lauren Crace
TARDIS v/o-Dawn French
CAESAR-Peter Capaldi
REV. HARRIS-William Thomas
MS WALSH-Catherine Zeta-Jones
GWEN-Samantha Womack
EDNA-Margaret John
SALLY-Melanie Walters
SERVANT1-Michael McIntyre
SERVANT2-Robert Webb
VOICE of LEGION-Rob Brydon
STEVEN-John Bell
[/size]

CUT TO:

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The Guardian
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Favourite Doctor: Matt Smith
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« Reply #17 on: June 24, 2011, 11:12:17 am »

----

1. INT: NEW YORK, ELECTRONICS SHOP - DAY

[Shoppers walk in and out of aisles as a ‘wall’ of televisions play the New York News Titles. A WOMAN in a black shirt sits behind a desk with paper in front of her, the studio is a deep red and has the feel of a news studio.]

PRESENTER
Pushing the boundaries, an expedition or a step too far? NASA are preparing to launch Mission Darkness, the mission to put men on the Dark side of the Moon. We have the full launch story here as we go live to Max Jones at the launch site with Mission Executive, Professor Stephen Smith.

CUT TO:

2. EXT: NASA, LAUNCH SITE

[MAX JONES stands with a microphone in his hand with PROF. SMITH beside him.]

MAX JONES
Thank you, Jane. I'm here with Professor Stephen Smith, Mission Executive. Now, Stephen, this mission has been branded as sheer madness. How do you feel about this?

PROF. SMITH
Of course it’s madness, but the fact of the matter is that humans have always feared the dark and if we can conquer it by placing men in it and them surviving then humanity will have overcome its worst fear.

MAX JONES
This mission was keep secret until it’s completion. Why was that?

PROF. SMITH
We wanted to make sure it was safe.

MAX JONES
Well, Professor, I would like to question you further but I’ve been told we have to clear for the launch.

PROF. SMITH [smiling]
I think you had best be off then.

CUT TO:

3. INT: NASA, CONTROL ROOM

[PROF. SMITH walks in and throws his coat onto a computer.]

PROF. SMITH
The public shouldn’t have to hear about this from a news show which reports on stories of pig racing beside natural disasters! It's disgusting!

[A woman, DR. JAMES, smiles at him.]

DR. JAMES
It’s the news, Stephen. It's always been like that.

PROF. SMITH
I suppose, Karen.

DR. JAMES
Anyway, we’ve got a rocket to launch.


[DR. JAMES leans into a microphone, preparing to speak.]

4. INT: ROCKET CABIN

[The Rocket is a polish silver with car style seats. 3 men sit there: SAM O'GRADY, KENNY LOUGHLAND and SHAUN ENNIS.]

DR. JAMES [VIA SPEAKERS]
How're you doing boys?

SAM O’GRADY
We're about to be fired into darkness in a make shift rocket. [laughing]
What do you think?

KENNY LOUGHLAND
Brilliant, thanks.

DR. JAMES [VIA SPEAKERS]
Well, good luck. All of you.

KENNY LOUGHLAND
Good luck to you too.

SAM O’GRADY
She’s not the one being fired into space. She’s the one missing out on all the fun. [smiles]

INTER-CUT BETWEEN ROCKET CABIN AND CONTROL ROOM:

DR. JAMES
Well T minus 10, 9, 8, 7, 6, 4, 3, 2, 1.

[CU: SHAUN ENNIS' face. He mouths the final numbers. Then there is a tremendous jerk and then are all pulled back into their seats sharply.]

CUT TO:

5. EXT: NASA, LAUNCH PAD

[CGI: The Rocket erupts into the sky, leaving a massive flame trail behind it. The crowd in the foreground all make excited noises.]

CUT TO:

6. INT: NASA, CONTROL ROOM
[The NASA crew wait in silence, holding their breath.]

DR. JAMES
They’re out of the atmosphere!

[All of the personnel cheer and celebrate.]

FADE TO:

7. INT: NEW YORK, ELECTRONICS SHOP

[Shoppers walk in and out of aisles as a ‘wall’ of televisions play the New York News Titles. A WOMAN in a black shirt sits behind a desk with paper in front of her, the studio is a deep red and has the feel of a news studio.]

PRESENTER
Pushing the boundaries or expedition or a step too far? A step too far it turns out, as contact was lost with the three brave men who went out. Kenny Loughland, Sam O’Grady and Shaun Ennis are expected to have died on landing. America and Britain are mourning the expeditionary members. They are lost to the shadows…

CUT TO:


CUT TO:

8. EXT: WASHINGTON DC, MAIN STREET - DAY
[A group of tourists walk along taking photos. A young boy drags behind them. The street is packed with locals walking up and down the street missing each other like it was a primeval reaction drilled into their senses.]

BOY
Dad, I’m bored!

DAD
Make your self useful and take a photo of us beside this street sign.

[DAD hands BOY the camera and he unenthusiastically brings it up to his eye. CAMERA'S POV: The family line up in front of the police sign, in the corner of the shot THE TARDIS begins to appear. The BOY takes the picture and the family walk on. But, the BOY just stares in astonishment.]

BOY
Dad! Look! Dad!

DAD
What is it now?

BOY
A red box just appeared down that alley!

DAD
I know you're bored, but don’t make tales, now come on.

BOY [being dragged away]
But there! Look, will you?!

CUT TO:

9. EXT: ALLEYWAY

THE GUARDIAN steps out of THE TARDIS, arms stretched in joy.]

THE GUARDIAN (cheesy American accent)
Welcome to Washington, Miss Johnson!

[His face turns sour as he is hit by the smell. He clamps his hand over his mouth.]

CUT TO:

10. INT: TARDIS, CONTROL ROOM

[SARAH is hurrying to put on her coat.]

SARAH
Great! I've always wanted to go to the White House and you’ve landed us right in it! Awesome!

[SARAH runs to the door, excited.]

CUT TO:

11. EXT: ALLEYWAY

[SARAH runs out and is hit by the smell too.]

SARAH
Doesn’t look as white up close does it?

THE GUARDIAN
Well I suppose not.

[They look at each other and burst out laughing.]

SARAH
Anyway, that phone call you got?

THE GUARDIAN
Something about NASA. Told me to land at this time and date in the CIA base in Washington but they also want my TARDIS so I landed her outside.

SARAH
Wait. You said we were landing in the White House but they said in a CIA Base.

THE GUARDIAN
Yeah, same thing.

SARAH
Right, well stop sidetracking and lets get going.

[They walk out onto the high street.]

CUT TO:

12. EXT: MAIN STREET

SARAH
What year is it, anyway?

THE GUARDIAN
2012, July. Wait...

[He kneels down and puts his ear to the ground.]

THE GUARDIAN [CONT.]
Erm, well about…

[SARAH runs over to a paper seller, pays him some money for a paper and looks at it.]

THE GUARDIAN
29th of July 2012. Oh yes I’m good.

SARAH
Wrong, the 27th.

THE GUARDIAN
I am a Time Lord, I’m sure I can tell the date from listening to the beats of the Earth’s core! [he gets up and looks at her]. And you are just a…

[SARAH holds the paper to his face, smiling.]

THE GUARDIAN
Did I say 29th? Meant 27th, you knew that?

SARAH
Sure. Whatever you say, wise guy!

CUT TO:

13. EXT: WHITE HOUSE

SARAH
Wait, so there's been an election?

THE GUARDIAN
Oh yes. Wonder who won?

SARAH
So it might not be Obama in there?

THE GUARDIAN
No. Anyway, we shouldn’t worry.

SARAH
I should, I could make a bet when I get back.

THE GUARDIAN
I’ve told you we don’t mess with time.

SARAH
I’ll give you 30%

THE GUARDIAN [cheekily]
50% and I’ll put a tenner towards it.

CUT TO:

14. INT: WHITE HOUSE

[A man in a swish black suit makes down the corridor, nodding to people he passes a sense of pride to him. He turns down a side corridor and opens a door at the end.]

CUT TO:

15. INT: WHITE HOUSE, CIA SECTOR

[The man strides in towards a small desk, where a young ginger secretary is sitting.]

SECRETARY
Good morning, Mr Reilly

REX REILLY
I told you Gillian, call me Rex.

GILLIAN
You have the power to make me disappear and I’m not the sort of girl to get on the wrong side of a man like that.

REX REILLY
Suit yourself Miss Gardener, any news on that guy?

GILLIAN
Him? Well Mr Shane said that he spotted a spike of time energy in main street.

REX REILLY
Idiot, we told him to land in the gardens.

GILLIAN
From what I’ve heard you should be grateful of him, he's saved this country behind the scenes many times.

REX REILLY [smirking]
He also wrote one of President Bush’s speeches, so he’s still human.

[REILLY walks through a door behind Gillian.]

GILLIAN
He’s not human.

REX REILLY [shocked, sticking his head back through the door]
What?!

CUT TO:

16. INT: WHITE HOUSE

[THE GUARDIAN is arguing with a tough looking man in an all black suit, who gives the impression of a bouncer.]

THE GUARDIAN
What on Earth do you mean I’m not an authorized member?

GUARD
Well, you aren’t?

THE GUARDIAN
I've worked for the CIA since it was set up and I’ve helped save this country more times than Bill Clinton was accused of certain acts!

SARAH
You worked for the CIA? And I thought you always wished you were British, but nope you want to be American!

[SARAH smirks at THE GUARDIAN.]

THE GUARDIAN
It's not the time, Sarah! [to the guard] Look, call the head. There should be a file with me listed with my name on it.

GUARD
Fine. Name?

GUARDIAN
Dave Doe.

SARAH
Or you could just let us in, pretty please?

GUARD [pulling collar up]
Well, you just had to be polite.

[THE GUARD opens the door for SARAH and THE GUARDIAN. He gestures to SARAH to go through.]

SARAH
Thank you.

[THE GUARDIAN nods to him and waves his finger at the guard. THE GUARD gives THE GUARDIAN a look and he runs off.]

CUT TO:

17. INT: WHITE HOUSE, CIA BASE

[THE GUARDIAN and SARAH walk in with a Cheshire cat grin upon their faces as they stare into GILLIAN’s face.]

GILLIAN [ruffling through her papers]
This is a classified area, how did you get in?

SARAH
Picked the lock.

THE GUARDIAN [finger to lip]
Just cause the sonic didn’t work doesn’t mean you can rub it in, in front of the nice CIA lady.

GILLIAN
Sonic? Are you real Dave Doe?

THE GUARDIAN
Are you the real Slim Shady because if you are please stand up?

GILLIAN
Yeah, you are. Your profile says you are a music fan and a bit of an idiot.

SARAH
Down to a tee.

THE GUARDIAN
Music fan yes but not an idiot. Especially Green Day.

GILLIAN
Also said you’d say that.

THE GUARDIAN
Look stop showing off and just contact the head of this unit so I can speak to him on classified data.

SARAH
Please.

THE GUARDIAN
I’m just saying, Sarah. Typical of them to do that, try and show off with their knowledge on someone as magnificent as me.

SARAH
Yeah, I can’t think of who that reminds me of!

THE GUARDIAN
I know. It’s a hard one, maybe Alexander the Great, that was his nickname, The Great. He gave it to himself. Now the head... Get him for me.

GILLIAN
You are a hard man, Dave. I’ll do it now.

THE GUARDIAN
I know I am but call me Guardian. All of my friends do, including some great men, even Barack Obama! Shame, I liked him too.

GILLIAN
I’ve got through to Rex Reilly.

THE GUARDIAN
Excellent. Rex is not my lawyer by the way.

SARAH
What?

THE GUARDIAN
Never mind, Sarah.

[GILLIAN gives THE GUARDIAN her phone, and he speaks into it.]

THE GUARDIAN
Hello, Rex?

REX REILLY V/O
You must be Dave.

THE GUARDIAN
Guardian will do.

REX REILLY V/O
And do you know what we are doing?

THE GUARDIAN
Yeah.

REX REILLY V/O
What are we doing then?

THE GUARDIAN
You’ve sent people up to the Dark Side of the Moon. But, they’ve been lost, haven’t they?

REX REILLY V/O
Yes. It’s true we’ve lost them to the shadows.

THE GUARDIAN
The shadows? What shadows?

REX REILLY V/O
Yes, well that’s what one of them screamed when we lost contact...

[The GUARDIAN stands silent for a second, looking terrified, he hears nothing.]

REX REILLY V/O [CONT.]
...Not a trace, vanished off the face of the earth, well Moon I suppose.

THE GUARDIAN
Sorry, yes that will be fine.

REX REILLY V/O [confused]
I didn’t say anything that needed an answer.

SARAH
Are you alright?

THE GUARDIAN
Of course I am, I’m always alright. [rubs forehead] Well there’s only one thing to do, get a spacesuit for me, and one for Sarah, size medium.

SARAH
Oi! Are you sure you want to go into space? It's not like you.

THE GUARDIAN
It’s the opportunity of a life time! And you know how big that is for me!

SARAH
But you can do that any day...

THE GUARDIAN
Not this way, now back to the phone! (To Rex) So yes, as I said spacesuits! We need two, one male size, and one female size. Medium will do us both. You never know they could come in handy, being bigger.

REX REILLY v/o
And where shall we meet you?

THE GUARDIAN
Launch site, use a UNIT rocket. Should be able to get it sorted in a hour.

SARAH
I’m still not sure you are on the level.

THE GUARDIAN
I know what I’m doing.

[THE GUARDIAN walks out through the door behind GILLIAN.]

GILLIAN
Is he always like that?

SARAH
He seems to be fine but I don’t know. I honestly don't.

CUT TO:

18. INT: SPACESHIP

THE GUARDIAN and SARAH sit in their seats awaiting the launch.

REX REILLY V/O
Right, you know what this means don’t you?

THE GUARDIAN
Yes, if we die we are erased from history. Standard procedure, this is illegal after all.

SARAH
What is up with you?

THE GUARDIAN
I’m not losing three more people to them, I won’t let his death be in vain. I just won’t.

DR JAMES V/O
I don’t know who you are, Guardian. But promise me, you will get those three men back. Their lives depends on you.

SARAH
We know. Well do the T minus thing, love it when they do that in the films.

THE GUARDIAN
There’s a time and a place.

REX REILLY V/O
T minus 10, 9, 8, 7, 6...

THE GUARDIAN
Yes, just get on with it!

REX REILLY V/O
3,2,1... We have lift off.

DR JAMES V/O
God bless you, Guardian. God bless you.

SARAH
And?

DR JAMES V/O
Miss Johnson. Have a safe journey.

FADE TO BLACK, THEN:

[ < Caption: Hours later > ]

THE GUARDIAN
Okay here we are! The Moon. The Dark Side of the Moon. Remember our mission, Sarah?

SARAH
Yes. Find the lost astronauts, and bring them back to Earth.

THE GUARDIAN
Good. Now make sure your oxygen tank is okay.

SARAH
Yup, it’s fine.

THE GUARDIAN
Great!

[THE GUARDIAN and SARAH unbuckle themselves.]

SARAH
You ready?

THE GUARDIAN
Yes.. I think so. I’m sure I am.

SARAH
Come on.

[They stand up, and head for the door.]

THE GUARDIAN
Sarah... Before we go I must warn you. These things out there, the shadows they are ruthless, they will eat you up quickly. You must be very careful... I can’t lose someone else. And I must not let the death be in vain!

SARAH
I will be careful, Guardian. And who’s death?

THE GUARDIAN
Never mind. Come on.

[The door opens, and they walk out slowly.]

CUT TO:

19. EXT: MOON'S SURFACE - NIGHT

[They walk out the doors, and touch the Moon's surface. THE GUARDIAN bounces around.]

THE GUARDIAN
Old Neilly Armstrong would be proud, good mates we were.

SARAH
Wow! I'm on the Moon! I’m actually feeling the moon!

THE GUARDIAN
Yes you are. Sarah Johnson has landed on the moon.

SARAH
This is just unreal!

THE GUARDIAN
Now watch. Count the shadows...

SARAH
Shadows? But there’s no shadows on the moon.

THE GUARDIAN
Well we know what that one behind you is.

[He grabs something from a pocket in his suit. A small orb of yellow light. And drops it on the shadow. It burns in flames.]

THE GUARDIAN
Oxygen Light Orb, burns everything on contact. Even in vacuums.

SARAH
What happened?

THE GUARDIAN
Hmm?

SARAH
You were scared when you were talking to Rex. You’re never scared...

THE GUARDIAN
Nothing happened.

SARAH
I have a little cousin and he watched Primeval when he was only 3. And one of the characters was a dead ringer for his dad, who died. The character died, and I swear he gave the same look as you. Agony in silence, the most painful type.

THE GUARDIAN
I know I picked you up for a reason.

SARAH
Did you lose someone?

THE GUARDIAN
Yeah. A long time ago, should be a distant memory but it’s not.

CUT TO:

20. INT: GALLIFREYAN CITADEL

[ < CAPTION: THE GUARDIAN'S CHILDHOOD > ]

ANNOUNCEMENT
WARNING! WARNING! THEY’VE INFILTRATED SECTOR 7! GAMMA WARNING!

[A small boy walks through the corridors.]

BOY
DAD!

[Shadows come down the corridor in front of him.]

BOY
DAD! DAD!

[A group of GALLIFREYAN SOLDIERS run in from behind him.]

SOLDIER #1
You two take him out of here and I’ll hold them off.

[THE SOLDIERS pick up the boy and carry him away down the corridor.]

BOY
DAD! DAD!

MAN
Go son! Leave now. Darkness thy fiend, thy friend, may thine suffering never end though you loath the light and day, may the sun banish you away.

[THE MAN fires at the shadows. BOY POV: He turns the corridor and can no longer see his father, as screams ring through the corridor.]

BOY
NO DAD!

FADE TO:

21. EXT: MOON'S SURFACE

[CU: THE GUARDIAN’S face with a tear.]

SARAH
Hello! Anyone there?

[THE GUARDIAN snaps out of it and turns to see SARAH shouting into the darkness. SHAUN runs out of the darkness.]

SHAUN
Help me! Someone help me.

THE GUARDIAN
One down, two to go it seems.

CUT TO:

22. INT. NASA, LAUNCH BASE - NIGHT

[REX REILLY slams his fist down on the desk in front of DR. JAMES.]

REX
How do we cover this up?

DR. JAMES
What!?

REX
The US Government doesn’t need a mistake like this, it may be a joint mission but Britain only supplied us with an astronaut and help with  the construction.

DR. JAMES
It was out of our hands, we couldn’t do a thing.

REX
America can’t afford to be the idiots, and I can’t afford this to go down as my fault if we lose those two.

DR. JAMES
They volunteered!

REX
If I fail and lose the highest ranked member in years, then you know what will happen. I’ll have my mind wiped AND I’LL BE A GAS STATION WORKER IN SOME RUN DOWN TOWN!

DR. JAMES
So how would you plan to cover this up?

REX
We make it so you are the one on the chopping block...

DR. JAMES
Why me? That’s not entirely fair!

REX
I didn’t say this job would be fair now, did I?

CUT TO:

23. EXT: MOON'S SURFACE

THE GUARDIAN
Well... At least we have one of you... Where’s the other two?

SHAUN
They died. The shadows ate them... I know it seems impossible, but these shadows appeared, and then they disappeared.

THE GUARDIAN
It’s not impossible. Most definitely not impossible. It's highly unlikely, but it’s happened before.

SHAUN
What are those things then? Are they alien?

THE GUARDIAN
Yes. They’re called Vashta Nerada. Shadow creatures, they live on meat. They can be anywhere and everywhere. They are pure evil living on primeval instinct, and sorry but they only want to eat you.

[Two figures walk out of the shadows, they are wearing space suits.]

SHAUN
Wait... It’s them! They’re back!

THE GUARDIAN
That doesn’t seem possible. You said they disappeared, right?

SHAUN
Yes. One minute they were there, the next the suits fell.

THE GUARDIAN
Hmm... Maybe they’ve been playing with you.

SHAUN
What do you mean?

THE GUARDIAN
Look at them... Look closely.

[The two figures come into focus, and advance towards THE GUARDIAN.]

THE GUARDIAN
A skeleton crew...

SARAH
Got any of those oxygen light things left.

THE GUARDIAN
Just the one, we need to go the second we kill them.

[The two crew members walk forward. THE GUARDIAN throws it between them both, it explodes and a pair of burning suits are left once they clear.]

SARAH
Good shot.

SHAUN
It was a diversion though, look.

[Shadows are surrounding them from all sides. THE GUARDIAN collapses on his knees.]

GUARDIAN
No! They're coming for me again, they got my dad and now they’ll get me!

SARAH
GUARDIAN! GUARDIAN!

[THE GUARDIAN’s dad appears before his eyes.]

GUARDIAN’S DAD
Hello son. Listen to Sarah. She’s making sense. Do it for me.

[He is swallowed by the shadows.]

SARAH
Guardian! You’ve faced worse things than this, it’s just your fear you can beat them, you can do it! It’s just irrational.

THE GUARDIAN
Yes, it’s time to face my fears. Shield your eyes.

[He stands up and points his sonic at the rocket, it glows and then the rocket erupts with flames at he bottom. He then moves his sonic, the rocket moves in accordance with it. The flames glow over them. The screen is filled with flames, they slowly clear and the three of them stand in ash.]

SARAH [eyes closed and holding Shaun]
Are we alive or in heaven?

[THE GUARDIAN nips her. She lets out a scream.]

SARAH
You did it.

THE GUARDIAN
Let's go, I only stunned them, they’ll be back in five minutes unless we leave right now.

24. INT: NASA, LAUNCH BASE

[DR. JAMES is tying REX up.]

DR. JAMES
There we go. You shall stay here until further notice.

REX
No! Why are you doing this?

DR. JAMES
Haven’t you ever stopped to think of their personal lives? Shaun has a family... He has a wife, and a daughter to go back for. But you wouldn’t care, as long as your precious memory is intact. Well I’ve had enough! I’m making a stand!

CUT TO:

25. INT: ROCKET CABIN

SHAUN
We’re alive.

THE GUARDIAN
Yes we are, aren’t we?

SARAH
It wasn’t irrational.

THE GUARDIAN
What?

SARAH
Fear of killers isn’t a phobia. It’s not something you need to face, just thought you’d be all macho and not want to look scared.

THE GUARDIAN
Oh, you got me good then.

CUT TO:

26. INT: NASA, LAUNCH CONTROL

[DR. JAMES shakes holding a gun to a tied up Rex’s head, both are beaten up badly. THE GUARDIAN, SARAH and Shaun walk in.]

THE GUARDIAN
What on earth happened?

DR JAMES
He threatened to cover this up and then said he didn’t care about our lives
.

[SARAH takes the gun off her.]

REX
Thank god! She went mad, took a blonde to knock some sense into him.

[SARAH then slaps REX with the gun knocking him out.]

SARAH
You were saying?

SHAUN [to THE GUARDIAN]
Hell of a women you got there.

THE GUARDIAN
Oh we’re not together, there’s probably laws against it.

SARAH
We best be off.. but mind if I ask? When will you get a new mission out?

DR JAMES
2013, Shaun could be the first man on Mars.

SHAUN
After what happened today! WHY NOT?!

THE GUARDIAN
Well cheerio, you lot. Same to Rex when he wakes up from that whack.

[THE GUARDIAN and SARAH walk out.]

SARAH
Shame, they won’t get to.

THE GUARDIAN
Why not?

SARAH
The whole 2012 thing, end of the world.

THE GUARDIAN
I don’t believe in myths Sarah, although last time I said that I end up with a minotaur in the TARDIS. Suppose if I said it won’t happen, it’d be a red rag to a bull. Besides 2012... It’s a movie, and the whole thing about the Mayan calendar running out... It’s only because someone stole the rest...or they ran out of paper.

SARAH
How long has the Earth got to live then?

THE GUARDIAN
Oh... So much longer, you’ll be dead before it happens, millions of years before in fact!

SARAH
We'll see if you’re wrong!

THE GUARDIAN
I’m never wrong. Although I won’t put money on it.

DR JAMES
Guardian! Just heard President Obama wants to reward you for your bravery.

THE GUARDIAN
Obama!?

SARAH
Never wrong, hey? Cough up mate, a tenner I think we agreed.

CUT TO:

DEDICATED TO

INGRID PITT:
Could kill a Myrka one handed.
1937-2010


CUT TO:

NEXT TIME:

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The Guardian
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Favourite Doctor: Matt Smith
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« Reply #18 on: June 24, 2011, 11:13:03 am »

The Guardian
2.11 - The Gallifreyan Days

----


1. INT: TARDIS - CONSOLE ROOM
[THE GUARDIAN and SARAH are standing right up at the console, watching the Time Rotor go up and down.

TARDIS V/O
Guardian, where would you like to go?

THE GUARDIAN
Just spin around the moon for a while, I am sure we can both do with a small break.

TARDIS V/O
As you wish.

THE GUARDIAN
Well then, you get free time. Go off and do what you want, go swimming or you could read a book. Whatever you want as you deserve it. Or you could go out to the large room with the window and you can see all eight planets, Sarah.

SARAH
Aren't there nine?

THE GUARDIAN
Pluto is debatable, it’s more a dwarf planet.

SARAH
Oh, right.

[THE GUARDIAN walks over to a seat and sits on it. SARAH is standing looking at him.]

THE GUARDIAN
What? Something wrong? Do you want to go somewhere different?

SARAH
It's just, I don't really know much about you.

THE GUARDIAN
You know my name and that I'm a Time Lord and that I travel around the universe saving planets from evil. What more do you want to know?

SARAH
More. I want to know more about you. What was your childhood like, who your friends were, did you have siblings? I want to get to know you in more depth.

THE GUARDIAN
My past?
[Beat. On THE GUARDIAN, thinking, remembering.]
Why think about the past when there is the present and the future. You need to let go and live life to the full. Never, ever look back at the stuff you did when you were younger.

[THE GUARDIAN moves past SARAH and looks at the TARDIS console. Suddenly the TARDIS jerks and the power cuts out. The whole room is in darkness. THE GUARDIAN and SARAH have fallen to the floor.]

SARAH
Wait, what's happening?

THE GUARDIAN
We're falling... or maybe crashing. TARDIS, what is happening?

[There is no reply from the TARDIS.]

SARAH
What is happening? Why isn’t the TARDIS replying?

THE GUARDIAN
The power has gone and we are falling.


CUT TO:

2. CGI: SPACE

[A view of the Moon and Earth. Falling towards Earth is the TARDIS, flipping and smoking. We see it spin into Earth's atmosphere.]

CUT TO:

3. INT: TARDIS - CONTROL ROOM

[THE GUARDIAN and SARAH are holding on for dear life!]

SARAH [panicking, screaming]
Can’t you stop it?

THE GUARDIAN
No...I do not know what it is doing it, but we are about to crash...

[THE GUARDIAN and SARAH fly back across the room as the TARDIS crash lands.

We pan out to see the TARDIS pitch black - only a faint glow coming from somewhere beneath the floor, enough to see - with THE GUARDIAN and SARAH unconscious on the floor. Silence.]

CUT TO:


CUT TO:

4. EXT: GALLIFREY - OUTSIDE THE CATHEDRAL

[CAPTION: "897 YEARS AGO". A little boy, about 10, is sitting on the steps of a large cathedral, it’s old and has a strange design. The orange sky lights up the ground.]

BOY
Why are those two always late?

[Another two boys are now walking up to where the other boy was. The BOY looks up.]

BOY
Doctor! Master!

[The other two boys are now running.]

DOCTOR
Guardian!

[GUARDIAN stands up.]

GUARDIAN
You both took your time.

[THE DOCTOR and THE MASTER stop.]

DOCTOR
Sorry, the Master was taking a while to come out.

GUARDIAN
You planning to take over Gallifrey again, Master?

MASTER
Ha. You are funny. Like I would ever do that.

[The three laugh.]

DOCTOR
So then, why did you want us to come out?

GUARDIAN
I wanted us to go and see the naming ceremony.

DOCTOR
Oh. Is that on, today?

GUARDIAN
Yeah, those who are leaving the academy this year get to chose their titles I got told Serard is going to call himself God.

MASTER
Why did Serard get through to the end?

GUARDIAN
Who knows but we better move quick, it starts soon.

[The three run up the stairs into the Cathedral.]

CUT TO:

5. INT: GALLIFREY, CATHEDRAL - THIRD FLOOR

[THE GUARDIAN, THE DOCTOR and THE MASTER are standing leaning on railings on the third platform, watching the ceremony take place. A grand chamber, vast and imperial. There are a large amount of teenagers standing around a large light spiral.]

GUARDIAN
I cannot wait to be able to choose my name.

DOCTOR
Same here, if I’m honest.

MASTER
I'm going to be called, The Master.

GUARDIAN
Basically just our nicknames, we are going to name ourselves after, right?

MASTER
Yes, that is about right.

[THE DOCTOR looks down and, notices someone familiar.]

DOCTOR
Guardian, isn't that your brother?

[THE GUARDIAN and THE MASTER both look closely.]

GUARDIAN
Yes, it is. I forgot, this was his final year at the academy. I wonder what he will call himself.

[The three stare right down and listen in.]

TIME LORD #1
You have successfully completed your time at the Academy. You are now free to travel the universe but not to intervene, the rules of time forbid it. Now it is time, young ones, time to choose your names and become Timelords and Ladys.

[THE GUARDIAN’S BROTHER moves up first in front of the Matrix.]

THE GUARDIAN’S BROTHER
I hereby place my allegiance to follow and preserve the name of the Time Lords and the Laws of Time. From this I choose the name... The Saviour.

[THE GUARDIAN smiles.]

GUARDIAN
He always said he liked that name. That was his nickname from us, remember?

DOCTOR
Yes, because he saved us from the groups of year 10’s.

MASTER
And I will be called, The Master!

DOCTOR
Living in a daydream again, Master?

MASTER
No. Never.

[As they are looking down, THE SAVIOUR looks up and waves. The three wave back.]

CUT TO:

6. EXT: GALLIFREY - OUTSIDE THE CATHEDRAL

[THE GUARDIAN, THE DOCTOR and THE MASTER are standing at the bottom of the steps.]

THE GUARDIAN
Well I guess that's that. My brother has graduated.

[THE SAVIOUR walks out the Cathedral door and comes down the steps and stops at THE GUARDIAN.]

THE SAVIOUR
Hello little guy. So then, what did you think of the graduation and my name?

THE GUARDIAN
Brilliant! We were just going to go for a walk over to the Infinite Tower. Want to come?

THE SAVIOUR
Yes. The Infinite Tower, where all the Time Lord legends are kept.

GUARDIAN
Except Rassilon, the founder of the Time Lords.

THE SAVIOUR
He has his own tomb in the Death Zone.

CUT TO:

7. INT: GALLIFREY - INFINITE TOWER

[The four are standing over a grand tomb. The inscription reads 'In memory of Omega, founder of time travel'.]

MASTER
Wow. The tomb of Omega!

[THE MASTER bows at the tomb.]

THE MASTER
He truly was one of the greatest legends. Come on, he found time travel.

THE DOCTOR
Yes, he did. We are grateful for that.

THE SAVIOUR
Little guy, can I talk to you?

THE GUARDIAN
Yes. What is it?

[THE SAVIOUR pulls THE GUARDIAN aside.]

THE SAVIOUR
Listen, I have put your name down for the Gallifreyan swordsmanship.

THE GUARDIAN
Really?

THE SAVIOUR
Yes. Don't tell Mum yet. You know what she would be like.

THE GUARDIAN
Yeah. Thank you.

[GUARDIAN and THE SAVIOUR hug. After a couple of seconds they retreat. They go back over to THE DOCTOR and THE MASTER.]

THE DOCTOR
Well?
THE GUARDIAN
I have been signed up for the Gallifreyan swordsmanship.

[THE DOCTOR and THE MASTER look at THE SAVIOUR.]

THE SAVIOUR
I signed him up for it. Thought he would like it.

THE GUARDIAN
I do. I can’t wait to get started! Doctor, you have never been very fond of swords and guns have you?

THE DOCTOR
No. I would only use a sword if my life depends on it, but not a gun.

THE MASTER
I would use a gun.

THE GUARDIAN [laughing]
We know that.

[THE MASTER looks at THE GUARDIAN, annoyed.]

THE GUARDIAN
Just saying.

[THE GUARDIAN walks over to a big window and looks out it.]

THE GUARDIAN [cont.]
Amazing, isn't it, this view.

[THE DOCTOR and THE SAVIOUR walk over.]

THE DOCTOR
Gallifrey is beautiful.

THE GUARDIAN
Right, better get going, Mum is just a bit much if I'm late.

THE DOCTOR
Yeah, same.

THE SAVIOUR
Coming Master?

MASTER
No. It is okay, I am going to stay here for a little while. I think it’s better if I have some time alone to think.

THE SAVIOUR
You be careful, you know your Father's high up in the Council.

MASTER
I'll just be here, I swear.

[THE DOCTOR and THE GUARDIAN wave. The three exit, leaving THE MASTER on his own.]

THE MASTER [muttering, to himself]
The Universe is an infinitely large place, it’s huge and it needs a ruler and maybe one day that could be me.

[THE MASTER walks over to the big window and stares out, watching THE GUARDIAN, THE DOCTOR and THE SAVIOUR walking along the path, going home.]

CUT TO:

8. EXT: GALLIFREY - BACK OF THE GUARDIAN'S HOUSE

[THE GUARDIAN and THE SAVIOUR are sitting down on a hill looking down at the large city below. Both of Gallifrey’s suns are setting in the distance.]

GUARDIAN
This landscape is beautiful.

THE SAVIOUR
There is no place like it really... Well there's Earth.

[THE GUARDIAN gives THE SAVIOUR a strange look.]

THE GUARDIAN
Earth?

THE SAVIOUR
Well Sol 3 to you lot, but to me it is planet Earth.

THE GUARDIAN
So you learned about Earth?

THE SAVIOUR
I didn’t just learn about it, I visited it. It’s amazing, the whole planet is full of life. There are people there, human beings and they are some of the most amazing creatures ever!

THE GUARDIAN
Will I ever get to meet these Humans?

THE SAVIOUR
One day maybe, if you carry on and go on and study Earth.

[THE SAVIOUR grabs THE GUARDIAN and starts to rub his hair affectionately.]

THE GUARDIAN
Oi! Get off! I'll tell Mum!

THE SAVIOUR
You little wimp.

[THE SAVIOUR throws himself and GUARDIAN down the grass hill. They both roll until they reach the bottom where together they sit and laugh.]

THE GUARDIAN
I hope this never ends.

THE SAVIOUR
Me too, little man, me too.

[THE GUARDIAN moves over and sits next to his brother looking up at the stars above.]

CUT TO:

9. INT: TARDIS - CONTROL ROOM [PRESENT DAY]

[THE GUARDIAN wakes up, breathing heavily.]

THE GUARDIAN
What the hell was that?

[THE GUARDIAN gets up to see the TARDIS in almost total darkness. Smoke is rising out the console, just sitting in the air.]

THE GUARDIAN [CONT.]
This can’t be good...this really can’t be good.

[THE GUARDIAN looks down to see SARAH unconscious on the floor.]

THE GUARDIAN [CONT.]
Sarah? Oh I am so sorry.

[THE GUARDIAN leans down to look at SARAH.]

THE GUARDIAN [CONT.]
Please don’t die, Sarah. Sarah. Please don’t die.

[There is a loud sound and THE GUARDIAN gets up to see the TARDIS door swung open and a bright white light is slowly creeping in.]

THE GUARDIAN [CONT.]
What now?

WOMAN [V/O]
Sleep now my Guardian... Sleep...

[THE GUARDIAN falls uncontrollably back to the floor, asleep.]

FADE TO:

10. INT: GUARDIAN'S HOUSE - BEDROOM [897 YEARS AGO]

[THE GUARDIAN wakes up, sweating about the dream he just had.]

THE GUARDIAN
Is that me in the future?

[THE GUARDIAN looks over to the door to see a shadow under it.]

GUARDIAN [nervously]
Mum, is that you?

[The door opens and THE SAVIOUR’S head pops in.]

THE SAVIOUR
Shut your trap.

THE GUARDIAN
What are you doing up?

THE SAVIOUR
Me and a few of the people need to do something. Something that needs to be done.

THE GUARDIAN
But Mum will notice.

THE SAVIOUR
I will be back really soon, I swear no-one will know I have disappeared, as long as you keep quiet.

THE GUARDIAN
Okay. Don't be too long though. I don't want you to get in trouble.

THE SAVIOUR
I won’t little man. You know me. I am never in trouble.

[THE SAVIOUR winks at THE GUARDIAN, who smiles in return.]

THE GUARDIAN
Goodnight brother.

THE SAVIOUR
Night little man. Sleep tight.

[THE GUARDIAN falls back asleep, while THE SAVIOUR closes the bedroom door.]
CUT TO:

11. INT: GALLIFREY, CATHEDRAL - GROUND FLOOR

[A group of Time Lords including THE SAVIOUR are standing in circle formation talking, waiting for someone.]

THE SAVIOUR
What do you think we are needed for?

THE WHO
Who knows?

THE SAVIOUR
Not you for one.

THE WHO
Who?

THE SAVIOUR
You, Who.

THE AVENGER
Now I see how he got his name.

THE CHANCELLOR [OOV]
My Lords Saviour, Who and Avenger. I'm glad you could make it.


[THE SAVIOUR, THE WHO and THE AVENGER turn around to face THE CHANCELLOR.]

THE SAVIOUR
Why did you bring us here?

THE CHANCELLOR
Your service is needed. What do you know of the Daleks?

THE AVENGER
They are ruthless and don’t know the meaning of mercy.

THE CHANCELLOR
Yes. We are in need of you three to help us against them. They are trying to start a war. You three need to go and stop it. Every decade we send Time Lords to foil their plans. To stop their creation. We have failed in stopping their creation. We need your help this time.

CUT TO:

12. INT: GALLIFREY, CATHEDRAL - SECOND FLOOR

[THE GUARDIAN is hiding behind a pillar looking down on the conversation, listening in...]

THE GUARDIAN [whispering]
The Daleks. But he can’t. He could die.


CUT TO:

13. INT: GALLIFREY, CATHEDRAL - GROUND FLOOR

THE CHANCELLOR
So do you accept?

THE WHO
Yes my Lord Chancellor, I do.

THE AVENGER
I am at your service, my Lord Chancellor.

THE SAVIOUR
I...I...

GUARDIAN [emerging from an entrance]
No, brother!

[THE SAVIOUR turns around and looks at THE GUARDIAN.]

THE SAVIOUR
Guardian! What are you doing here? I thought I told you to go back to sleep!

GUARDIAN
I thought you were going to get yourself in trouble. Brother you can’t go. The Daleks will kill you.

[THE SAVIOUR walks up to THE GUARDIAN and takes a hold of him.]

THE SAVIOUR
Trust me little man. I know what I’m doing. I’m your big brother, nothing is going to happen to me.

THE GUARDIAN
Okay. I trust you, brother.

THE SAVIOUR
Good. Now go home and get back to bed, before Mother notices your missing. After what happened to Dad all those years ago...

THE GUARDIAN
Yes... Goodbye brother.

THE SAVIOUR
Goodnight little man.

[THE SAVIOUR lets THE GUARDIAN go. He turns around and walks out the door, walking home.]

THE CHANCELLOR
Should he be walking home himself?

THE SAVIOUR
Of course. He’s Guardian, my brother. Nothing scares him.

THE CHANCELLOR
Okay. So your answer...

THE SAVIOUR
Yes. You have my wisdom, my Lord Chancellor.

THE AVENGER
That shouldn’t be much then.

THE WHO
We’re doomed.

THE CHANCELLOR
Now, now. The Saviour got higher test marks than you two put together. Your mission starts tomorrow. Get a good nights sleep, then assemble here tomorrow. May the luck of Rassilon be with you.

CUT TO:

14. INT: GALLIFREY, CATHEDRAL - GROUND FLOOR

[CAPTION: "8 YEARS LATER". THE GUARDIAN, THE DOCTOR and THE MASTER are standing on the platform. other graduates are standing at the sides of it. TIME LORD #1 is addressing the crowd.]

TIME LORD #1
My Lords and Ladies, we are gathered here for the graduation of our new Timelords. The ceremony of choosing the name will now begin. Will the first three graduates please step forward.


[THE GUARDIAN, THE MASTER and THE DOCTOR step forward. TIME LORD #1 turns around to face them.]

TIME LORD #1
Stand in front of the Matrix.

[THE GUARDIAN, THE MASTER and THE DOCTOR stand in front of the Matrix.]

TIME LORD #1
You have successfully completed your time at the Academy. You are now free to travel the universe but not to intervene, the Laws of Time forbid it. Now it is time, young ones, time to choose your name and become a Time Lord.

THE GUARDIAN / THE DOCTOR / THE MASTER
I here by place my allegiance to follow and reserve the name of the Timelords and the laws of time. From this I choose the name -

THE MASTER
The Master.

THE DOCTOR
The Doctor.

THE GUARDIAN
The Guardian.

TIME LORD #1
Lord Master, Lord Doctor and Lord Guardian. In the name of our founder Rassilon, I hereby decree you three as official Time Lords. Congratulations.

[THE DOCTOR and THE MASTER are happy, but THE GUARDIAN looks depressed. THE DOCTOR notices.]

THE DOCTOR
What’s wrong, Guardian?

THE GUARDIAN
I wish my brother could have been here to see this.

THE DOCTOR
You know he was pronounced dead.

THE GUARDIAN
But, he could not have been! He is a Time Lord! We regenerate!

THE CHANCELLOR
Sometimes we can't regenerate soon enough. I'm sorry.

VOICE [at the doors]
And sometimes we can!

[Everyone looks, THE SAVIOUR is walking towards the platform smiling, a new man.]

THE SAVIOUR
Or a couple of times in my case.

[THE GUARDIAN jumps off the platform and runs to his brother, hugging him.]

THE GUARDIAN
Brother! What happened? Where did you go? I thought you were dead! Why did you not tell us?

THE SAVIOUR
Calm down, little man. It’s okay, I’m here now. I didn’t miss your ceremony. I was up on the second floor watching. The Guardian, my brother, what a name.

THE GUARDIAN
Yeah. Better than The Master.

[THE SAVIOUR, THE GUARDIAN, THE DOCTOR and THE MASTER laugh.]

CUT TO:

15. EXT: GALLIFREY, OUTSIDE THE CATHEDRAL

[CAPTION: "887 YEARS LATER".

 THE GUARDIAN (regenerated) and THE SAVIOUR(regenerated again) are standing outside the ruins of the Cathedral with a group of other Time Lords. PRAC. FX: everywhere is on fire.]

TIME LORD GENERAL
This is it. We must take arms against the Daleks! This is the Time War!

THE SAVIOUR
For Gallifrey!

TIME LORDS
For Gallifrey!

THE GUARDIAN
For Victory!

TIME LORDS
For Victory!

TIMELORD GENERAL
Ready. ATTACK!

[The TIME LORDS charge against the incoming Dalek attack. FX: Dalek bolts are fired. One shot hits THE GUARDIAN, who falls to the ground. THE SAVIOUR stops and runs to aid THE GUARDIAN.]

THE SAVIOUR
Brother!

THE GUARDIAN [in Pain]
Don’t worry... about me... I’ll be.... fine...

[THE GUARDIAN’S head falls to the ground, and... FX: Volcano explosion shooting out from THE GUARDIAN’s head and hands. Fire engulfs each aspect of his body. FX: His appearance starts to change, to THE GUARDIAN we know now...]

CUT TO:

16. INT: TARDIS - CONSOLE ROOM [PRESENT DAY]

[THE GUARDIAN’s eyes open and he shoots up.]

THE GUARDIAN
Right, my past. How did that happen? Why did I dream all of that?


[THE GUARDIAN notices the white light coming from the door, still. In the white light a woman can be seen. THE GUARDIAN can’t make her out though.]

THE GUARDIAN
Who are you? What are you doing here, in my TARDIS?

WOMAN
Oh my Guardian. You know who I am. We have met before, and this won’t be the last time either.

THE GUARDIAN
What do you mean?

WOMAN
You are going to need our help for the approaching battle.

THE GUARDIAN
Our help? What do you mean?

WOMAN
You helped us. We shall return the favour. Peace was restored for us.

THE GUARDIAN
It can’t be. How did you..?

[SARAH wakes up with her hand on her head.]

SARAH [groggy]
G...Guardian. W... What happened?

[The white light disappears. THE GUARDIAN looks over at SARAH, then quickly runs over and helps her up.]

THE GUARDIAN
The TARDIS has crashed. Something powerful hit it. But, because of the recent damage with the Gods, the TARDIS can repair herself much quicker, Sarah. So I would say give her five minutes and that'll be us.

SARAH
What could've caused this?

THE GUARDIAN
Someone with the technology to make such an impact. But the only people known to make that much impact to a TARDIS is another Time Lord. But that can’t be possible. Only a handful of us survived, and none were rogues.

SARAH
Is it possible they have changed?

THE GUARDIAN
Maybe... but still, at that why me?

[The Time Rotor lights up.]

TARDIS [V/O]
Guardian, I am fixed.

THE GUARDIAN
Excellent! TARDIS, do you know the location of where the blast came from?

TARDIS [V/O]
Nothing can be specified at this moment Guardian.


[A beeping noise is heard. THE GUARDIAN runs to the scanner and looks at it. A red dot can be seen.]

THE GUARDIAN
Whoever it was, looks like they are waiting for me.


[THE GUARDIAN stands upright, and looks at the Time Rotor.]

THE GUARDIAN
This is going to be good.

[THE GUARDIAN looks at SARAH, who looks back at him.]

THE GUARDIAN
Well, here we go. Ready?

SARAH
Yes. You?

THE GUARDIAN
Of course. TARDIS... You know what to do.

TARDIS [V/O]
Tracking source now.... London.... 2012.

THE GUARDIAN
Excellent.

SARAH
Guardian will this be safe?

THE GUARDIAN
Of course not. Nothing's ever safe!

[On THE GUARDIAN and SARAH, grinning gleefully.]
CUT TO:

CREDITS.

NEXT TIME:


SARAH V/O
It was said that, on the 21st December 2012, the Earth would die. It would collide with a passing planet, a black hole as such and cease to exist. Some believe it's real, some don't and some like me aren't sure. But on this day, something would happen that would change humanity forever.

CUT TO:

THE GUARDIAN
Rifts are opening. That’s not good. Really not good. The Sontaran didn’t come here on its own accord. It was brought here, plucked from its own time stream and brought here. But who would do such a thing?


CUT TO:

Caption: Sunday 5th December


FADE TO:


SARAH
What’s a rift?

THE GUARDIAN
It’s a huge fissure in the earth’s surface where tectonic forces cause the Earth to split apart. Opening up a portal from here to another planet, or time.


FADE TO:

MYSTERIOUS FIGURE v/o
You are here because I need your help to bring down the one they call The Guardian.


CUT TO:

THE GUARDIAN v/o
Silurians, Sea Devils, Sycorax,  Zygons, Sontarans, and Echnoneen. That’ll be the disaster of 2012, not colliding with another planet!

CUT TO:

Caption:  THE END IS COMING

FADE TO:

MYSTERIOUS FIGURE
Oh what do we have here? The Guardian defenceless, oh please don’t let it be true! Boo-hoo!

CUT TO:

MYSTERIOUS FIGURE
You left me in the Timewar, for dead.

THE GUARDIAN
I thought you had died, that dalek shot you!

MYSTERIOUS FIGURE
And yet here I am… Brother.

SARAH
What?!

FADE TO:

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The Guardian
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« Reply #19 on: June 24, 2011, 11:14:03 am »

The Guardian
2.12 - The Beginning of The End
[/b] [/u] [/size]

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1. EXT: CENTRAL LONDON - DAY

[The street is busy, people missing trains and buses. Street performers are entertaining their assembled crowds.]

SARAH [V/O]
It was said that, on the 21st of December 2012, the Earth would die. It would collide with a passing planet, a black hole as such and cease to exist. Some believe it's real, some don't and some like me aren't sure. But on this day, something would happen that would change humanity forever.

[FX: A rift opens up in the middle of the fire breather performers, and out of it comes a lone Sontaran, GENERAL THRAP. GENERAL THRAP looks around wondering where it is.]

GENERAL THRAP
I didn't intend to come here. How did this happen?

[The crowd stare at the GENERAL THRAP. One CROWDMEMBER points and laughs.]

CROWDMEMBER
Ha-ha. Look at the size of that.

[FX: GENERAL THRAPS helmet disappears into it's neck ring.]

GENERAL THRAP
You disgrace the name of the Sontarans. You will face the penalty.

[GENERAL THRAP raises his blaster.]

GENERAL THRAP [CONT.]
Sontar-ha!

[FX: A red bolt fires out from the blaster. The CROWDMEMBER drops down onto the ground, cold and dead. The crowd disperse, running crazily. Screams and panic everywhere. GENERAL THRAP is walking along the street and starts to disappear around a corner when - FX: The rift reopens and GENERAL THRAP disappears through it.

FX: The TARDIS materializes. The doors open and out come THE GUARDIAN and SARAH. THE GUARDIAN notices the bareness of the street.]

THE GUARDIAN
Weird. This is London, Central London in fact, and there is nobody about. How can that be?

[SARAH notices the body of the dead CROWDMEMBER.]

SARAH
Guardian, look at that body. What could have done this?

[THE GUARDIAN runs over to the body and examines it.]

THE GUARDIAN
Looks like A Sontaran blaster to me.

SARAH
Sontaran?

THE GUARDIAN
Small potato head dressed in armour.

SARAH
That's what they look like?

THE GUARDIAN
Yeah!

[THE GUARDIAN notices a newspaper lying on the ground, he goes over to it and picks it up.]

THE GUARDIAN
Ah. The Guardian newspaper. Did you know Sarah, that I helped them to choose the name, when it was first established. They still owe me some profit.

SARAH
Interesting, Guardian. I always wondered why it was called that.

THE GUARDIAN
Now, lets see the date.

[THE GUARDIAN looks at the front.]

THE GUARDIAN
The date is the 21st December 2012.

SARAH
Wait, isn't that?

THE GUARDIAN
Yes. It's the day the Earth is suppose to die! The 21st December 2012, the day of apocalypse.

CUT TO:

2. INT: BLACK VOID

[A cylindrical control panel is glowing in the middle of the room. A screen like THE GUARDIANS scanner is showing the footage of GENERAL THRAP appearing in London.  GENERAL THRAP on the screen disappears. THE GUARDIAN can now be seen with SARAH on the screen. A right hand is seen pressing a red button next to the screen. The screen goes off.]

MYSTERIOUS FIGURE
Guardian, welcome to your final battle.
CUT TO:


CUT TO:

3. EXT: GLASGOW - BUILDING SITE

[Two workers are having their lunch break, talking about the job.]

WORKER#1
So. We huv tae build another two stories ontae this museum, Jim.

JIM
Yes we do, Ryan.

RYAN
How long dae you think it'll take us?

JIM
Another couple of months depending on how well and fast we work.

RYAN
Awright.

[FX: A rift opens and a human form comes out, a little girl.]

LITTLE GIRL
Where am I?

[JIM and RYAN look at each other then walk up to the LITTLE GIRL.]

JIM
Are you okay?

RYAN
Awright dudette.

[JIM stares at RYAN.]

JIM
Ryan, this is not the time.

RYAN
Sorry man.

[JIM turns back around to look at the LITTLE GIRL.]

JIM
Who are you?

LITTLE GIRL
I... I am... a member of the Eknodine.

[FX: The LITTLE GIRL opens her mouth and a little green eye stalk appears out of it. FX: Green gas is breathed out from the eye stalk, hitting JIM, who turns to dust. RYAN stares at the now-dust JIM, then looks back at the LITTLE GIRL.]

RYAN
But. That. Cannae. Be. Possible.

LITTLE GIRL
I was brought here, through a temporal transference disturbance.

RYAN
A whit?

LITTLE GIRL
A rift. I was on my home planet, then all of a sudden I appeared here.

RYAN
Kay, weirdo.

[RYAN turns around to walk away, not being phased by the EKNODINE disguised LITTLE GIRL, taking it all as a joke.]

RYAN
Like there is such a thing as aliens and rifts. Yer aff yer rocker man.

[FX: The LITTLE GIRLS mouth opens once more, the eye stalk appears. FX: and shoots the green gas. turning RYAN into dust.]

LITTLE GIRL
Foolish human.

[FX: The rift opens up again and the LITTLE GIRL disappears. The building site is now empty, except for the two piles of dust which used to be JIM and RYAN. An evil laugh, similar to the MYSTERIOUS FIGURE'S voice is heard.]

CUT TO:

4. INT: TARDIS - CONSOLE ROOM

[THE GUARDIAN is standing at the console, thinking. SARAH is sitting down on a chair.]

THE GUARDIAN
Right, so this is 21st December 2012, the day the Earth is suppose to die and a Sontaran is making its way about London. Great!

[The scanner beeps. THE GUARDIAN looks at the scanner, and notices a weird symbol.]

THE GUARDIAN
Oh. Rifts are opening. That's not good. Really not good. The Sontaran didn't come here on its own accord. It was brought here, plucked from its own time stream and brought here. But who would do such a thing?

SARAH
Someone who has the knowledge to control a rift?

THE GUARDIAN
Well yes, obviously!

[beat]

SARAH
What is a rift?

THE GUARDIAN
A rift is a huge fissure in the Earth’s surface where tectonic forces cause the earth to split apart. Opening up a portal basically from here to another world.

SARAH
Oh. Right.

THE GUARDIAN
So say a lot more are opened, more different species will come through and the end of humanity will be here. That will be the disaster of 2012, not colliding with another planet or black hole.

SARAH
Wow. Well, we better stop it.

THE GUARDIAN
Exactly my point. That's what I have been trying to say. We need to save the Earth. I will not let the Earth die. It's too important to me. I would risk my life for all you humans.

SARAH
Really? Why?

HE GUARDIAN
As I have said before, you humans are the closest thing to a family I have left.

[SARAH smiles at him, thanking him.]

THE GUARDIAN
Now...

[THE GUARDIAN starts flicking buttons.]

THE GUARDIAN [CONT.]
To trace the origin of the rifts.

[THE GUARDIAN realises something.]


THE GUARDIAN
Which I can't do, until I get a reading of an activated rift.

SARAH
Meaning?

THE GUARDIAN
We will need to wait on a rift opening, so I can take the reading from it, then use the reading as a signal to trace it back to whoever created the rift.

SARAH
Oh. How long will that take?

THE GUARDIAN
I don't know, but we must make sure we are looking at the scanner to find the next rift.

[THE GUARDIAN stares at the scanner. SARAH rises from the chair, and walks over and stands next to THE GUARDIAN and puts her left hand on THE GUARDIAN'S right shoulder.]

CUT TO:

5. INT: BLACK VOID

The MYSTERIOUS FIGURE is standing at the cylindrical control panel. He starts to press buttons and FX: A rift opens near the FIGURE. GENERAL THRAP comes through the rift.]

GENERAL THRAP
What am I doing here? Who dares to interrupt General Thrap of the 105th Star Squad. You will answer me!

[The MYSTERIOUS FIGURE walks over to GENERAL THRAP.]

MYSTERIOUS FIGURE
You are here, because I need your help and other races help to bring down the one they call The Guardian and to get him, we need to attack Earth.

GENERAL THRAP
What's in it for the Sontarans?

MYSTERIOUS FIGURE
Glory, war and victory. Three of a Sontaran's highest ambitions.

GENERAL THRAP
Who is this Guardian you speak of?

MYSTERIOUS FIGURE
He is a Time Lord.

GENERAL THRAP
One of the major players in the Time War. We weren't allowed in the Time War.

MYSTERIOUS FIGURE
Here is your chance to have revenge.

[FX: Another rift opens. The LITTLE GIRL EKNODINE appears through it.]

MYSTERIOUS FIGURE
Glad you could join the party.

[The MYSTERIOUS FIGURE smiles sinisterly.]

CUT TO:

6. EXT: TARDIS - CONSOLE ROOM

[THE GUARDIAN and SARAH are standing at the console, staring at the scanner.]

THE GUARDIAN
There has got to be a rift opening somewhere...soon.

SARAH
Guardian, what's that?

[SARAH points at a green dot on the scanner.]

THE GUARDIAN
A rift. Fantastic!

[THE GUARDIAN has more life in him now, jumping around the console flicking switches.]

THE GUARDIAN [CONT.]
Tracing the rift now, we will need to have an accurate reading, if we are wanting to catch this one.

[THE GUARDIAN presses pulls down a lever.]

THE GUARDIAN [CONT.]
TARDIS, trace the signal of that rift for me, please.

VOICE OF TARDIS
Right away, sir. Tracing analysis has started.

SARAH
How long will this take, Guardian?

THE GUARDIAN
Shouldn't take long. I mean all it needs to do is find the signal source of the rift.

[The scanner beeps.]

VOICE OF TARDIS
Analysis on rift completed. Rift has been pinpointed. Location: SECC, Glasgow, Scotland, Earth. Date: 21/6/10.

THE GUARDIAN
Okay TARDIS, take me there then.

VOICE OF TARDIS
Right away, Guardian.

SARAH
Guardian, what is the SECC?

THE GUARDIAN
The Scottish Exhibition and Conference Centre.


SARAH
Basically it's a complex?

THE GUARDIAN
An entertainment complex, it holds the national Irn-Bru festival, which may I add is fun and a good number of bands have played there. I'm trying to think I remember reading somewhere who was playing there on the 21st June 2010.

SARAH
How about instead of talking about it, we go.

THE GUARDIAN
The TARDIS is already in flight. We will arrive soon.

[There is a pause.]

THE GUARDIAN
Wait! I remember it's Green Day!

SARAH
Really? I love Green Day. I have a t-shirt with them in my suitcase.

THE GUARDIAN
Well on you go and put it on. Hurry up though.

SARAH
Okay dokey, Guardian.

[SARAH runs to the closest room in excitement.]

VOICE OF TARDIS
Guardian, she seems very excited about this.

THE GUARDIAN
They must be her favourite band. They are really good. In my opinion, one of their best songs is 21 Guns, oh and Boulevard of Broken Dreams is amazing too!

VOICE OF TARDIS
Would you like one of them on, Guardian?

THE GUARDIAN
Yes please. Search for 21 Guns from the album 21st Century Breakdown.

[BACKGROUND MUSIC: 21 Guns by Green Day.]

THE GUARDIAN [singing]
Do you know what's worth fighting for? When it's not worth dying for. Does it take your breath away and you feel yourself suffocating.

[SARAH walks in wearing a Black, Green Day T-shirt reading Green Day at the top and at the bottom - 21st Century Breakdown. It has a picture of a boy and girl kissing.]

SARAH [singing]
Does the pain weigh out the pride? And you look for a place to hide? Did someone break your heart inside? You're in ruins.

CUT TO:

7. INT: GLASGOW SECC - HALL 4

[ < CAPTION: 21ST JUNE 2010 > A crowd are standing around the stage, jumping crazily. On the stage the band 'Green Day' are playing. Tré Cool at the drums, Mark Dirnt at the Bass guitar and Billie Joe singing lead and playing the guitar, with their touring band members playing guitar, bass and piano.

BILLIE JOE [singing]
One. Twenty-one guns lay down your arms give up the fight. One. Twenty-one guns throw up your arms into the sky. You and I...

[FX: A rift opens up on the stage and out of it comes a lone Zygon. The band stop playing and singing. The crowd stop jumping and all stare at the Zygon.]

ZYGON #1
Humans? I demand explanation of how I was brought here!

BILLIE JOE
Hey! I am Billie Joe Armstrong. So nice to meet you.

[A metallic noise can be heard. FX: The TARDIS materializes. THE GUARDIAN and SARAH step out. THE GUARDIAN is now wearing a black shirt, white tie, black waistcoat and black trousers with a white belt.]

THE GUARDIAN
I am sure this will make me blend in, will it not Sarah?

SARAH
Of course. But, maybe blending in isn't necessary.

THE GUARDIAN
Why?

[SARAH points to the stage where the ZYGON is. THE GUARDIAN looks over.]

THE GUARDIAN
Oh right. Zygon.

[THE GUARDIAN and SARAH run through the crowd, pushing people out of their way. They are stopped by a security guard.]

SECURITY GUARD
You can't get up there. So don't try it.

THE GUARDIAN
Oh I think I can.

[THE GUARDIAN takes a hold of SARAH'S hand and rams right through the Guards. They then climb up onto the stage and walk up to the ZYGON.]

THE GUARDIAN
What are you doing here?

ZYGON #1
I don't know. A portal opened and I ended up here.

THE GUARDIAN
The rift. Someone is using the rift to bring different kinds of species to Earth, but except this time they got the date wrong. This is the 21st June 2010, whoever is behind this wanted you all for the 21st December 2012.

ZYGON #1
How can a Human know this?

[trÉ COOL stands up and comes down to THE GUARDIAN.]

TRÉ COOL
What are you talking about?

THE GUARDIAN
There are these things called rifts, they can be used as portals. I can't be bothered to explain it all, again. But wait you're Green Day, it is amazing to meet you! Although you smell rather inhumanely...

[trÉ, BILLIE JOE and MARK look at each other.]

THE GUARDIAN
Zygons.

BILLIE JOE
Oh. You got us!

[The three shape shift back into their original Zygon form. The other members turn too.]

ZYGON #2/BILLIE JOE
How did you guess?

THE GUARDIAN
Well as I said you smell different from humans, I have always had a sensitive nose for that kind of stuff. Your singing was a bit off too, it wasn't as good as the real thing. Tat goes for all of you. Now where are the real Green Day?

ZYGON #2
They were kidnapped through the rift. The one behind it asked us to help and disguise ourselves as them until the right moment, Time Lord.

THE GUARDIAN
How do you know that?

ZYGON #3/TRÉ COOL
We know all about you, Doctor.

THE GUARDIAN
What is it with people in getting me mixed up with The Doctor? I am THE GUARDIAN a man in my own right, and you will call me that!

ZYGON #1
The rift won't stay open for that long, we need to go. He will want us back.

THE GUARDIAN
He?

ZYGON #1
Yes Guardian and, he has been waiting for you, but now is not the time. He is not ready.

THE GUARDIAN
Ready? Ready for what?

ZYGON #1
Ready for you.

[The ZYGONS all walk up to the rift and disappear through it, except ZYGON #2.]

THE GUARDIAN
Where are Green Day? I demand to know their exact location.

ZYGON #2
Oh. You will meet them, when your time comes.

[FX: ZYGON #2 disappears through the rift. FX: The rift closes.]

THE GUARDIAN
They're gone. They can't be. This was our ticket to finding out who was behind all this.

SARAH
Guardian, I'm sure there will be another chance... There has to be.

THE GUARDIAN
There doesn't have to be! It could end like this and the Earth could fall with all the humans dying. The Apocalypse could come.

SARAH
Don't talk like that. We can do it. We can save everyone.

THE GUARDIAN
Sarah, I am glad I chose you. You're brilliant.

SARAH
Uh... Thanks, Guardian.

THE GUARDIAN
Come on! Back to the TARDIS. I may be able to trace that rift, you never know what a rift may leave behind. You would be surprised.

SARAH
After traveling with you for this long, nothing surprises me.

THE GUARDIAN
I wouldn't be sure of that, Sarah. The universe is a big and surprising place, which is why I love it! I think this is the best life ever. Now let's go.

[THE GUARDIAN and SARAH run off the stage and through the crowd, who are all now staring at them. They arrive at the TARDIS and THE GUARDIAN unlocks the door, with a last look at the crowd, they both walk in. FX: The TARDIS de-materializes in front of a gobsmacked crowd.]

CUT TO:

8. INT: TARDIS - CONSOLE ROOM

[THE GUARDIAN and SARAH are standing at the console.]

THE GUARDIAN
Whoever is behind this knows me too well. They have had to know that I love Earth and Green Day.

SARAH
Can you think of anyone it could possibly be, Guardian?

THE GUARDIAN
No. Everyone who knows me well or knew me well, died in the Time War. So this can't be possible.

VOICE OF TARDIS
Guardian, I can trace part of the rift for you. I can't get all of it traced though. It seems to be covered by some kind of filter.

THE GUARDIAN
A perception filter. I want to trace the signal. I want to see where whoever is behind this resides.


SARAH
What are you doing, Guardian?

THE GUARDIAN
You see Sarah, a perception filter makes you invisible to those who do not want to see you. Say I used one on the TARDIS, everyone who walks by would not notice it, but we would because we want to see it. Or say for example it was used on a one story house. It would make that one story house, look like a two story house, and no one would be any the wiser!

SARAH
And has it worked?

THE GUARDIAN
TARDIS, have you got anything?

VOICE OF TARDIS
I can't get through it. Whoever made those rifts wants to make it a challenge for you. They've put a force field around the perception filter.

THE GUARDIAN
Blimey, I could be meeting my match.

SARAH
The Guardian meeting his match? That's bad.

THE GUARDIAN
Yes, you're right. It's bad. Really really bad. Still no rest for the wicked. TARDIS take me to the nearest trace possible you can get.

VOICE OF TARDIS
As you wish Guardian. Tracing the nearest possible signal from the last opened rift.

THE GUARDIAN
Thank you.

[THE GUARDIAN walks over and sits down on the chair.]

THE GUARDIAN
Sarah, come here.

[SARAH walks over and sits on THE GUARDIANS lap.]

SARAH
A bit uncomfortable, don't you think?

THE GUARDIAN
Yeah. Stand up and you can sit on the seat and I will kneel next to it and talk to you about something important.

[SARAH stands up then THE GUARDIAN stands. SARAH sits down on the seat. THE GUARDIAN kneels down next to SARAH.]

SARAH
What do you want to talk to me about?

THE GUARDIAN
I have a bad feeling about this. I think this could be the end for me. Whoever is out there, they must really have it in for me and this could be my final battle.

SARAH
Why Guardian? What makes you say that?

THE GUARDIAN
When we were in Olympus I went to Delphi the Oracle to receive a prophecy. I thought the prophecy given was for that battle in Olympus, but it wasn't. None of it happened. I have a feeling that it means now.

SARAH
What was the prophecy?

THE GUARDIAN
In a battle with a friend only one will come out in the end. Then at a wall the other shall fall with a bang running through time.

SARAH
What does it mean?

THE GUARDIAN
I don't know Sarah. But I do know it means at least two people are going to die.

[THE GUARDIAN stares at SARAH in guilt.]

SARAH
It won't be you Guardian, it can't be. You can regenerate.

THE GUARDIAN
Yes. I guess I can.

[THE GUARDIAN smiles at SARAH.]

SARAH
Good. So no need to worry on all this.

THE GUARDIAN
Yes. Sarah could you do me a favour? Go to the library and get me the book on rifts and cracks?

SARAH
Yes. Of course.

[SARAH walks out to the library. THE GUARDIAN watches her walk away, then turns back around looking at the console.]

THE GUARDIAN
How am I going to tell her the truth?


VOICE OF TARDIS
You will need to soon.

THE GUARDIAN
I know. Soon there is definitely a final battle for one of us. It has been fun though. But for who is the question. I hope it's me and not Sarah. I have lived long enough, but Sarah still has her life to lead.

VOICE OF TARDIS V/O
Guardian, when we crashed, the person who came to warn you about what was happening. Who was it?

THE GUARDIAN
Didn't you guess? It was Persephone, although I guess you would of not known her as you were installed when the TARDIS reprogrammed itself.

VOICE OF TARDIS
Yes.

THE GUARDIAN
I have a bad feeling about who could be behind this.

VOICE OF TARDIS
Who?

THE GUARDIAN
I will give you a clue someone who is close to me and knows me too well. I think it is...

[SARAH walks in without the book.]

SARAH
Guardian, I couldn't find the book. According to the library catalogue, there is no such book about rifts.

THE GUARDIAN
Really? I will need to get that checked out. Maybe someone has taken it out and forgot to put it back in.

SARAH
You mean to say someone has taken a book on rifts out of your library to read then forgot to put it back in after reading?

THE GUARDIAN
Yes. That is what I said Sarah. Remember anything is possible.

VOICE OF TARDIS
Guardian, I have successfully managed to trace the nearest possible signal from the latest opened rift.

THE GUARDIAN
Great! Where is it?

VOICE OF TARDIS V/O
The National History Museum, London.

THE GUARDIAN
Excellent! What is the date?

TARDIS V/O
20th of December 2012.

THE GUARDIAN
So the day before the end of the world then. That is good. That is really good actually.

[THE GUARDIAN starts to pace about the console room.]

THE GUARDIAN [CONT.]
Okay, TARDIS. You know what to do. Take Sarah and I to the National History Museum.

VOICE OF TARDIS
Right away, Guardian.

[The Time Rotor pulses up and down.]

SARAH
National History Museum, I've been there before. Only once though.

THE GUARDIAN
Excellent. I love a good museum. Well actually most Time Lords love museums. They are very relaxing.

[THE GUARDIAN stops pacing and looks at SARAH.]

THE GUARDIAN [CONT.]
Unless of course the exhibits come to life.

[SARAH stares at THE GUARDIAN in disbelief.]

SARAH
What?!

THE GUARDIAN
But that won't happen, don't worry Sarah. None of the exhibits in that museum will come alive. Well... I hope not.

[The Time Rotor stops pulsing.]

VOICE OF TARDIS
Guardian, we have arrived.

THE GUARDIAN
Excellent! Thank you TARDIS.

[THE GUARDIAN holds out his left hand for SARAH to take it.]

SARAH
What?

THE GUARDIAN
Come along Johnson.

[THE GUARDIAN drags SARAH to the doors of the TARDIS. He clicks his right fingers and the TARDIS doors open.]

THE GUARDIAN
TARDIS. Do me a favour, shut and lock the doors once Sarah and I are outside.

VOICE OF TARDIS
As you wish.

[THE GUARDIAN drags SARAH out the door. The doors to the TARDIS close behind them.]

CUT TO:

9. INT: LONDON - NATIONAL HISTORY MUSEUM

[ < CAPTION: 20/12/12 > THE GUARDIAN and SARAH are standing just outside the TARDIS doors.]

THE GUARDIAN
Now to find this rift.

[THE GUARDIAN brings out the Sonic-Regulator and sets it to sonic mode, and starts scanning the museum.]

SARAH
What are you doing?

THE GUARDIAN
I am scanning for any energy that could of came off of the rift, or hoping that I can find the rift itself or whatever came out of it.

[The sonic starts to beep as THE GUARDIAN walks down a corridor: Beep beep beep BEEP BEEP BEEP.]

THE GUARDIAN
Ha-ha. Got you!

SARAH

What've you found Guardian?
THE GUARDIAN
A trace of the rift. Follow me.

[As THE GUARDIAN is walking down the corridor, SARAH follows him. Something reptilian moves swiftly behind SARAH. SARAH looks behind but doesn't see anything.]

SARAH
Guardian, did you see that?

THE GUARDIAN
See what?

SARAH
A kind of reptile creature. Like one of the ones we met before.

THE GUARDIAN
A Silurian? That can't be possible. We got rid of them didn't we?

SARAH
Yes I think we did. Maybe some escaped.

THE GUARDIAN
Yes. That does seem plausible some escaped. Just keep following me, but be on the look out. You see another one, tell me.

SARAH
Okay.

[THE GUARDIAN continues walking down the corridor scanning the trace. SARAH stays still for a moment looking about her.]

THE GUARDIAN
SARAH! Come on.

SARAH
Coming!

[SARAH runs to catch up with THE GUARDIAN. Just as she gets near him, SARAH slips but THE GUARDIAN manages to catch her before she falls.]

THE GUARDIAN
You okay?

SARAH
Yeah. Just the floor's a bit slippery.

THE GUARDIAN
Yes. It is, and there isn't signs up saying caution wet floor. There should be signs right... In a museum?

SARAH
Yeah. Unless it isn't actually wet. Is it from the Silurian?

THE GUARDIAN
I'm not sure. Silurians do not create wet slippery patches on the floor. But, Sea Devils do if they have just came out of the water.

[THE GUARDIAN looks at SARAH, who looks back.]

SARAH
Guardian, I think we should hurry it along, don't you?

THE GUARDIAN
Good plan Sarah. We are nearly at the rift, by the looks of things from the sonic.

[THE GUARDIAN and SARAH start walking again, after a couple of seconds they come face to face with the rift. FX: The rift is glowing brighter than any other has. THE GUARDIAN and SARAH both stop and stare at it, mesmerised.]

THE GUARDIAN
That's beautiful. Out of all of the rifts we have seen today, this has to be the nicest.

SARAH
Yes. It's really mesmerizing and hypnotizing.

[THE GUARDIAN snaps back to reality.]

THE GUARDIAN
Wait, did you just say the rift is hypnotizing?

SARAH
Yeah. Really really hypnotizing.

[Something swiftly moves behind THE GUARDIAN and SARAH again. This knocks SARAH out of her dream world. She looks about, blinking.]

THE GUARDIAN
Sarah, you have to trust me here. This is really important. Do you trust me?

SARAH
What? Yes, of course I trust you!

THE GUARDIAN
Good! Are you ready?

SARAH
Ready for what?

THE GUARDIAN
To be taken prisoner.

[SARAH looks at THE GUARDIAN, which is then short lived as something grabs SARAH from behind. SARAH screams!]

SARAH
Guardian, help me!

THE GUARDIAN
Leave her alone!

[The figure comes into focus - a Sea Devil.]

SEA DEVIL
He is waiting for you, Guardian.

[Another reptilian shape comes into focus behind THE GUARDIAN, but it isn't a SEA DEVIL. It's a SILURIAN, RYTAX to be exact.]

RYTAX
I told you we would return Guardian.

THE GUARDIAN
Who are you? What are you talking about?

RYTAX
I am Rytax, remember me? You murdered the rest of my species. Now it's time for you to pay. You advanced ape.

THE GUARDIAN
Well, take me to your leader...now.

RYTAX
It would be a pleasure to do that.

[The SEA DEVIL pushes SARAH forward and grabs her walking into the Rift together. FX: The SEA DEVIL and SARAH both disappear into the Rift.]

THE GUARDIAN
Sarah! Where have you taken her? I demand you to tell me!

RYTAX
You're joining her. Don't worry, Time Lord.

[RYTAX pushes THE GUARDIAN into the rift. FX: THE GUARDIAN disappears into the rift with RYTAX following behind. The museum halls are now empty and silence has fallen.]

CUT TO:

10. INT: BLACK VOID

[FX: The rift opens and the SEA DEVIL holding SARAH, THE GUARDIAN and RYTAX all come through. THE GUARDIAN falls onto the floor. The MYSTERIOUS FIGURE is standing staring at THE GUARDIAN.]

MYSTERIOUS FIGURE
What do we have here? The Guardian defenseless, is that so? Oh please don't let that be true. Boo-ho!

SARAH
Shut-up!

[The SEA DEVIL tightens its grip on SARAH.]

MYSTERIOUS FIGURE
Let her go. It's The Guardian I want. She isn't important.

[THE GUARDIAN stands up.]

THE GUARDIAN
Sarah is so important. Only a fool would not be able to see it.

MYSTERIOUS FIGURE
So we meet again Guardian... finally.

SARAH
Guardian, what does he mean again?

[FX: The rift closes.]

THE GUARDIAN
Sarah, you remember I told you earlier you have to trust me and the prophecy said two friends would fight?

SARAH
Yes?

THE GUARDIAN
Look around you and tell me, what do you see?

SARAH looks around her and notices a circular control panel in the middle of the room.

SARAH
A control panel in the middle of a room. This isn't what I think this is, is it?

THE GUARDIAN
Yes. It's a TARDIS and him over there is a Time Lord. Not just anyone old Time Lord though. He is important to me.

MYSTERIOUS FIGURE
Was important. Until you left me for dead in the Time War.

THE GUARDIAN
I thought you had died, the Dalek had shot you. I am sorry.

MYSTERIOUS FIGURE
Sorry is too late. I thought we had a strong bond. Looks like I was wrong... brother.

[SARAH looks at THE GUARDIAN then to MYSTERIOUS FIGURE then back to THE GUARDIAN.]

SARAH
What?

MYSTERIOUS FIGURE
Yes. That is right. I am... The Saviour!

[light fills the darkened room and a TARDIS is formed, a TARDIS covered in red all around itself. The colour of vengeance. THE SAVIOUR smiles evilly.]

EXPLODE TO:

TO BE CONTINUED

THE GUARDIAN - John McLellan
SARAH - Lauren Crace
VOICE OF TARDIS - Dawn French
GENERAL THRAP - Christopher Ryan
JIM - Sean Connery
RYAN - Billy Boyd
LITTLE GIRL EKNODINE - Chloe Moretz
SECURITY GUARD - Robbie Coltrane
RYTAX - Paul Kasey
SEA DEVIL - Alan Ruscoe
THE SAVIOUR - Richard Armitage
GREEN DAY - Themselves.
ZYGONS - CGI.

CUT TO:

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